You Won't Believe How Loud!

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WHO AM I:
I'm Streaky, a RU-vidr and professional audio engineer from Henley, UK. I make videos sharing my knowledge of mixing & mastering from my 25 years of engineering. I've worked at some of the biggest studios in Europe including Metropolis Studios and here are some artists I've worked with - Ed Sheeran, Adele, Jonas Blue, Krept & Konan, Depeche Mode, Paul Weller, Skepta, Naughty Boy, Sigala & many more... I also have a weekly email newsletter that contains tips, tricks & discounts to cool stuff (www.streaky.com/aa?sl=RU-vid)

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Опубликовано:

19 фев 2024

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Комментарии : 177

@em8969 3 месяца назад

Great tip, clipping has change my life, I get so much head room now and my final compressor and limiters aren’t working as hard to contain the snare and kick, legend thankyou!!

@motry 17 дней назад

Great man! Following you for a long time now, since I started following you and appying your advices, my producing quality improved like crazy, I even get complimented alot on my mixes in feedback sessions with A&Rs and other producers! 😵 Thank you so much!

@user-zl9zv5zz8i Месяц назад

Thank you very much steaky!It's amazing technic!With respect from Crimea!

@yug156 3 месяца назад

It sounded better before the clipping imo… no dynamics left after. Try listen on your phone speaker and you will even hear the difference.

@johnerodz7 3 месяца назад

Amazing tip thank you from Orlando FL

@jameshainer-violand461 3 месяца назад

Oh.. got to try this.

@GILMORESBODYCLINIC 3 месяца назад

It sounds so good, will this boost reduce the effect of any sidechain compression I have on? Or would there be any point in adding sidechain after the clipper? Thanks!

@winslowdonovanmusic 3 месяца назад

oooo cant wait to try this

@stefanosvassiliou 3 месяца назад

Thanks a lot!!!!

@DERAILENTERTAINMENT1 3 месяца назад

🔥🔥🔥if you know, you, know..Great work!!

@peakingmantis5331 3 месяца назад

I've always switched to my crappy bass boosted speakers in order to hear distortions in the kick and bass like that but I've never even realised this is how its supposed to be done!

@Jarxiel Месяц назад

Thank you, 2 questions. Can I just that that without exporting the stems in the different busses? and also can I rather use an actual clipper for the busses? thank you

@rileysoundlabs267 3 месяца назад

That's interesting, Streaky. That is precisely why I recommend the Spectra 1964 V610 peak limiters to review. This is exactly how I see them on the (front end) of the mastering chain - which in turn allows the rest of the chain to focus entirely on the content of the mix rather than the in-audible peaks. Give it another go if you have a chance. Spectra very much appreciated your review ages ago. Cheers mate. Thank you for your support and coursework

@CruiserzProductions 3 месяца назад

great tips

@kamyabkiani7968 3 месяца назад

Best teacher in the world

@RicherPodcast 3 месяца назад

Hi Streaky, I’ve recently gotten around to using your presets for Pro-MB and Pro-Q3, there’s some proper gems in there, thanks! I’m asking about the use of the mastering presets, particularly Pro-Q 3 ’Bottom Separator’ and Pro-MB ’Loosen The Bottom’. With the goal of making the mix as good as possible, if you had access to the mix bus (at the mix stage, before mastering) would you apply this kind of processing? Or should these presets always be used for mastering? My mindset is to make the mix as good as it can be. So now I have these presets that define and control the low end, is there any harm in adding them at mixing stage? Additionally, would you ever recommend a mix engineer adds these presets on the mix bus, AHEAD OF mix bus compression (typical 4:1 SSL G-comp) to lighten it’s load going into the comp? In other words, because I CAN control the low end at mix stage (with these presets), should I? Or in your experience, does this take too much ‘energy’ away from the mix if applied before mix bus comp? Thanks very much in advance!

@anirudhsai3872 2 месяца назад

For trance and house music, this might work but please clarify whether this will work for orchestral music?

