Whistle Voice Technique and Tips with Julia Radosz, soprano

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Find and Grow your Whistle Voice and . . .
Gain more freedom and flexibility in your #voice.
Increase your range and power in your #singing
Follow me as we dive in DEEP into the Wonderland of Whistle Tone. Ya'll, trust me, this is a rabbit hole you should not miss!
Julia has been teaching private voice for over 10 years, which she began while completing her Bachelor of Music at Westminster Choir College. In 2006, she opened her private Voice Studio while completing her Graduate studies in Opera at The University of Texas. Her students regularly perform leading roles in Musicals and Opera, both in educational productions as well as Equity houses. They have received many honors including merit scholarships for colleges and universities, final selections for NBC's The Voice, superior awards in solo and ensemble competitions, and Texas All-State Choir. Additionally, her students perform in a wide range of genres -from classical music and musical theater to contemporary, and popular music.
As a performing opera singer, Julia has been praised by Musical America as a "lovely lyric soprano", impressing with her "warm tone and agile phrasing" (Austin XL) performed with companies such as The National Moravian-Silesian Theatre (Czech Republic), Opera Orlando, Opera Naples, Annapolis Opera, Wichita Grand Opera, Gulfshore Opera, Bel Canto at Caramoor, North Shore Music Festival, Austin, Lyric Opera, Bronx Opera, Little Opera Theatre of New York, Light Opera of New Jersey, Delaware Valley Opera, North Dutchess Symphony, and Tri-Cities Opera. Major roles include Marietta (Die tote Stadt) Violetta (La Traviata), Fiordiligi (Cosí fan tutte), Adina (L'elisir d'amore), Susannah, Gilda (Rigoletto), Antonia (Les contes d'Hoffmann), Lauretta (Gianni Schicchi), Magnolia Hawks (Showboat), and Donna Anna (Don Giovanni).
She is the Grand Prize Winner of the Jenny Lind Competition, Connecticut Concert Opera Competition, The Marcella Kochanska Sembrich Competition, and 5 Towns Music and Art Foundation Competition, 2nd prize winner of the Kosciuszko Foundation Competition and the National Federation of Music Clubs Biennial Young Artist Awards, 3rd prize winner of the New Jersey State Opera Competition, as well as a grant recipient from CareerBridges Foundation.
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Опубликовано:

6 июл 2019

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Комментарии : 48

@RechtmanDon 2 года назад

Bass-baritone, 72 yr old. Used to have a solid chest high A, rough-sounding high C. Until your vid, my highest chest or falsetto was high g; your technique got me back to the high C including the ability to go full voice falsetto! So I'm back to again singing Captain Corcoran from HMS Pinafore including the optional high A in "Fair Moon." Cool! 🌹

@JulieAnnaSoprano 4 года назад

Love this explanation! I am so fascinated by the words and analogies people use to describe this function of the voice, because unless you can recognize that you carry too much weight in your top, you don’t really understand what “effortless” singing feels like. Took me YEARS to recognize and combat the effort I naturally employed to sing. Brava!!!

@VoiceWithJulia 4 года назад

Julie Anna Gulenko Thank you so much!

@benm7268 4 года назад

This is a great tutorial! Thanks Julia. I had a classical singing training with my opera singer teacher but we did not focus much on singing with whistle. I am a lyric tenor who aspires to be a countertenor. I can do whistle but I did not have much understanding of it and its proper, easy technique until I saw your video.😀

@VoiceWithJulia 4 года назад

Thanks so much for the feedback Ben!

@shinjik4797 2 года назад

This woman is great.

@sofiasnothere 5 месяцев назад

The best explanation of this technique! Loved it, thank you very much 🌷

@cassandragal6830 2 года назад

I stumbled upon this a few years ago by accident and I thought I was crazy, but after hearing you explain this I feel so much relief!

@eileenruby Год назад

Thank you so much for this video. I’m with you 100% that one can feel and direct movement “in there”. Love hearing about your morning check in sing too. Great!

@BrianLeevoice 4 года назад

I love this. So clear. I love that you make some imperfect sounds, just like a real human being! :-) These "non-performance" sounds can be incredibly helpful for vocal practice.

@VoiceWithJulia 4 года назад

Brian, thank you so much for that feedback! Yes, I truly believe these "imperfect" sounds can help us even more than the polished ones! Isolating the vocal functions are so important!

@cassandragal6830 2 года назад

Additionally it is awesome to see you on RU-vid, you superstar! 😉

@TenzinChodrak 2 года назад

Thank you!

@DianaFarrellSoprano 5 лет назад

Enjoying your videos Julia! As a soprano I've never been able to access my whistle register so I'm enjoying these exercises and tips 👍 fun to experiment with something new!

@VoiceWithJulia 4 года назад

Thank you Diana! Let me know if you access it!

@jajanocatherine8002 3 года назад

Thanks for the amazing video. Can u also make a video for strong chest voice. Please

@sailormeo 3 года назад

It’s spring break for me so I figured I might as well try to learn how to do this 😂 where do you feel the upper extension resonating? (I’m a senior in my classical training so hit me with all the terminology)

@livrowland171 10 месяцев назад

Hi Julia, thanks for your helpful videos :-) I'd like to ask if you see a difference between flageolet and whistle?

