BRO WHAT THE FUCKKKK i cant even comprehend this bro you're absolutely insane these are such cool ideas to learn and implement into standards. KEEP EM COMING MAN THIS IS AWESOME
bro, I'm right there with you. started actually practicing again for the first time in 10 years. ✊ literally only took like 4 of these shorts to turn me from a wannabe jazz pianist to a mediocre jazz pianist 😂
good jazz piano always gives me goosebumps. It also reminded me of my dad playing who is a pianist - I listened a lot to him when I was a kid.. I even shed a tear, thanks
I just feel like it’s all running notes up and down - modal. The rhythm is not varied to really bring out that bebop essence. But hey, I can’t play like Peter… he’s genius in his own right.
Almost... you can think of the triad a major third below the root, so in this case, Db, but it's not over a root triad, but the third and seventh of the main chord. This is often referred to as an upper structure, and you can use this as the harmonic basis for blowing over it with an F7alt scale because you already have the sharp 5 and sharp 9. Throw in a flat 9 and sharp 11 and there you are. :-)
@stevenpietrusza6944 as if your way of processing this is any easier than just thinking of a Db triad / F triad (without the C) Amaj7(aug5) / F is the same thing just conceptualising a Db major triad is obviously easier than telling a learner "augmented major 7th arpeggio off the third" 🤡 Imagine calling people fools on the internet for something so ridiculously pedantic when you have 33 subscribers and still in the "F blues and Canteloupe Island jam nights with uni mates" phase