@StargateMax 3 месяца назад

Brilliant information! :D Now my question is, why export those stems for this, why not do it directly on the respective busses?

@behtashmiri1283 3 месяца назад

Perhaps puts less load on limiter's attack & doesn't need to engage and disengage as fast as full track which leads to less distortion. Also u have the opportunity to monitor each stem how far u need to push the signal, u dont have the same flexibility with only one threshold

@abletonliveguru 3 месяца назад

Isn't this how we've been using saturation (or clipping as well) for decades to achieve the same thing already in the mix? This technique doesn't appear to be new to me, but maybe there are some details in the execution that eludes me here? .

@ScottThePisces 3 месяца назад

The Pro L2's attack time isn't when the limiter kicks in, it's when the release kicks in. It's weird.

@GuidetoRaZeMusic 3 месяца назад

It's certainly unusual, it's like a way to soften the release

@thisislucydarlyn 2 месяца назад

THIS GUY IS A LEGEND.

@theiammike123 3 месяца назад

Basically, stem mastering. Really works when it's indeed necessary. 🙂👍

@nathanieljohnsonjr775 3 месяца назад

Thank you for this! Another golden nugget from the Master!!

@Starsurferss Месяц назад

That Mass Pass.. Is a top tool Streaky..

@rumblechannel6343 3 месяца назад

Nice :), but we have to be careful. Clipping has some side effects called "inter-modulation distortion" (if I'm correct) which are not very obvious at first. But just put a clipper on a hi hat and you will suddenly get sidebands down to 20 Hz. There is no such thing as a free lunch unfortunately :/

@fcmas Месяц назад

That's why he added a significant amount of oversampling for each L2 instance

@rumblechannel6343 Месяц назад

@@fcmas this has nothing to do with oversampling unfortunately. What you can do however is add a phase linear (and that's important) EQ after the clipper to remove the unwanted frequencies.

@davidecorda7392 Месяц назад

Ears are the judges of good and evil

@cholkymilkmirage4984 3 месяца назад

stem mastering.I'mma try this in the mix with my final busses. Ialso have two more final busses being the vocals and music and bass and drums. I think imma bounce those two final final busses seperetly to see if they have any crazy peaks cause thats gonna add up too, then limit and clip them by just a little then put all this into my mi buss chain being fed into my master chain.

@BastianMr74 3 месяца назад

can I ask you? Around 5th minute you show that you can push the limiter with All Round setting but I cannot see the channel linking values on PRO-L2, do you keep them the same? Transients 0% and the Relase 2% or do you keep them by default Transients 75% and the Release at 100% ? Thank You!

@Shahbaz_Mobile_Review 3 месяца назад

How I can contact with you for mixing mastering our track

@rubenzemog 4 дня назад

Why you dont use a clipper for that purpose? i use Boz Digital Little Clipper, which is extremely simple and sound good to my ears.

@davejohnsonmusic 3 месяца назад

If you already use a clipper on individual tracks and busses (as you should), then you really don't need to do this. Maybe just one more subtle clipper on the entire mix before the final limiter.. 2 limiters in series ideally.

@levondarratt787 3 месяца назад

DO NOT USE CLIPPERS on individual tracks - you are creating garbage.

@Vambibuda 3 месяца назад

Do you leave clipper 1:1 on or do you remove it before inserting the final limiter on your master?

@rootbeermcgee 3 месяца назад

tested this out today, leave it on

@strangemalcolm1509 3 месяца назад

Do you remove the 1 to 1 ratio from all of the limiters on each track before going into the master chain, or leave 1 to 1 on?

@Streaky_com 3 месяца назад

No that is the thing you need to make this work as you’ll not be changing the level of the channel just reducing the peaks

@strangemalcolm1509 3 месяца назад

@@Streaky_com cheers

@manocchs9369 3 месяца назад

1 to 1 isnt the ratio. Its a gain matching feature so that your volume does not go up as you turn the gain slider on the left side up. It keeps the volume level the same while you bring the gain up to the threshold to start clipping.

