Sometimes the freedom that digital camera's and photoshop gives me freak me out a little, sometimes i really miss the simplicity of having a specific colors from an old badass film like ektachromeE100VS, velvia50, Provia, Kodachrome, etc. Your tuts are awesome and help me deals with that, Tx!
Hello guys, do you know if we should adjust black, white, contrast, ex... on camera RAW/Lightroom before converting a picture to LAB color space (photoshop) or should we do all the adjustment in the LAB color space?
So the reason you created a separate file with the LAB mode conversion rather than converting the RGB to LAB in the original file is that you would have to convert back to RGB in the one file, vs only having to do it once in the second document, then as a smart object in the original it can stay in LAB even though the psd is in RGB?
7 лет назад
Very interesting , thank you so much @michael ;-) JF
Working in Lab is one thing and the process of incorporating it into a typical editing session with an RGB file is another. You helped with both. Thank you!
I also like the trick to open the layer in a new document and then reimport it the same way via a smart object. I never did it this way. That really avoids switching all the layers between the different color modes. Frank.
yes, thanks. I still have to use the LAB mode more to accentuate and seperate colors a bit more. Probably not for everyday use but very helpful for certain problems. Always learning something new. Frank.
Hey, great tutorial thanks alot! I am wondering how much does the image quality actually decrease when going from RGB to LAB? And what did/do you do to preserve it as much as you can?
If you are in 16 bit, like nothing. But this tutorial does not show us what is really special about LAB. All this can be done in RGB. There is some really special stuff but this tutorial does not hit on it.