@brendaandrade6753 2 года назад

Can you please teach me how to vibrate it I’m struggling

@sheireland3737 Год назад

Wow. That was great. The about to retch while brushing tongue clue found my whistle knots for me. I was trying too hard. Once I found that I knew it was correct because it’s effortless. Tell me though what is normal range of a whistle voice for men/women?

@tajdaffa1526 3 года назад

Julia I confuse, can a whistle voice to Resonance? And how to make it airy with vibrato?

@sinkeo789phommachack9 Год назад

Show cool Thanks 🙏 for teaching how to sing

@mencot89 Год назад

After getting access to like the lower whistle range how do we get up? What should we do?

@blackbird45 3 года назад

Hi , the sound that comes out when I do the tongue exercise is heavy I don't feel like I'm doing whistles. it sounds like the sound of a teapot when it whistles and the water is ready but I find that the sound is not light.

@r.riansets760 4 года назад

This channel is really really underrated.. You deserve more views and subscribers I'm suggesting you to review Dimash Kudaibergenov so you can attract his massive Fan base in RU-vid And Believe me you'll get more subscribers in no time, React and Analyze first for S.O.S from Dimash Kudaibergen in The Singer show..

@gabrielhenriquefc1013 4 года назад

I managed to do.

@anna08zzwilliams8 4 года назад

I am always using my super head voice when singing and now I'm trying to learn how to access whistle register. Is it a super head voice just sliding up or is it a completely different thing? I hope you could answer my question and help me understand. Thank you.

@hyun808 4 года назад

WHistle is a totally different register. Head voice is connected and uses full voice. Whistles are disconnected and only the end of vocal chords connect and requires very little air and sounds different too.

@franciscoandrade5254 4 года назад

It seems too easy, but is is not. I will try to use whistle voice. Thank you for the explanation.

@VoiceWithJulia 4 года назад

You're welcome! Yes, it does take some trial and error and can be tricky, but when it is found, it is the easiest thing in the world.

@aldoalantenor Год назад

Aren’t there two types of whistle voice? Like glottal and the one in opera?

@MrKONEWKO 4 года назад

Do you ever use whistle register on its own in operatic singing? Like if youre a coloratura. Or just super high head voice?

@VoiceWithJulia 4 года назад

In traditional operatic singing, pure whistle tone isn't used. HOWEVER, that doesn't mean that a coloratura at one point hasn't used it ever on the stage. But typically, the whistle register is blended with the other registers- so a coloratura would be singing in "reinforced whistle".

@JO-tw5yd 4 года назад

Voice With Julia how can we access that reinforced whistle?

@VoiceWithJulia 4 года назад

@@JO-tw5yd GREAT question... So, the reinforced whistle uses elements of whistle voice to create a viable operatic sound. It can't be taken as high as pure whistle, but has more uses. I suggest taking a look at my latest video as I give some exercises for accessing the reinforced whistle. ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-6-KbXbXiXrI.html

@Rockstar-gj2uo 4 года назад

Hi, I have been trying to access this whistle register for sometime.. watched loads of videos on RU-vid , unfortunately nothing helped.. with regular warm up and exercises I am able to reach f6. But that doesn't sound like a whistle at all.. I don't understand what am I doing wrong ..

@VoiceWithJulia 4 года назад

Rockstar 1996 Hi! You didn’t specify your voice range or gender, so I can’t answer definitively what might be happening . Feel free to drop me an email at voicewithjulia@gmail.com and let me know details. I may have some ideas.

@Rockstar-gj2uo 4 года назад

@@VoiceWithJulia Hi, I would drop in an e-mail with all the details . Thank You for the reply ❤️

@thainguyenquoc2463 4 года назад

Can you make more video about whistle voice exercise?

@VoiceWithJulia 4 года назад

I might have one coming up soon.... :)

@brendaandrade6753 2 года назад

Same I’m practicing the air not coming

@singingmanmd 3 года назад

Can you teach me please?

@DolceFioreRosa 4 года назад

Lmao @ 3:20 😂

@alexandruali9073 4 года назад

My vocal range low nots F2 higt nots in chest voice D5 wistlle register C6 my voice tipe is?

@VoiceWithJulia 4 года назад

Hi Alex, although vocal range is one of the markers of voice type, it is not the main indicator. Voice type is primarily determined by passagio points (places of registrational change) in the voice and the tessitura (group of notes) that feels most comfortable and where your voice "blooms". This is impossible to know without hearing your voice and working with you. However, given your range, I can pretty much guarantee you are a male voice (LOL) with a large range. That's wonderful!

@alexandruali9073 4 года назад

VoiceWithJulia I can send you a confirmation with me singing?

@WideCuriosity 3 года назад

I must play this video again. One moment the instruction is to keep the tongue high at the back: next thing you know it's stick the tongue out, which ensures it's low everywhere. ??? PS is there a reason that the video is switched left to right ? 😉

@vojvodkinja Год назад

The point is to free the space in the throat (if i'm not mistaken) so that the back of your tongue is not clogging the throat. Correct me if I'm wrong, fellow singers.