@tc-bladeofgrass6719 3 месяца назад

Anyone seeing the comments before watching, save your self the time, don't watch. All it's doing is clipping each stem, that approach absolutely impacts the quality of the final mix. It will introduce distortion

@technodust7833 3 месяца назад

Ok.Whats your way?

@tc-bladeofgrass6719 2 месяца назад

@@technodust7833 my way is avoid clipping where possible.

@miraquebec7733 3 месяца назад

Do you export the stems with the mixbus processing turned on?

@gmichaelhall 3 месяца назад

Export the bus(es) directly out. Obviously if you put one bus through your mix bus, that mix bus will be inefficient and ineffective and in all likelihood, ruin your stem exports.

@HEDNOD-Official 16 дней назад

Yeah but kids use a dedicated clipper like Standard Clip bcz its easier to use than the Fabfilter and a quarter of the price

@Openeyesopenmind777 3 месяца назад

you said, to turn off the true peak, but afterwards it is on?

@NickWaves 3 месяца назад

So this is your take on the "clip to zero" philosophy

@BradHebert 3 месяца назад

The attack is as slow as possible? Wouldn't that allow some peaks through?

@flyoverfredusa 3 месяца назад

the transients will stick out but be clipped, he's clipping not compressing

@a.ro6 3 месяца назад

Nice

@djpurefire 3 месяца назад

Awesome hack with no quality lost, thanks Streaky

@OperculumAudio 3 месяца назад

Just scooped up the Color Box. Can't wait to test it out!

@aymra3550 3 месяца назад

💎

@Sample_Props_Official 3 месяца назад

Clipper = Limiter with unabled dynamics. Or... digital volume trimmer ONLY BY 16 BIT or higher.

@miracozden6259 3 месяца назад

is it healthy to push limiter over 10db? i dont really know about this

@miracozden6259 3 месяца назад

wow. the true peak really getting better tho

@boseyhad2doit2em 3 месяца назад

I hope everybody arguing is 1.) realizing they’re arguing with industry standard pros haha 2.) listened in headphones 3.) use a Rx in they’re master track and see all the basically inaudible peaks that hit your final clip or limiter. Gain at unity made it so he chopped up the irrelevant. I’m sure he’s seasoned enough to keep feeling in mind. Again listen in headphones haha

@johnnyt5514 3 месяца назад

What I would be interested in is how you can then get a snare to still be punchy and not get buried in the mix?

@Streaky_com 3 месяца назад

Eq it before the limiting

@johnnyt5514 3 месяца назад

@@Streaky_com thanks 🙏 for your reply. Would you recommend to boost the attack at 3-5k?

@karningham2849 3 месяца назад

@@johnnyt5514dude go find advice elsewhere and get off ofthis channel lmao,thank me later

@user-ls7xf4lk6t 3 месяца назад

@@johnnyt5514 thats specific to the sonic character of the snare. Only advice that can be given on that is push your snare into your non-linear plugin of choice then sweep with boosts/dips across the spectrum on the EQ that is loaded prior to it and you will identify what frequency ranges are hitting the limiter/clipper/saturator too hard or too soft. Then boost/attenuate accordingly 👍

@emiliodimitri419 3 месяца назад

A: bounce the snare out of the drumbus B : Create a sidechain "snare" , use fabfilter mb in expand mode and select a frequency range that fits good with the snare sound. Expand, short attack and relese time, and gain up (start with 3 or 4 db ) . Is like you're creating a transient in the snare frequecy range, it will really pop up and thanks to release and attack time will sound like a more natural snap. This works even if you drums are super clipped ( to place after the clipper) . And after this you might need another clipper to tame the "new transient" created through expander

@ArtardiDebernuro 3 месяца назад

"Like myself" 😂

@seansmall3401 3 месяца назад

That setting doesnt actually clip FYI. Look at it in plugindoctor next to an actual clipping plugin

@Streaky_com 3 месяца назад

Yeah pretty close but it’s used for the 1:1 on it

@diegooliveirabenjamin 3 месяца назад

This one is good cus you REALLY gotta use your ears 👌

@Janomix 3 месяца назад

If you use a specialized clipper, can gain up to 8dB to get a final master of -4 dB LUFS, like comercial pro mainstream music... Thanks.

