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True, I got a CD because of autotune. It was about 2005 or 2006 and music started in getting really annoying. The same auto tune shit on radio. My girlfriend at the time asked me what I wanted for my birthday and I said "The Essential" by Leonard Cohen, because I wanted music with an original voice. And I also like his deeper singing voice. And I had barely any music CDs. I was at university at the time and downloading music was very easy and fast.
Nothing can beat the original. He knows what he wants to deliver. He understands live. Simple and beautifull. it's all about expression and transfer emotions. I think one of the songs, most covered by such great singers. Each cover should be different from this original, because this original is phenomenal. Please listen to 15 year old Emma Kok with full orchestra and choir doing her version of Hallelujah. Thanks for your reaction.
When anyone else covers Leonard's songs I listen to their voice not the words. Leonard's unique, if far from perfect voice touches me in the way that no other can. I feel a deep emotion with nearly every verse. That is why he is my all time favourite artist. The two concerts of his that I attended when he was in his late 60s or 70s were the closest I've ever been to a spiritual encounter.
my fave version ever. While he is rough, it suits the song. Of course he wrote it for his voice and style. While the modern clean pretty versions it's a good song. His version resonates with the song
This. None of the pretty covers by pretty singers with pretty voices come CLOSE to the way Leonard inhabits this song and makes you feel every word. He means it. The others not so much.
I took my mom to see this show at the O2 in Dublin. It was a highlight of her life as she loves Leonard Cohen. He played for about 3.5 hours. Keep in mind Beth he's in his late 70s in this video.
Leonard Cohen never had any illusions about him as a singer. His strength was never being a technical singer. It was always about the storytelling and conveying feelings and emotions. A friend actually briefly spoke to Mr Cohen at the award ceremony when hi won the Juno award for best singer. My friend said “ Congratulations Mr Cohen. Best singer, eh? How about that?” To which Mr Cohen grinned and chuckled: “ Haha. Yeah, it can only happen in Canada”. Now my friend absolutely didn’t mean it as an insult but rather believed Mr Cohen saw the humor in it which he clearly did. What a poet and storyteller he was and there’s better music in heaven after his passing
The Webb sisters singing "If It Be Your Will" during the live shows while Leonard listened in the background, simply basking in their voices, is a strong contender for the most perfect moment in music.
In 1993, on accepting his Juno award for best male vocalist, Cohen quipped, "Only in Canada would I receive an award for best male vocalist." I love Leonard: a great poet, a timeless philosopher, and an all-round great guy.
Leonard Cohen's "Famous blue raincoat" is another song that brings me to my knees crying every single time, if there ever was as man that could be used as the personification of love and at the same time heartbreak... that man was Leonard. A genius of poetry yet someone that knew his music too, like the triplets in Famous blue raincoat, or the rising verses of Hallelujah, coming to an ecstasy in the Hallelujah, the way that this song is written like a gospel song, showing how love can drive someone to do things akin to a religious fervor, almost an extremism. Maybe not a technical singer, but a feeling singer!
One of my favorite examples of good writing is in that song. "Last time I saw you, you looked so much older. Your famous blue raincoat was torn at the shoulder." Such a clear and concise way to describe so much by focusing on a simple detail. It says everything you need to know.
Saw him in 2012, greatest concert I have ever been to. Top notch lyrics, emotional voice, incredible band and back up singers. Over 3 hours from a 78 year old performer. As the music reviewer for the local paper said, “If you consider music a religion, it was like going to church.”
I was lucky enough to see this line up with Leonard in Sydney a couple of years after this was recorded. It was one of the best concerts I've ever seen and the whole band added to the performance - especially, as Leonard called them, the sublime Webb sisters on backing vocals.
Mr Cohen is actually one of few singers I enjoy more in his older days rather than younger. That dark barrytone voice is really a great vessel for his poetry. I´ve had the goo fortune of seeing him twice live and it´s the closest to a religous experience as I´ve ever come close to. It was never about technique with him but rather feelings and emotions.
It took me a while to warm up to Leonard Cohen’s voice. At first I didn’t like the fact that his pitch was sometimes off and some other idiosyncrasies, but I eventually came to love it for its deep resonance and story-telling abilities. While many others technically sing this song much better, I love this version the most.
Apart from his poetic skills, I always thought his believability was one of his great strengths. This song is dark, the halleluja is clearly a metaphor for something that it is broken. Whatever you interpret it as, you don't convey broken with a high pitch perfect tone voice. He tells a story and you believe him. He has you hook, line and sinker a few lines in.
I saw Cohen in what I think was this same tour - it was December 2012 and roughly one year before his very last concert. It stands as one of my favourite concerts and I've been to a lot of them. RIP Leonard Cohen. Definitely one of the GOATs.
