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Weaving Story and Stage: The Making of The Father and the Assassin Set 

National Theatre
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A set design unlike anything you'll have seen before, Rajha Shakiry imagines a symbolic, giant loom to hold the tension between Gandhi's idea of empowerment for the Indian people and their unity, and the potential of that all to fall apart.
The Father and the Assassin plays until 18 June 2022: www.nationaltheatre.org.uk/sh...
Director Indhu Rubasingham (The Great Wave) reunites with Anupama Chandrasekhar, one of India’s most exciting playwrights, for this essential exploration of oppression and extremism.
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4 июн 2022

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Комментарии : 8   
@rjhollenbeck8442
@rjhollenbeck8442 2 года назад
Stage craft is an underappreciated art. ❤
@dilanipitigala6023
@dilanipitigala6023 2 месяца назад
That set design is amazing, it enhances the whole storey.
@mariannerady1137
@mariannerady1137 2 года назад
i would watch an entire hour of this! Love to see all the thought, passion and skills going into the set creation. Please share more
@theatremarina3177
@theatremarina3177 2 года назад
Wonderful. The process is even more satisfying than the output..
@wheredoesitcomefrom
@wheredoesitcomefrom 2 года назад
It was a fantastic set - evocative of Gandhi's messages and legacy. It's fantastic to hear all the thought that went into the design of the set.
@NationalTheatre
@NationalTheatre 2 года назад
Thanks so much for your lovely comment
@2SugarsProductions
@2SugarsProductions 2 года назад
🙌
@villimbuhalsumathy2596
@villimbuhalsumathy2596 10 месяцев назад
Gandhi's loom did not represent Unity. It was casteist and Hinduist. Read Tagore's Home and the World.
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