Wow!! Did ear plugging thing, found the spot you spoke of, and hit a G-5 without falsetto for the first time ever. My best before that was a D#-5. Amazing trick, Thanks Tyler.
Man, I been doing this along with L(AW) and my whole resonance changed! I can breath better, go louder, and I am even more articulate. There is some healing power in this exercise as well. I am practicing this 30 min a day a long side KTVA for mixed voice. I have never noticed a more brighter sound to my voice. I use to be so depressed dude but this changed my life in a big way. I am more open and free. My parents even noticed something about my voice. My whole facial muscles have been so tense my entire life and I could never loosen up. My vocal coach kept saying relax but I just couldn't do it tell I found this style of of voice training. I just didn't understand SLS but when I felt that buzzing sensation and that strange pull. I realized that I got it! I can actually sing and the way that I was singing was wrong.
You just helped me SO much! You know how it goes with vocal explanations where you can have 20 people explain it and one person just explains it in a way that makes sense? You just did that! I’m in a cover & original band but have recently discovered how “twang” helps me be heard over a very loud band and works beautifully anywhere within my range. Now I’m working on how to make my tone more pleasant while keeping this placement. It’s working absolute magic. Thank you, thank you, thank you!! Subscribing!
Thanks for this ive been watching your vids for about a year hoping just to learn how to use mixed voice, and i guess this one is the answer, i tried the exercise and then i was surprised in the result, when i did the ney ney exercise i reached eb5, i cant even do that before without pushing my voice. Thank u so much❤
I feel like pharyngeal resonance really helped to strengthen and build my voice, however now I need to work on balancing it out with more nasal and forward resonance as it sits a little too dark and back of mouth
Fingers in ears really helps in finding the sweet spot. I purchased and will be starting your vocal warmup course tomorrow. Looking forward to it. Thx for generously offering vocal tips!
@@tylerwysong Completed my first run through. All the explanations for doing the exercises are great. Btw, are the muscles under the jaw to be *completely* relaxed as you get higher??? Also, how long should I work on the warmup exercises course before starting your course on developing mix which I also purchased. Liked your inspirational reference to Phil. 4:13 in another video. 😊
Best video I’ve yet to seen out of 100s explaining true pharyngeal resonance helped me understand my voice so much more! Thank you for all the awesome Content that you give out for free🙏
One recommendation bro, make sure that people see your face on the preview also , not the only name of your lessons. So they gonna memories you, and click on the video where they see you face. The rest is all perfect, your content is great.
Hey Tyler, I really enjoy your videos and find them very helpful! Can you do a video about the minimum amount of intensity/energy we need to sing with in order to get into the 'mix' or just simply singing high notes in full voice? There is a lot of BS out there that singing should feel 'relaxed' and loose and i want to know what's your take on it :)
Yeah please...do a video about that. I feel that singing in mix placement is a relaxed that is not lazy with a lot of air escaping...like you are going for it but at the same time this should came easy and sound resonant with the formants Tyler showed other videos F4 beginning to change than L4, C5 and boom the sound.
Can you explain the difference between twang and nasality? Does twang consists of nasality? I have learned that to remove nasality I need to raise my soft palate. So if I have a raised soft palate can I still have twang?
Nasality or nasalance is a result of a lowered velum or soft palate. Twang (or pharyngeal voice) is when we narrow the middle pharyngeal constrictor. You can narrow the middle constrictor with the soft palate in a raised/closed position. You can also lower your velum and have nasality and not have twang. So they are independent of each other.
Your mixed voice videos are amazing... quick question...My old shure mic sounds muddy and distorted. What kind of microphone(s) do you use singing for live performances and for home recording.
For live usually it’s either a shure Sm58 or a Shure Beta 58a for recording usually it’s a Shure SM7B. That’s just me though. The options are endless! But these seem to work for me.
Thanks for a very helpful video. I have questions: Is pharyngeal an essential part of training and using mixed voice? Is there any other way to access mixed voice without using pharyngeal? Thank you so much sir!
Wonderfully valuable content Tyler as always :) what an awesome resource for singers. Could you consider doing more in depth videos on how to stabilize mixed voice whilst singing full songs, often with so called 'difficult' vowels and with words that involve plosives or closing / narrowing. It's one thing to get into high mix voice with a vowel that lends itself to it in a simple scale or exercise, it's another to stay there solidly when you start to using words and trickier vowels with more challenging demands on breath control etc:)
Okay, so this works very well. However, WHEN do we use this? All the time, to different degrees of strength? In pop f.eks should we not use it at all in justin bieber, ed sheeran type singing? Or alittle bit? 😁
@@themusketeer9458 it’s not the finished product! Just use it to help free the voice up and then aim for a more normalized sound. It’s very useful for helping to free up high notes though!
This thing is very natural to me, maybe because in the middle east it is very common to sing like that in more ethnic songs, I hate how it sounds and the buzzing sensations it creates on me, but I like it on others... :/ it doesn't sound like a mix like me, just a nasally chest, like someone with a cold, or an old lady. When I'm doing it I feel shouty even when I try to sing quiet, on spectrogram al three harmonics go crazy, is there a way to use it with lower intensity?
I actually used this without knowing what it was, it didn't sound full but it wasn't like my head either yet it was weak but can be high (if I'm lucky I can maybe hit up to g5)
Hey I have a strong mix... But I can't get out of my pharyngeal voice it has always been like that in my mix ever since I discovered it... Is it just my voice or can it be changed?
You should tell that we are doing it in head voice and boosting head voice with twang to mixed voice state and mixed voice has nothing to do with chest.
Halfway into the video I cannot but oppose... I am an operatic trained singer and the the term pharyngeal singing expresses that the pharynx is used as the sound amplifier - the spot of sound origin are the vocal chords , and sound is amplified by the pharynx and goes out from there directly into the audience/room . What you are demonstrating is nasal singing, the larynx goes up while you're pressing the tone into the nose. You are going away from the pharynx instead of using it. If you want to listen to real pharyngeal singing then for example listen to Franco Corelli, one of the most famous tenors that have ever lived or Pavarotti for the same matter.
I'm using it as E Herbert Caesari used it. Do you have any videos of you up demonstrating your knowledge of the pharyngeal voice? It's easy for any of us to point out the great singers as a way to prove our points, but the real way to demonstrate our knowledge is to actually demonstrate. Send me a link to your video.
Why would I send a video of me when there are already numerous out there from excellent singers? For example: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-s9PGIYh8G2o.html The minimum requirement to understand the demonstrated difference in this video is to know what to listen for. You may be able to do that as a singing teacher/coach. The majority of yt watchers are not as can be easily seen from their comments. Anyway, you demonstrate what you call the twang or pharyngeal voice by bringing the voice very much forward into the nasal cavities, away from the pharynx, which lies anatomically at the other end of the vocal tract/oral cavity. And yes, that's practiced by rock or pop singers as you state correctly. But the term pharyngeal singing indicates already that the pharynx is very much involved which it is not in your demonstration. It is twang but not pharyngeal singing as the pharynx is left out. No offense here, just a discussion between two who are of different opinion....
@@pedrohasallthepower I would say narrowed pharynx. Nothing going through the nose sounds twangy. It’s because of the narrowed pharynx as I said in this video.
