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Actors Rachel Weisz, Colin Farrell and Michael Smiley and writer-director Yorgos Lanthimos discuss their strange, dystopian love story, The Lobster (2015), in which staying single has been outlawed. They muse on romance, corpsing and what animal they would choose to be if they never found romance for themselves.
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In a near-future dystopia, singledom is outlawed. Anyone not successfully paired up must report to The Hotel, where they have forty-five days to find a mate; otherwise they’re transformed into an animal of their choosing. In desperation, paunchy divorcee David (Colin Farrell) - who selects the eponymous crustacean for its lengthy lifespan and fertility - flees, prepared to take his chances with The Loners, forest-dwelling fugitives with their own strict individualistic creed. His international breakthroughs Dogtooth and Alps displayed Greek filmmaker Yorgos Lanthimos’s brilliantly inventive dissections of conditioned identity and social oppression, delivered with a distinctive, absurdist comic sensibility. This all-star follow-up (with superb, atypical turns by Farrell, Rachel Weisz, Ben Whishaw, Léa Seydoux and John C Reilly) widens the scope while keeping Lanthimos’s ruthless clarity and daring tonal blend of deadpan, surreal humour and quiet horror. Amid dead-on production design and verdant Irish locations, The Lobster is both a bleakly hilarious skewering of fundamentalist diktats and rituals, and a tender plea for genuine intimacy amid society’s self-imposed absurdities. In short, beneath its tough carapace lies the pulsing, tender heart of a fiercely modern love story. Albeit with claws.
13 окт 2015