I have sang Rufus Wainright's version at karaoke for many years. I thought up until about 4 months ago that this was a praise song that had lyrics that did not make much sense to me. Then I read somewhere of Cohen doing an interview explaining that this was about a divorce/breakup and it was a real aha moment. Now I get it.
I'm always impressed by song writers like Cohen who can write amazing songs like this. Truly gifted. I can see he began writing poetry as his lyrics are often so poetic. I love his voice. It may not be "Pop friendly" but it has an emotional depth few singers can match. Thanks Beth.
If there was ever a song that fit his voice, especially his voice on that album so close to the end. It's feels like a haunting call from beyond the grave.
Do listen to some of his early recordings. His songs are stories where he tells enough, but not too much. One of my favorites is "Chelsea Hotel #2", which came from an encounter he had with Janis Joplin.
G'day Beth, While many people sing Hallelujah to me rather than a song being sung this version is a musical poem/story with Mr Cohen following the music halfway between Spoken & Sung. Mr Cohen wrote a very emotional outporing & while there are some other sung versions I like his are my favourite versions.
Perhaps you might consider that Leonard Cohens shifting of pitches comes (at least in part) from his long-term engagement in Zen buddhism. In chanting sutras masters often do that. I were lucky to see him in some of his late concerts and he was just so special. Leonard used to say: "We will meet again further down the road."
I saw him play this on his final tour. Bankrupt, having to work at 80. He was inspiring how he bounced on and off the stage to bring joy to the crowd. Still the only man who can give his song real justice
i have Leonards greatest hits album somewhere in storage ,every song a classic The Stranger song,the sisters of mercy and Suzanne come to mind right away. i think i bought it in the late seventies. He and Dylan are two guys that could not sing but were able to get the message across with amazing lyrics.
Cohen was like the proverbial sage on top of the mountain, who has wisdom unattainable to regular people. Maybe the greatest songwriter ever to walk the Earth.
There is something special when a songwriter sings their own highly emotional song. You can often feel that deep connection with them that other artists cannot capture, no matter how beautiful or perfect the vocals may be. "A Rainy Night In Georgia" by Tony Joe White comes to mind as do many compositions by Gordon Lightfoot.
Thanks for this reaction. I would love to see you react to another Leonard Cohen song such as "Anthem", "Tower of Song" or Dance Me to the End of Love. These songs demonstrate the beautiful blend of Leonard's voice with his accompanying vocalists.
WHAT?!?!?! People are debating whether or not LC is a good singer?!!! This was fantastic!!! Maybe the best version I've heard. Thank you for reviewing this and showing him off.
And "Fable" is a great album, filled with Beth's beautiful voice, intriguing lyrics, interesting melodies and very climactic arrangements. And it's very neatly published as well. Get your own copies!
For me, Cohen, much like Tom Waites, is about how their voice makes you feel. How they seem to make your brain vibrate a certain way. They aren't the greatest vocalists, but the tones really are affecting in an almost personal way
Great reaction Beth! RIP Leonard Cohen. His voice suited what he wrote in a manner of conveying the intention & meaning. Was it a melodic voice? No., but he had his own style. If you like Jeff Buckley's version, I HIGHLY recommend checking fellow Canadian songstress kd Lang's version, at the 2010 Vancouver Olympics! Even Mr. Cohen had said (at his induction to the Canadian Songwriters Hall Of Fame - where kd Lang did this song) that the song can be laid to rest - her version is the ultimate realization of his words! If that's not high praise, I don't know what is! Cheers.
There are so many of his songs I love, the latest song he had was You Want It Darker. I also love Jennifer Warnes cover album of Leonard's songs, especially First We Take Manhattan, and Joan of Arc; Manhattan has Stevie Ray Vaughan playing lead, and in Joan has both Jennifer and Leonard singing.
I think, Professor Beth, that you have made a very valid distinction between Singing and Performing, Execution and Presentation. They're DIFFERENT! If you're in the ensemble, you sing and execute AS WRITTEN. If you're a big-name lead, you have a lot more leeway as to what or how (or even IF) you sing and how you present. (Either way, you best do what the Director or Producer tells you to do! THEY write the checques!)
I love this version. Some great songs have been covered by singers so well that they have effectively taken the song from the original artist (examples include Aretha's version of Respect, or Hendrix's All Along the Watchtower). There have been some incredible covers of Hallelujah that I love, including KD Lang and Rufus Wainwright. I remember waking up in the middle of the night once when the radio was playing Jeff Buckley's performance -- in my semi-woken state and not immediately recognizing the song I remember thinking it was the most beautiful thing I'd ever heard, close to a religious experience. That is an amazing cover, the only performance that stands up to Cohen's. This is still Leonard Cohen's song...
