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What The Top Performers In The World Know About The Body - Jean-Louis Rodrigue 

Film Courage
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In this Film Courage video interview, Acting Coach and Specialist in the application of the Alexander Technique Jean-Louis Rodrigue shares how he assisted with the physical aspects of the roles of Leonardo DiCaprio in J. Edgar and Margot Robbie in I, Tonya, emphasizing the importance of actors immersing themselves in their characters and transforming not just through makeup and costume, but also in the way their bodies move. He likens the body to a musical instrument, with vibrations and variations of sound that can be harnessed for powerful performances. Rodrigue cautions against actors focusing too much on physical appearance, as it can limit their ability to express emotions and vulnerability.
Jean-Louis Rodrigue is an internationally recognized acting coach, movement director, and specialist in the application of the Alexander Technique to film, theater and television. In film, he coached actors and collaborated with directors in Passion Fish, Vice, J. Edgar, Life of Pi, W., I, Tonya, and many more. In theater, he collaborated with director Larry Moss and former NFL player Bo Eason in his play Runt of the Litter and playwright Pamela Gien in her Obie- and Drama Desk- award-winning one-person play, The Syringa Tree, both in New York and internationally. Jean-Louis has worked on- and off-Broadway and at major performing arts institutions such as Berlin International Film Festival, Cirque du Soleil, Los Angeles Philharmonic Institute, Getty Villa, Geffen Playhouse, Royal National Theatre, Piccolo Teatro di Milano, Verbier Festival, Royal Shakespeare Company. For the past 34 years, Jean-Louis has taught at the UCLA School of Theater, Film, and Television and the UCLA Herb Alpert School of Music. Jean-Louis lives in Los Angeles with his husband, Kristof Konrad.
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26 июн 2023

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Комментарии : 28   
@Guigley
@Guigley Год назад
This conversation is a great rebuttal to those who think acting is just memorizing and speaking lines of dialogue.
@nickybjammin7629
@nickybjammin7629 Год назад
You guys or the The Lady with exquisite voice does this every day, at least one interview a day every day at least one!
@CGFernandesOficial
@CGFernandesOficial Год назад
So interesting. I’m no actress, but would like to have classes with him 😂
@steffietv9238
This is terrific! Wish they would offer their workshop on the east coast.
@user-tq5cw8vo8s
@user-tq5cw8vo8s Год назад
amazing!
@veradragilyova3122
@veradragilyova3122 Год назад
This man is a genius!!!!!!!
@HaleyMary
@HaleyMary Год назад
This was so interesting. Especially the part where the interviewer said the quote "Actors spend too much time focusing on making their bodies into hard armor and not enough on discovering an emotional life". That may be true if you focus more on fitness than how you want to say lines and express emotions.
@arturlago-varjapetian3210
As a professional movement and dance coach myself, I’d like to object his idea that getting fit in the gym is limiting to developing kinesthetic sensitivity and expressiveness. It has more to do with an approach to one’s training and whether or not they have a strategy and tools to achieve physicality that can help them to connect to their emotional state better.
@thebitcoinknicksreport5673
Muscles are not limiting! Look at Tom Hardy in Warrior and Batman. Extreme vulnerability accomplished.
@filmcourage
@filmcourage Год назад
Can you think of an actor’s performance that is defined by movement?
@purepitch2257
@purepitch2257 Год назад
" check it with me , to see if it was all * CONVINCING * " : the essence of the dicaprio school of actin
@nickybjammin7629
@nickybjammin7629 Год назад
Not crazy I believe it 💯
@nickybjammin7629
@nickybjammin7629 Год назад
In other words stay away from TRT and steroids.
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