@JupiterStudio1 3 месяца назад

Can you suggest a clipper than can do that?

@xrabbz2010 3 месяца назад

@@JupiterStudio1kclip3 is great

@chrismelillo1713 3 месяца назад

🤯

@waliddeui6725 2 месяца назад

but that's not shaving that's ducking which causes an unwanted pumping fx I love the idea but I would rather use a soft clipping musically

@niccko 3 месяца назад

Don't tell the secret man 😅😂

@BukezFinezt 3 месяца назад

You don't need that EQ I promise :D

@TonyJBrennan 3 месяца назад

Sounds a little grainy to me after.

@SoundsBy80K 3 месяца назад

True peak Limiting is on? Very short lookahead enabled too? Idk..

@Streaky_com 3 месяца назад

I don’t use that I think I turned it off?

@bigboss-qv7pe 3 месяца назад

@@Streaky_comkeep doing great work. This guy is just a mindless hater who doesn't know what he's talking about... I love you Streaky!

@mixbytwelv3 3 месяца назад

Primo❤

@DNGMaestro 3 месяца назад

This is pretty absurd. Im not sure Streaky really does use some of the “tips” he puts on this channel or if he’s just creating random content for the sake of having content.

@Streaky_com 3 месяца назад

I’ve said before I don’t use all of the things I show they are there for you to try and if they fit your style then great if not hopefully you took some knowledge away that could be used.

@KingFyyah 3 месяца назад

Truth be told, Mr. Streaky is not lying‼️ God of Jacob Bless him 🙏🏿 Levels 🆙️🆙️🆙️🆙️🆙️🆙️🆙️🆙️🆙️💯🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥

@MonkeyBars1 3 месяца назад

it's spelled peaks

@americatunedright1211 3 месяца назад

Boi, the affected track lost its essence dramatically 😢. Besides losing its liveliness, punch, vibe, it warped the mix and phase. Im sure after dc filter is needed but then would lose all 3db gain achieved. Way too high of a price for 3db gain😮. I’m listening through tv speakers in untreated living room😅. Terrible advice in my opinion. Better off slapping one clipper on the stereo, drag it till it distorts, back up till it’s clean and make up difference with stems using volume or eq etc, whatever gets the job done to bring back whats lost…or better off, remix the damn thing for loudness 🧐.

@stateazure 3 месяца назад

I mostly agree, but why do you think any phasing was introduced? There's no parallel processing going on in this short vid from what I can see, and no phase shifting should be occurring (I didn't listen to this video closely, so I don't know for sure).

@americatunedright1211 3 месяца назад

@@stateazure sorry, had to edit this comment, I thought was from different video😢. To this video😅. Phase has a sound to me when it’s working to my benefit or not. So in this case the stereo field changed and lowmids lost power, like with phase issues. Also there is phase issues here created is why I mentioned dc filter, all that energy went somewhere? Just not audible or sneaky like streaky and show up when you least expect it but, then it’s too late most times.

@clintyoung9902 3 месяца назад

Just watched this same thing on another channel a few days ago. Content = copy/paste these days 🤦‍♂️

@Streaky_com 3 месяца назад

You’ll see slot of my content elsewhere 👍😂

@clintyoung9902 3 месяца назад

@@Streaky_com except yours was posted days after 😂

@santiagorestrepo6063 3 месяца назад

Ok thank you... Now show me please the same with standard clip

@aarons6617 3 месяца назад

Or..... how about you take the knowledge given and apply it to your own situation, instead of expecting the world to hand everything to you on a silver platter.

