Waveshaper - A Monster (from Furi original soundtrack) 

The Beat was last as a mercy to her. They knew she wouldn't be able to stop you, so they intentionally put her last, hoping you'd never have to make it to her. The boss order in this game is so damn wonderful.

1:26 "but the soundrack man, it keeps egging you on to whoop some ass" - dunkey

Thank you, Frog who builds funny rockets and conquers the virtual space solar system of Kerbal.

From what I can tell the whole furi soundtrack is fire.

You know, after all those fights, after you get out of the prison, and remember what happened to that one guy which screamed that it was you who made him like that... It was a better choice NOT to take her hand.

"Let me be the last wave. I will stand when the rest have fallen."

1:13 "Furi, is a game where every boss fight feels like the final boss. They taunt you, they demand you get back in your prison cell, they pound you into a pulp, and even make you doubt the righteousness of your own quest towards freedom, but, the sountrack man, it keeps egging you on.. to WHOOP SOME ASS!" *-Dunkey 2017*

Up in space, we don't bother getting into orbit.

I personally think that the prison was designed with the knowledge, perhaps even the intention, that, eventually, after countless failures, The Stranger would kill all of his jailers and escape. And so, it was as much a lesson as a prison. A "crash course on humanity", if you will, with each of the jailers serving as a symbolic exemplification of some aspect of humanity, in an attempt to show The Stranger that this species deserved to survive. The Chain was sadism and domination. The Strap was insanity and, so to speak, inhumanity. The Line was indifference, but also wisdom and knowledge. The Scale was vengeance and loathing (especially self-loathing), but also justice and self-reflection. The Hand was parenthood and selflessness (selflessness to a fault). The Song was kindness and generosity. The Burst was the desire to out-do others, and the joy of victory and achievement, but also deception. The Edge was the desire to out-do oneself, encouragement, and relishing the moment. And The Beat was innocence and hope, even in the face of certain failure. While not all of these are good things, that in itself is part of why it's supposed to be effective. Showing off only one's positive qualities is incredibly suspicious and won't invoke any kind of trust. However, in starting with some of the least endearing qualities and working towards more and more positive qualities, it leaves The Stranger with a rough understanding of the species, while he leaves with his most recent and powerful memories being of good and memorable figures like The Hand, The Song, The Edge, and, of course, the Beat. However, apparently The Stranger was less adept than The Architect had thought, and so he got tired of waiting to go home to his family, and he began helping The Stranger to escape.

When I beat her, I got this weird feeling that I couldn't put my finger on. Looking back on it, I think part of me saw my own journey in hers. To beat me, she would have to fight tooth and nail against this monster of an opponent. She was fighting someone she would have been expected to lose against. And she lost, pathetically. I think that's part of what made it sad, even if I didn't realize it then. Her struggle was one that the game made me familiar with, having lost so battles before. She lost in her struggle, and I knew what that felt like.

The Rider is a character I find thoroughly well rounded despite his, quiet, cold and downright emotionless exterior and honestly interior too. He doesn’t show a lot of emotion, but when he does it hits you harder. Like when he hesitated in killing The Song, or honestly just the entire the voice part, even without the secret ending. He’s brutal because he feels a need to escape, a need to get back to his master. I don’t find his actions sympathetic, but it’s like they say in the game: “Why is your planet more important than mine?”. And if you decide to fight The Star, then he seems to realize why The Voice wanted to escape, what everyone he fought against represented and why killing off the world was not the good thing to dog

"come on. take one fucking swing. please give me a reason to kill you" was what i was thinking during the close quarters part of the fight

ngl that warp montage was really epic

I'd seriously love to talk to the devs about how they got their inspiration and etc. Furi is surely in my top 5 favourite games.

Also Martin sends his regards

this almost makes me wanna research a warp drive

"We charge up the warp drive and.."

Thank you Mr Frog Space Man for showing me this masterpiece! RIP Jeb!

This song represent the whole lore. from 0 to 2:25 it's you thinking you are getting your freedom for legit reason, you are the victim from 2:25 to 3:00, its you against that girl who looks like everything but a monster and from 3:00 to the end, it's you facing the consenquences and the truth about ur existence and ur purpose. What a game, thanks game baker.

Beat: "My people are out there, they're counting on me." Rider: "Same" Beat: "hol up."

Man, I beat this boss yesterday and after realizing what I've done to the Earth by escaping and seeing the credits roll really just made me feel like shit and it blew my mind. I love games that do this.

I freaking waited for like 10 minutes, hoping desperately that, if I was patient for long enough, if be able to spare her. The game wouldn't even give me that.

thank you Dunkey

Waveshaper is a genius. After 2:35 the rest of the song is a Frankenstein's Monster theme. It's snowing, how fitting.

"Hold my hand..." I just can't forget that. Haunted me for a few days. I can only hope to believe in redemption.

They couldn’t have done a better job, the collaboration between : Waveshaper, Carpenter Brut, Toxic Avenger is legendary

Did you ever stop to consider *why* you were locked up...?

Martincitopants- the first ever frog launched into the great beyond "he's gonna hit it 3 2 1 go"

Thanks green funny frog man that plays factorio for too many hours.

This song is dedicated to the Shitfart 14 and her crew.

