Professor of Violin Julia Bushkova explains and demonstrates spiccato and sautille. www.bushkova.com Julia Bushkova's Progressive Shifting Exercises method is for sale at www.arsentiykh...
I am a composer, but not a string player, so for me, having an understanding of what I’m actually asking a musician to do. Therefore I greatly appreciate the thorough nature and explicity of this video. Many thanks.
I’m watching this as well so that I’m able to explain to my violinist what to do/what I’m looking for. The more you know, the better. Haha great video!
This video has to be the best one I've ever seen on this topic. Beautifully and clearly explained and demonstrated. You are a master teacher. Thank you Prof. Bushkova!
The most useful videos on the entire web. I was studying the violin at the age of 7 at about five years and I quit. Now on 49 I have started again with a good teacher but it looks like I have a second teacher over here. Keep up the excellent work. Thank you mrs Bushkova.
Im currently studying under a former student of your mother. Its great to see your videos and feel being part (a very little part) of your family musical legacy. Keep up your great work!!!
I was having a hard time trying to explain the difference between these strokes to one of my students and this is extremely well put. Thank you so much Miss Julia!
Проф .Бушкова ,одно удовольствие слушать Ваши уроки , все так детально, понятно и интересно ,я бы сказал по мастерски Вы преподносите знания. Большое Вам Спасибо !
Thank you very much for your advices. Really straight forward golden explanation. An astonishing masterclass. Your students are no doubt privileged ones. I hope you can share more of your art.
Thankyou Profesore going on 6 months of playing. Need sautille now. (czardas) You are the one i go to for all instruction. Better and more informative than my teacher who i use only for checking - in person- on my positions and physical faults.Thankyou. spagannini
When you get sautille it just click and I do it wow. Takes some time and it needs some specific wrist motion to get a small bounce. At slower tempo semi-quavers sautille in open string, then scales/arpeggios until I can get it faster. Nice and helpful tutorial
Great video! I can do the bow stroke, but I find it difficult to synchronize left hand with sautille (left hand fingers slower than bow stroke), and also maintaining a good bounce when crossing strings. Can you give exercises or advice on these? thank you!!
Это есть самое лучшее обяснения этого штриха, для исполнения которого даже не нужно иметь очень хорошыи́ прыгучии́ смычок, самым паршивым смычком можно спокойно играть этот штрих. Брава !!!!
Юлия Робертовна, пересматриваю ваши видео. Очень много полезного и важного нахожу для себя как в преподавании, так и в понимании многих моментов для себя. Пожалуйста, могли бы вы снять отдельный ролик, посвященный скрипичным штрихам ( с их русскими и иностранными названиями ). И отдельный вопрос к штриху Colle - как будто в Русской школе его нет. Что это такое, как оно обозначается, и как играть?
Interesting. Everyone has always told me, in the US, that spiccato always starts on the string. Most of these I remember from orchestra directors, but I remember my private teachers all telling me this as well.
Thanks for all your wonderful videos. Could you talk about what is the color of sound? I hear it in some videos from masterclasses. Does the same note at same volume can be different so called color?
So sautille and spiccato is the same stroke..?But finally we use it for either the lighter either the hevier one..?And For Beethoven violin sonatas which is used ..?Like in the cm sonata,last mouvement
Spiccato and sautillé are NOT the same strokes. They are played in different tempi and in a different way. Which one you use depends mainly on your tempo
Heifetz does (did )a very high elbow action when he plays (played) several stacatto notes near the frog . The forearm seems to act as a pendulum in that case. I found myself doing that once without anyone teachibg me that . Maybe there is a rare Italian name for that elbow move . Do bow arms have their own vocabulary ?
Please!!! give some advice about fast broad detache. Kreutzer sonata type or even FF Barber finale. How do you increase speed without loosing neither flexibility neither bow quantity?!? Please
I watched many videos talking about the definition of staccato, spiccato, sautille. Can you explain when to use the different bow strokes according to the notation of the music on the score? I know it may change from context to context. Any general rules to using different bow strokes? Many thanks!
Thanks a lot for this great video. I just wanted to ask, is it ok to use a lot of wrist for sautille? I tend to lock up if I use my lower arm and can't use my lower arm to bounce the bow as well as with mostly the wrist.
My daughter is practicing on a piece for Bach arranged by P. Klengel I think it is D Major first 3 lines staccato & the rest no staccato should we play them spiccato? Thank u
Can you explain the role of the fingers? I have a student who was taught to do spicatto with fingers, as was I, and recently I was taught to not engage the fingers but rather use the wrist. Is this true?
That is correct - the fingers should not be engaged, just the wrist. But the fingers are still used -- they hold the bow, and they have a reactive role to the wrist.
Interesting, now I realize that your bow doesn't have to be of the highest quality so that it can bounce. Anyway, can a 200usd bow be adequate enough for it to bounce decently?
Здравствуйте! Я совсем запутался в названиях этих штрихов. Я думал, что спиккато - в середине смычка, а сотийе - у колодки. И в других видео на ютубе - так же. Но Вы, вроде как говорите наоборот? Или я что-то не так понял? Подскажите, пожалуйста? Постоянно путаю названия этих двух штрихов.
Штрих, который мы (по-русски) называем сотийе (с французского sautillé) ВСЕГДА играется выше на смычке, чем спиккато, поскольку он быстрее. Я никогда не слышала противоречия, о котором вы пишете. в профессиональной среде - ни в России, ни в Америке, ни в любой другой стране, где преподавала. Если кто-то в RU-vid называет их наоборот, то это вряд ли профессионалы.
You may put it this way :) Since spiccato is slower, there is more need of controlling the bow; in sautille, the bow should bounce off by itself so there is very little control needed
Sautillé is not a rhythm but rather a bow stroke. Usually a sautille is used to play a series of fast notes (oftentimes a single note repeated, but also with changing notes) that requires a new bow for each note.
It is for sure from the wrist. This way, doing it from the forearm, is not efficient and applicable in really fast tempo. Check the video made by the violin masterclass channel on youtube. There is an old guy explaining this technique wonderfully.
I have played under more than thirty different conductors and none of them ever bothered with Italian or German or French or Spanish terminology - they just told the strings to play off the string (or on the string) then we just followed whatever the concertmaster did.
I like your exact teaching very much although i am a cellist. But it is a little anoying that your speaking and playing does not communicate in time with the film. Thank you! 😏
