The Rode Wireless Pro is AMAZING. Is this the best wireless microphone in 2024? 

No doubt, competition is fantastic for the consumer. We get better products at competitive pricing

Glad it was helpful. 32 Bit Float is amazing.

Thanks

Glad you liked the review. I've had no distortion issues at all with 32 bit float, that's interesting that you're having issues.

This is an amazing unit for weddings. Wireless to your camera but a super solid back up recording at all. This is absolutely killer for weddings.

Glad you’re enjoying your DJI

@@scottmckenna Just saying, this sounds like a paid promotion without any regards of the truth... you should do better.

I'm struggling cause I've been researching and DJI does pretty much all of this. It looks like they've copied dji in so many ways. The only good thing is 2 lav mics and 32 float

@thegibenator to me, the 32-bit float separates the rode from the rest.

and your comment sounds rude and like someone who has never watched a piece of my content before. If you'd like me to send you a picture of the receipt that I have which shows I bought it myself, and wasn't sent it, I'm happy to. I made this video to show why I think the Rode Mic is better. If you're happy with the DJI, then keep the DJI, I could care less. Learn to be a kinder person as well, that'll help you in life.

Heck yea. Super cool unit. Enjoy it.

Thanks brother.

This set comes with two transmitters and one receiver as well. It’s pretty great.

The other important thing to note is that Rode is an audio company first, so they live in this world. DJI is a drone and camera company so I feel like Rode will continue to make more and more products that are great for people like us.

Yes. It works great for that. No noise. I've done this before.

Of course shot gun microphone is better than lav audio or the built in mic audio for sure. I always prefer that sound. Yes the audio was edited and always is. When I make videos for my video production company I use the Schoeps MK41. When I make RU-vid videos like this I just use my rode mic NTG as a shotgun.

@@scottmckenna Thank you BRO 🤜🤛. Beside this still enjoy watching your content. Since 2017 when I start my business. I never forget your support and kind words in that time. Regards and God Bless You Scott 🤜🤛

@@spotcutsfilm Hope you're doing well. Thanks for following along.

Haha. It’s such a great unit for sure.

Correct. Each unit has its own storage.

Get the new Wireless Pro. It’s great.

@@scottmckenna Lost confident to this brand, now saving $ for Deity Theos🤣

I agree with the design comments for sure. But since I don’t own it as a mic by itself, the design isn’t a huge deal.

Every lav needs some post production done. Mostly EQ. Lavs don’t sound natural, they are at an odd spot on the body compared to a normal microphone. I always tweak lavs a lot in post.

Thanks bro.

The DR10L has been out for awhile. The Wireless Pro just came out weeks ago. The Rode Wireless Pro is far superior now to the DR10L.

The DR10L was always a more reliable option than traditional wireless units because if they had interference during a ceremony, you were sunk. Now that these and the DJI mics have internal recording plus wireless to camera, these are the no brainer option to replace the older DR10Ls everyone used for a long time.

I definitely would say it sounds awful. With that said, I agree that all audio should be edited. Just like video.

@@scottmckenna well sound coming from Picomic (in 99% cases I don't edit at all) because it sounds amazing. On the other hand rode wireless mic sound is always horrible... Anyway I don't know why such companies like Picomic (that produce great products) don't have reach and advertisement they deserve. Thank you for making that video about Picomic years ago... without you I would never hear about them..

@@scottmckennatbh the lav should of been in between the middle/top button on your shirt, you had it too low.

I hear that. Would be interesting to see if they make a case or something on top of it to make it not possible. I do like that you can see on the receiver whether or not it’s recording. It at least gives you piece of mind it’s still on.

I turned that off in the setting and BOOM good to go.

through the app!

It all depends on how the 4D is setup. The cable itself and connection doesn’t matter, an XLR itself doesn’t sound any better than a 3.5mm. What does matter is whether or not the xlr is going to a preamp and the 3.5 is not. And then it depends on whether or not the pre amp is any good. You’d probably get a better sound quality recording directly on the rode wireless and using that file. The ronin 4D definitely won’t have a great sounding pre amp on it since it’s not actually an audio device.

I want to try it XLR into my Tascam recorder to see if it will sound better than 3.5 into my camera. Just bought the adapters and splitter cable to still get stereo - split channels

I wish I got money from Rode. That’d be sweet.

@@scottmckenna I believe you, but still this is not a good way to write a review. I'm telling you this as a life-long journalist, totally impartial. It doesn't matter actually weather you get any money or not, what matters is the effect you produce. Now I have to hurry up with my purchase before they raise the price of this product... :))

ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-uhMe__TVF6g.htmlsi=QwE1VkPxUTRWfec6

Glad it works out well for you. I love the 32 bit float option so the rode wins to me but DJI makes a great product as well.

Nobody ever answers this lol

No buzzing to me. I use all Sony FX3's and A7siii. No buzzing here.

I find with my a7Siii there is a hum when I selected that camera in the Rode Central app. When I switch to the Rode default camera preset it sounds cleaner! Try it see what you think? Directly into my camera with the 3.5 plug

Recording at 24fps in your camera, and 32 bit float have no significance with each other. 32 bit float is just the quality that the recorder is recording at it (raw). It will sync with video no problem. Not sure if that answers your question.

@@scottmckenna are you saying 32bit float will sync with any video frame rate just because it is RAW?

@obarovft314 all we shoot is 24 fps and the 32 bit float has no sync issues at all.

i saw you can only adjust the rode frame rate with timecode so is that what you do? or can you try syncing with 30fps and see if it syncs?@@scottmckenna

When you record audio, you are recording either in 41khz, 48khz, or higher frequencies. I don't recall if the rode lets you choose 41khz, but I do know that I've been recording on mine at 48khz. This is in essence the equivalent to frames per second. Meaning the audio is being recorded at 48,000 samples per second. 1 second of video has 24 frames (as per your recording settings) and 1 second of audio has 48,000 samples (samples in audio are similar to what frames are in video). So it really doesn't matter. 1 second is 1 second. Now if you are using timecode, then you want to tell the Rode System that you will use timecode and you will want to set it to the same setting as your camera 24fps. or rather 23.978fps.

Bought mine day one and i havent even used them

I’ll buy them from you if you’re not using it.

Unfortunately they are hard to find right now. Rightfully so.

@@scottmckenna haha me too!

Thanks for watching.

Read the description. I paid for the product myself. Rode didn’t send me anything. I just always share products I think are awesome.

@@scottmckenna Thanks....

Multicam workflows are extremely easy to do now. One audio source to a camera, and all the other cameras just recording reference audio is very easy to sync up with no time code needed at all. We film Multicam productions on a daily basis with my company, and we never use time code, or anything. It’s pretty simple now.

@@scottmckenna I've done many multicam shoots as well, and I've always done audio sync via waveform which works. But I've also done audio sync via timecode and it worked so much faster and better in my opinion. I'd love for Rode to be able to audio sync multiple receivers so that you can have more than just 2 mics with timecode. Also, it would be great if they had a timecode mode that allowed the receiver to output transmitter 1 on Left, Transmitter 2 on Right and Timecode via USB port. Currently, you can only output Transmitter 1 & 2 mixed into Left channel and timecode (audio beeps) on Right channel. Not as helpful.