Here because of Bean man of Kerbal Space Station

I love how a simple line like "go back" can show so much about a character. I don't think The Chain outright says it, but his lines of dialogue referencing the line are worded and spoken like threats. He _is_ your personal warden, after all - his one purpose is to keep you locked in there. The Line words the phrase as an action - an inevitability, something that _will_ happen. He's both a master of time and the first real difficulty spike in the game - going back is a regular activity for him, and it will be for you. The Hand says it as if it were a command. An order. Being the leader of the army that brought the Stranger down, he's trying to evoke superiority, intimidation. The way The Song says it, you can just tell she regrets the fact that you've essentially forced her hand - that she didn't want to fight, in the first place. All the other wardens either can't speak (The Strap), can't speak coherently enough (The Scale), or have other plans (The Burst, The Edge). But The Beat? The Beat is trying to take bravery out of anywhere she can - she tries to sound big, imposing, if only to get you to back down. She knows she's the last line of defense, and she knows she doesn't stand a chance. She's afraid. Alone. And she still tries. Because letting you through would be a fate worse than death. You can almost hear the desperation, the uncertainty, in the way she speaks that one single line.

Is no one gonna talk about martincitopants included this in the third KSP video??

“If she was a pushover, she wouldn’t BE here.” Me: sorry bunny man you’re wrong

B O A T

life would be so much easier if youtubers just link songs in descriptions

bucket

Fittingly, I listened to this song in 2018 as I was walking across my college campus to take my last final exam before graduating. The exam is the key. Take it, and you'll be free...

Dunk seriously picked a good track for his review. This SLAPS

There's gotta be at least one other person here from Kerbal Scuffed Program

If their last line of defense is a child then maybe you should consider that they really, really just want you to turn around and go home.

Im glad dunkey has introduced many people to furi, such an underrated game.

Kevin took over the universe, and the university

DFV brought me here, HODL

Expanding to space has never sounded better.

*Casually starts charging warp drive*

1:03 I don't bother going into orbit, I just start charging the *warp* *drive*

There should be an option... to hold her hand... ;(

from 3:00 onwards, it really has that olschool feel, nostalgia I can't remember where i know it from. Very awesome track

Bean Frog expansion Theme song

2:45 the beginning of Moonlight Sonata by Beethoven; this piece was in Frankenstein's Monster...it's snowing too

For all u dunk fans check out some of the other ost as well, you might enjoy themes like You're mine, and my only chance

How to beat Skyrim without Walking? . . . . . Bucket...

Do you ever rewind a song halfway through just to appreciate a few seconds more? Years later I still do this when this song plays. Every. Single. Time.

there is actually nothing sicker in the entire universe than the drop in this song

It's name? *EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE*

[ Warp factor: 4000 C ]

I felt super bad when I killed the boss here, she was just a kid

Pretty sure Mr Bruno won the rivalry. ;)

"But! The soundtrack, man. It keeps egging you to whoop some ass." "Final Rating: Mastahpeece."

1:09 is where the magic happens.

this track is melting the stage

Thanks funny meme frog guy that builds rockets for this banger 😎👍

"Please... Hold my hand..." I had to stop playing after for a bit after that. That hit me in my feelings. The whole 'fight' with her did.

"Well, this is a warm welcome"

All hail Dunkey, the guy who convinced me to play and beat this game. Bravo soundtrack!

This game was so underrated , this song sent chills down my spine after I beat the boss .

I have arrived from the bean space program

i can imagine a space factory game where the end cutscene is the intergalactic rocket launch with warp drives and this song playing

"Amateur. Pushover"

The thing I hate most about this fight, is in her last close combat phase, she literally can’t hurt you. She just swings wildly and doges your attacks. She’s a child that can’t attack back without her machines to help her. And it makes me love this game all the more!

Could you imagine being given the task of being the last person to stand against a big threat just in case the others couldn't. Then seeing this guy show up on your mountan path unscathed knowing he went through ALL of your friends. I would be shitting myself.

Monster. .this song is about you.

Frog

This song still gives me shakes. I consider this to be one of the best synth electronic songs of all time undoubtedly.

launching shitfart14 into space 1:31

A game in which the main character isn't a hero. A game in which the main character is " A Monster "

its already sad when the boss begs you not to kill but it just gets too real when her attacks don't even deal dmg.... holy shit why did he spared the 6th boss not this one?

“Once in space, we dont bother getting into orbit, instead we begin charging the warp drive, and… 1:30”

I think what sums this song up best is what my friend, who has never played Furi once in his life, said the first time he heard it. He said: "This song makes me feel like a bad person." And it does. It's perfect.

Thank you Frog for introducing me to this masterpiece.

bean space program

If you're here because of Wirtual lemme tell you I hope you have a good day you cultured being.

She was like ... 16-18 yo, she was not prepared ... Sometimes i wish i can dodge her and let her live happy in the surface Sometimes ... i wish i didn't kill the father of this lil' boy in this cozy prison in the sky ... Sometimes ... i dream about this angel who gave me the chance to spare the fight and live happy with her for the eternity ... Sometimes ... i wish i wasn't a tool of pure destruction ... But the only thing i can do is dreaming about a better future without me for my friend with a bunny head

3:03 Favorite Part. Takes me so badly

Feels like blasting through space.

"If it successfully orbited, it's a working rocket"

A screaming RGB frog got me to this point.

The synth version of being filled with determination

Man, the part at 1:12 really sounds like one of kurzgesagt's videos :D

Chat leave the game guys. Listen to this crazy good sound. I never played the game and his song is lit. Actually whole tracks are masterpieces. DOPE

This sends chills down my spine every time I listen to it.

dear god i finally found it

Dat drop at 1:31

Hits almost as hard as the ending to doom eternal the ancient gods

Something i realised about the prison is that, you are descending down, implying that where you are originally kept is too high for a normal person to breath, hence the mask for the chain, same goes with the strap, but on the line, that is where oxygen is now minimally available. skipping the scale and the others right until the beat, that is where mountains would be, hence (may or may not) the snow

There you fucking have it man, the PP Show, man!

"hanz are we the bady?" the most relevant qote to this boss

Man, I added this to my PS library when it was free for PS+ because I planned on playing it later and I came back today to try it out and it's not there anymore even though I still have PS+ :(

I'm here because of a science frog man and a crippled viking.