@santiagorestrepo6063 3 месяца назад

@@aarons6617 Que tal si dejamos que Streaky Responda... Bye

@G-O-N-x 2 месяца назад

Would be better to just use...a clipper

@levidowsett1297 3 месяца назад

@Streaky your vids were great. Tone down the over produced nonsense please. Just talk to us. The graphics are way to much. Please tone or down because your a legend we don't need anything else.

@tylergameplayroom 3 месяца назад

Can i Use This with Hip-Hop ?

@RaptureMusicOfficial 5 дней назад

Maybe we should all return to making good music, instead of wasting too much time on these eq mixing mastering things. "Sounding better" is not making the music per se better. Even if both can be subjective. Personally I put my focus on composing and arranging. Just my two cents. ;)

@smonomono4194 20 часов назад

I agree with the music needing to be better! However, the records that sound just as good in any era music wise and mix quality wise focus on both. The MJ, Quincy Jones, Bruce Swedien super trio is a great example. Thriller doesn’t sound “dated.” But timeless.

@RaptureMusicOfficial 12 часов назад

@@smonomono4194 That's true! Thriller is mixed well of course. And the polyphony on Quincy Jones/MJ tracks are quite limited! Like 12-16 tracks (polyphony) at once, but not more! Transparent, every instrument is clearly listenable. As said, very well produced, mixed, composed AND arranged. And timeless melodies and style! No wonder Thriller is the best selling album of all time, and the best!

@SmilusMusic 3 месяца назад

When are we going to stop ?!?!?!?!?! How loud do we need to be? When is loud, loud enough. For Christ's sake. Stop. I love you Streaky. But what are we trying to achieve with the never ending need to be louder? What am I missing? Why don't we just record the roar of a jet engine for 3 minutes and release that as a song. SMDH

@chrismelillo1713 3 месяца назад

I think it has to do with the genre/type of music. This is club music and I love metal. We both like things loud and in your face. I think it's just that simple.

@gooshie3 3 месяца назад

Agreed man, I don't like it either, but if it's what the client wants.....

@Streaky_com 3 месяца назад

I know people always want loud they always have…I don’t master this loud but I’m showing you how you Can if that’s what you want

@Dystopian84 3 месяца назад

Mastering engineering are obsolete these days the : " I can make it super loud without compromising quality " is the only lie they have left to fool a few idiots .

@SmilusMusic 3 месяца назад

@@Streaky_com I appreciate your response. I just wonder sometimes if the need for loud has an ending. When will artists and labels say, "and hhh nice we've achieved loud heaven. Let's go back to making music with nuance" I remain optimistic 🙏

@mikifiorini 3 месяца назад

You lose some dynamics.. Sounds flat ..

@Griuofficial 3 месяца назад

Yes, I’ve mentioned that drums lost some punch when true peak was -5.9 instead of -3. Kick became smaller to my ears

@constantin2046 3 месяца назад

oh god, this some apex trash advice right here

@BeatStar-gy7qr 3 месяца назад

Hello, why would you claim it's trash? I geniunely want to know, I thought it made sense.

@younited8959 3 месяца назад

Why?

@Poccu9IHuH 3 месяца назад

Cuz it become dull and flat. It has lost it's vibe. Better do on some busses and at the end before limiter if you need to boost sound pressure. As you can see on this extreme preview of overhyping clipping mode, you always lose vibe if you push it too much. But depending on situation it can solve problems sometimes. Anyway you need a lot of music experience to understand why do you using any of your knowledge. You should use tools to correct something rather than include everything.

@Jazz-ch1fy 3 месяца назад

This video is not about the loudness technique, It's about selling you his plugin. 💩

@hearmenow909 3 месяца назад

He was doing videos like this before he created the plugin. If you had an established platform and created a plugin or product, would you not advertise it at the end of your videos? Most people would, it makes business sense, or do you begrudge people doing business?

