From the same CD as yesterday, a new version of the G minor concerto for strings, RV 156. Like its companion RV 157 (👉 ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-Zt_8mS3WIws.html ), also in G minor, it begins with a "lament bass" that repeats after 3½ bars (2½ bars in the case of RV 157). A correction was made in the first measures, where the second violins are made to enter later, after the first iteration of the ground. The exact same change was made in RV 157. Maybe they were companion pieces at one time, having been composed (or revised) at around the same time. RV 156 bears the number 8 inscribed at the left of the first system. The musical directors of this interpretation went back to the manuscript and restored a few measures that were deleted, which are actually just repetitions (except in one case where the composer had second thoughts about stating a certain part of the theme in a major key). I like this interpretation overall, although it is played only one instrument to a part: I remain unconvinced that this was the sound Vivaldi intended for these strings-only concertos. I. Allegro (0:00) II. Adagio (3:12) III. Allegro (5:03) Composed: unknown date Turin source: Giordano 29, ff. 29-35bis Il Dolce Conforto, ‘Vivaldi's Salterio’ Christophorus CHR77471
SO FREAKING SICK . I love Vivaldi. Someone who loves classical music, rap and heavy metal, vivaldi is my #1, in terms of lighting up my spirits. I attended a performance once, front row, as vivaldi himself. It was incredible! They performed Vivaldi's Gloria
Pelo fuso horário, seus vídeos sempre aparecem pra mim de manhã. Então é feliz acordar e ter um café da manhã especial. Good Job from Saint Spirit, Brazil.
At the beginning, the crossing out of the "controsoggetto" in 2ds' line, is a perfect example of that search for clarity (main theme first) . JSB would have done the exact opposite