What I love about Leonard Cohen is he knew his weakness and so as not to stretch his voice too much he went to the German Sprechgesang/Sprechstimme, which worked for him so beautifully. Also I just love that so many misinterpret the meaning of this song. Ssh, it's something to do with making love mixed a feeling of religiosity. 😁
This song (and this version has it but seems to be rare - there are many about 15 different verses have appeared over the many versions) has one of my favourite stanzas ever written: "I tried my best. It wasn't much. / I couldn't feel so I tried to touch. / I told the truth. I didn't come to fool you. / And even though it all went wrong / I'll stand before the Lord of Song / With nothing on my tongue but Hallelujah"
That verse is in the original recorded version from Various Positions - which is lyrically my preferred version. And which I prefer to most of the cover versions out there (kd lang gives it a good run for the money). I bought the album on a whim around 1986 or '87, not knowing a single song on it (I knew a few of his earlier songs and had studied his poetry in a CanLit class in university). There are several amazing songs on there, but Hallelujah immediately stood out as something utterly exceptional, and made me forever a fan of Cohen.
I first saw him in the early 70s in a university gym. The final time was in Toronto on his farewell tour. This video could have been taken at that concert, though it probably wasn’t. Other than his poetry and aging but still powerful voice, what I recall from both these concerts was the effect he had on the women in the audience. Yep, he still had it in his 80s. What an amazing human.
In the late 70's I introduced a friend to Leonard Cohens music. When I mentioned his name she said "Leonard Cohen the poet ? " She was amazed at his music as she had no idea that he recorded music. I think I played the album with "Suzanne " as one of the tracks. After listening she was impressed.
I've always found it so strange this becoming a Christmas classic considering the things discussed within and how dark and sad the song is, rather than triumphant. Really glad you covered Cohen and not one of the later covers. Really excellent stuff, thank you!
Leonard is both singer and poet to me. Though it could be said he never had much melody to his voice, the depths he was capable of reaching were tremendous valleys. Particularly on his final album, which is heavy enough with atmosphere and themes that it can create a nearly religious listening experience. And of course as a wordsmith he was the exact opposite of a writer of ordinary lines. His lyrics alone are fine literature.
In 1993 in Canada he won a Juno award for Male Vocalist Of The Year. With a sense of humour, some humility, self-awarness, a twinkle in his eye and a grin on his face he accepted his Juno award by saying into the microphone, "only in Canada".
For a long time Cohen didn't consider himself a singer, others convinced him that he might be the best interpreter of his lyrics. He was an incredible poet and philosopher and I find his presentation of his songs especially moving.
I love the story he told about writing this song, where he was apparently on the floor of his hotel room in his underpants, pounding the floor and shouting "I can't finish this song!", as the verses kept coming. I recommend his album Old Ideas, particularly love the song Come Healing.
Mr. Cohen was, of course, a poet not a singer. He did improve over the years but it mattered not; it was the message not the messenger. And unbelievably humble. At each performance venue he would learn the names of everyone involved, right down to the ushers and would meet each one of them at the sound check, call them by name. shake their hand and thank them for helping with the show. At the Hamilton, Ontario, Canada show which was the last one before the London England show, after the soundcheck all the local crew went out and bought dark blue fedora hats, his trademark, to wear during that evening's show, to honour him. It was known that he was dying of cancer and this was literally his farewell tour.
My favourite performance of this is by K.D. Lang. She even got to perform this in front of The Man himself. Leonard Cohen is singing out of his experience and wonderful poetic mind. He worked on his music and poetry and was relevant to the very end of his life.
I like Cohen's version here. I know the JJ Cale version( that Jeff Buckley made famous) is the most known but I love Cohen's original arrangement of the song
Being an old man, I was introduced to Mr Cohen many, many years ago (by a young lady named Suzanne, coincidentally).. no, he has never been a great singer.. he HAS always been a great communicator. A poet and story teller. One of the best compliments I ever received was when Suzanne told me I spoke like Leonard sings.
I'd be interested in your analysis of Cohen's young voice, like the album version of So Long Marianne. My favourite Cohen book is Flowers for Hitler. It also contains my all-time favourite poem (by anybody): The Music Crept by Us.
You should check out KD Lang if you haven't heard of her. She has the best performance of this song and he pretty much gave it to her. She also has one of the best performances of Cryin which was also given to her by Roy Orbison.
You as a singer should really do KD langs version Even Leonard said after hearing her sing it that it was hers now ... The 2010 Olympic version of the version at the Canadian Juno awards. .... I consider her one of the best female vocalist of the last 40 years