@Streaky_com 3 месяца назад

I’m not that desperate!! 😂

@tsheporampesi7661 3 месяца назад

@@Streaky_com 😂😂😂😂

@Aeson008 3 месяца назад

We are doomed! Even Streaky is battling with the inflation.

@7thNoteOfficial 3 месяца назад

😂😂 Streaky the goat bro @@Aeson008

@kwameassefuah1529 3 месяца назад

First here😊🎉

@dmstudio.sicksoundz 3 месяца назад

ITB fully digital this won't make any sense when u work in 32 bit and I have limitless headroom plus u nead just a good clipper on the master and all the right knowledge. loudness it's in the mix and limiting such numbers like - 7-12 - 16 it's just insane as is insane work in a fully digital mastering session to get loudness, it's not the case you should do it before open a mastering session. That's not mastering, mastering is mixdown ready to go in one track to the master, this is stem mixing and it still doesn't make any sense

@R1PPA-C 3 месяца назад

What doesn't make sense is having a shit ton of words babbling on with no punctuation or breaks. Take a breath man.. Also not everyone works in 32 bit.

@dmstudio.sicksoundz 3 месяца назад

@@R1PPA-C use immagination you the one in lack of

@dmstudio.sicksoundz 3 месяца назад

@@R1PPA-C also last phrase with a sense almost a bit

@dmstudio.sicksoundz 3 месяца назад

@@R1PPA-C what a waste of time U are

@user-ls7xf4lk6t 3 месяца назад

I advise nobody to take this gentleman's advice.

@emiliodimitri419 3 месяца назад

this is really not good. Clipping is clipping, a limiter , no matter what algo you use, behaves completely different from a clipper. Also this thing of shelving transients off any channel is insane as the critical shelving of transient is 90% a Drums business . This will make you mix louder? possibly, but also lifeless and flat.

@canziolucianonelli 3 месяца назад

Su nastro va così da sempre

@emiliodimitri419 3 месяца назад

@@canziolucianonellicosa centra il nastro ? Che poi sarebbe saturazione , ovvero clipping

@papitoredmusic1 3 месяца назад

Genre specific

@skyltraxx000 3 месяца назад

can't agree more. if you want a clipper just use a clipper bro what's a limiter in clipper mode

@BigZMusic 3 месяца назад

A limiter with an infinite ratio and 0 attack & release time is the same thing as a clipper. Actually the FF L2 algorithms can make this process sound more natural than a hard clipper and introduce less distortion by having a near-zero attack & release time instead of exactly 0 attack/release time

@kumble2687 3 месяца назад

I used to love your stuff, untill u started using the sick face and clickbait thumbnail style, it kinda like taking us for a piss, let your content speak not your greed.

@blackandeep5380 3 месяца назад

This guy is a big cheater. and he shouldn't support with this disgrace attitude to attract people to his classes be honest man!! and if you want to help?! give the full information or not at all because you mislead beginners.

@moosescarf 3 месяца назад

I personally like to just put a clipper at the start of my mastering chain to take care of those peaks. Awesome technique I learned from @panorama_mastering

@alipaulstagram 3 месяца назад

Why not just use a clipper?

@chrismelillo1713 3 месяца назад

Was thinking the same thing?

@tommyfreudenthal8084 3 месяца назад

The ProL2 can act as a clipper easily. Thats more or less what he explains. Only the 1:1 trick is a workflow hack saving buttloads of time. And it creates actual loudness.

@ScottThePisces 3 месяца назад

do most clippers allow you to change the attack times? I've only used standardclip and it doesn't... altho ProL2's attack doesn't act like a compressors does

@alipaulstagram 3 месяца назад

@@ScottThePisces As far as I am aware, clippers don't need attack time because they're just chopping off any peaks that pass the threshold. They aren't turning the signal down like a compressor or limiter.

@athornsound304 3 месяца назад

Yes, the settings he mentioned for ProL attack and release turn it into a clipper. You can use a clipper if you want, the 1:1 feature in ProL is probably why people use it for this. You can be more successful with being transparent.