These are the BEST Reverbs for 2023! 

❤️❤️❤️ thank you my friend!

The subtle move never makes the difference. But the SUM of subtleties makes THE difference indeed.

In fact we do still use the 80’s reverb (or emulations)… 480, Tc, Rmx16… they still sound superior

Sir even the most basic reverb from the 80s and 90s sound better than most plugins plugins beat out hardware for Price convenience recall and the amount of options versus the presets that were on hardware but take Alesis midi verb and put it against your best plugin

I have pretty much the entire collection of Valhalla plugins. They all do pretty much what I'm looking for.

Vintage verb sucks…Cheap monotonous artificial sound. It’s just the hype…

Their new synth is awesome. It’s filled with classic tones that are all so usable.

Big Sky at $199 is only half the price of Cinematic Rooms Pro. So in price comparison, it's a good deal.

Can you share it bro

I’ll do more! Any suggestions?

@@DomSigalas Saturation, stereo, multiband compressor !

@@DarkTrapStudio I have good news, I’ve done the saturation already :)

@@DomSigalas Cool thanks, Im gonna check that, already seen the compressor and orchestra one

Relab Development have released a bunch of very interesting videos on how to use this monster, my 2c

I’ve talked about it in another video. I absolutely love it!

I’ve done a full video on the multi tap delay in Cubase. If you have the time to master it you barely need another plug-in (well, almost, I always like a new delay!)

Killer!!!

It has the RMX16 sauce. RXM is a grainy reverb especially on that algo that excels at short ambiences like this. If you haven’t already, Try very short settings on the Roomworks with lower quality and increase the brightness. It should give you an approximation :)

@@DomSigalas Thanks, I'll give it a try.

I would imagine the next step is modular and morphing reverbs. Modular in that we can add modules on our own, but there are always ones in the presets including delays (taps, standards) (like Epic from CLA/Waves), granular frequency pitch shifting (granular we're already starting to see all over the place), sequenced gating/filters (like ShaperBox), otherworldly stuff like ones that get brighter, panning/width automation LFOs, negative reverbs for automatic reverse reverb into a sound effects (like Mirror from United Plugins), and like I said morphing like NeoVerb. I think we'll also start seeing adaptive reverbs for end listeners soon too. So if you take the song playing device to the kitchen or shower, you'll get less reverb, but take it to your bedroom and you'll get more ambience, then outside and something else.

I saw that. Wasn’t out when I shot this video :)

Hell yeah it did! :D I'm incredibly excited. I've been putting at least a bit of Little Plate on my snares so I'm really looking forward to working with Super Plate!

@@DomSigalas Oh, I figured as much. Would love to see you do a video of it in Cubase. You do a fantastic job!

sp2016 beast fit for every thing

It’s the full version. But if you find that you don’t need all the controls you can start with the lite version :)

Hahaha they were late!

Agree, this is the Best Fit-in-the-mix Reverb for me.

For reverbs I would go 90% of the times with a send effect :)

@@DomSigalas 😃 Thank You

You’re welcome. You either die a hero or live long enough to see yourself become the villain 🦹‍♀️

@@DomSigalas Your way of saying and doing things, sometimes I think you are me from a parallel universe ❤

There’s no specific one for synths but from the top of my head I would say: Spaced Out, Blackhole, Shimmer, Glow, Radiance :)

I don’t have it :)

I think it’s Liquidsonics too :)

Not yet! Is it good?

@@DomSigalas yes i have bought it, but i really wanted your views on it.. Tbh it's great as it has built in sidechaining feature for clean vocals and leads

Native Instruments Raum is the best Reverb plugin it is my favorite plugin. So you can do it for Vocan and Instrument 👏🏻😁👍🏻

I love the PCM Lexicons. They are top notch. However, they haven’t been updated for ages (correct me if I’m wrong), and I’ve found them to be the culprits for projects not opening or crashing due to an old version of iLok that they implement. Sadly, because of this, I stopped using them. I love the sound but for me stability and recall-ability comes first. And I worry when there’s not an update for a plug-in for over two years with such issues. I like Glow very very much. Initially l, I dismissed it but after playing with it, I fell in love and now I use it constantly. And let’s not forget the all-time-classics: Valhalla. I tried to talk about plugins that are more recent/I haven’t talked about before though :)

@@DomSigalas PCM is absolutely rock solid on Pro Tools. Don't know about Cubase ;) At the end of the day it's a port from the hardware (which was thoroughly tested before they launched the PCM96). There shouldn't be any need for them to update it. This idea of devs updating their plugins every 5 minutes (because the internet affords them that luxury) doesn't mean that companies that don't are providing outdated software. If anything it says most devs don't bother investing in proper testing before release and make their paying customers the guinea pigs! VST3 is 15 years old and so is the PCM96, you would think they would be bug free and fully functional in the latest release of PCM bundle - 2016 (8 years later). Valhalla is great for the price but it is a poor mans Lex PCM. I have no need to double up on inferior plugins. I have (what I consider) the best of the best to cover all situations. PCM is better than Valhalla (it was in the spitfire shootout). I too liked Glow but it just doesn't have the definition (for want of a better word) as the original, which always put me off. The best way I can describe the sound is the difference between an object and a 3D render of the same object - it's got a kind of plasticky texture and doesn't quite look real (but you can't put your finger on why). That really is the sound of impulse responses in general for me. Thinking about it another comparison would be the difference between a guitar amp and an amp sim (nearly, but not quite and when you hear the real thing... not at all). It's fine for sound design (80s mock-ups etc) but not on a commercial release imo.

@@martinbailey707 I've owned the PCM plugs since they were released. Sadly, you are incorrect. They need to be updated, especially on a Mac for m1 compatibility. And Cubase 12 got rid of 32 bit plugins so you can't even load them in Cubase period. Sadly, looks like abandonware.

It’s not abandoned, we’re just waiting for the Apple Silicon versions of them. Hope they will be released soon!

😂

@@DomSigalas 😉👍💥