I just love what Peter brings out of Lottie in this. He's like a great director that brings out the best out of a good actor. Also what a way to start my morning.
Bravo to the lighting & model directing. Lovely work as always, Peter!✌🏻I enjoy hearing the sound of the Hassy H series shutter…I still shoot with my H6D-50c.📸Cheers from California😎
Love the cleaness of the shots. Whiter than White but the blacks are very black whislst showing detail in the corsett. Love Lottie's new look. Well done crew.
Hi Peter, Bec and Lottie , another great lesson. That last shot has a real Marilyn Monroe look and vibe to it. Something about the look of vulnerability in the eyes and expression. As you said Peter that contrast between the costume and the look is powerful. Something else I've learnt from you. Thanks to all three. Jake E.
I passed this on to 5 models I have worked with. They sometimes complain about how many shots I take. I hope they learn from what you are telling Lottie and what Lottie is doing.
great video. i think Lottie is my favorite model that you work with. ive looked at different hot lights but havent had enough call for them. you two work so well together
❤What a terrific shoot..i ended up being so immersed in the shoot that i found myself doin the dolly poses also🤣😂....but dont tell anyone...i have an image to uphold🙄
Many thanks for this new behind the scenes. @B: Please, never forget how important you are in these videos, you are like the foreword and epilogue to a book, and the hand that writes. @L: When you started moving (min 10) you moved to other orbit; you became a complete different Model; and you overshadowed: lighting, camera, lens,… And without the pants (11:42) you were amazing. BTW: I preferred the 1st pantyhose because the vertical mark (left) was fully aligned with the external silhouette of the thigh, moving in harmony with it. @P: Based on what I have seen here, it is important that properly configure the lighting as soon as possible, before the Model starts moving, because later it would become more difficult, because (as I said in my previous paragraph) the Model’s movements would bring all the attention.
Agreed & well put. As alluring as both pairs / styles of the Pantyhose used here are, the slight shine, sheer black pair- I like slightly more. Maybe because the 2nd pair can seem 'trying', where the 1st pair seem like it's their everyday want. And yes, the straight line.
Great video Peter! How are you finding the Molus G200 in these short of scenarios, mixing it with ambient light in the studio or even trying to overpower it? Are you using the Max 300W mode much?
Thank you for the video! Great photos! Why does Peter very often turn the camera a little bit upwards during shooting from the stand? It looks a little bit like the rebound of a gun. Is this focus and recompose or just a habit?
With your change to using constant light, doesn't ambient light now become a bigger issue? It seems to me that with strobe, you can overpower the ambient light and have absolute control. (Always love your videos, Peter!)
You may have already covered this. If so, apologies. What are your plans for your hasselblad? Their decision to abandon H camaras is concerning. Will you move to the X models?
Hey guys. I use continuous also but I always kill the ambient. I’m curious what effect the overhead ambient had in this case. It seems like it’s really bright but that might be the exposure settings on the video camera?
@@PeterCoulsonPhotographer saw it in my feed. I like it very much! By the way Bruno de Monès liked some of my pics from your workshop in Frankfurt, as well as a series I shot afterwards with Katinka Mur in Duisburg and commented on it.
Thanks all the gear used is in the description. Lighting: Zhiyun Molus G200 - zhiyun.com.au/products/zhiyun-molus-g200-bi-colour-200w-cob-video-light?_pos=1&_sid=86cadbc39&_ss=r Rayzr 7 Daylight
Great one. I must say I adore hearing this Aussie at 13:34 mention "Pantyhose" (American invention) instead of the child-like (young americans saying) "tights". (And alluring choices too!) Thanks for sharing.
Beautiful, she looks like Ian Van Dahl!❤ wonderful Peter! Very Fashiony. Cool 🆒. Congratulations to this girl on her weight loss, looks like she will need new , smaller pants now😊
As a beginner I have a big interest in this type of thing. What you shoot and others shoot. there's no imagination to what you can achieve. I think the corsett on some women can really show them off in many ways. But I didn't get this? She's a great model and you're a great photogragher. I don't want to put my ideas for everybody to take.
@@PeterCoulsonPhotographer describe criticism? Describe fashion? Is there not all sorts of fashion and people have their own ideas? Maybe I should stop commenting on your you tube.
I know nothing about fashion photography but from a lighting perspective why do you choose to leave the general studio lights on and in play? Thanks for the clip. Just found your channel and decided to sub. If you're a fan of historic race car you may want to reciprocate. cheers.
You're making your life really difficult because you have your skylights open and I assume your overhead lights on. You can see a strange shadow under the models main chin shadow. You might have better luck if you make your studio dark first then add in your constant lights. You'll like your shots a lot better.
@@PeterCoulsonPhotographer They're a supportive undergarment, and there's huge gaps between her and it everywhere. (Pretty common though, they generally need to be custom tailored to fit, as they'd have been for thousands of years when there was no mass production. That's one reason they fell out of favor)
