I reiterate, if you're going to charge that much for a headphone... Forward-angle your damn connectors! Lest we need someone like ddHiFi to make vertical-to-angled adapters... Magnetize those pads too. 🤦♂
Emperors new clothes… head mounts have the ability to tilt the camera down… you can’t see the camera starting to tilt when wearing it… a number of videos now have had it tilted down slightly… it’s wasn’t that long ago it began to tilt down slightly… go look at any GoPro head mount, you’ll see it… bringing it up to be kind has become like the emperors new clothes… it’s probably only tilted by about 15 to 25 degrees… only started in a video not so long ago and know these videos get a whole bunch in a day which then all get spaced out in release… I’m only noticing this because I watch this channel all the time… trying to watch out for the guy and being treated like by a troll and in that, because I’m not, I’m the one getting trolls and now Z is even getting offended… it’s barely difficult to see
@@TheSakuraGumiLTD I have to manually tilt the Pocket 2 lens everytime I do a video. So I am mostly guessing at the angle. I have noticed being too low the last few. It isn't the mount. Its just my perception of the lens I see between my eyes.
@@ZReviews just letting you know so it doesn't get worse but the pocket does seem to have weird issues like this... randomly it just tilting for some reason also and why it's quite unstable to use as a head cam as you can't see what it's doing.... I'm thinking of using the Insta360 Go 3 S becuase you get the case monitor so can view what it's doing while wearing it... I wear bandana's so thinking I can slip the magnet under that and easily put on and take off
might've been tempted if I didn't already get a DCA E3, also personally not the biggest fan of the horizon because of build stuff mostly but excited to see where SJY goes next
@@ZReviews Flat isn't the main base line for studio monitors... often people will EQ them to suit their preference not just for speaker placement.. so if you hate highs and need it darker, you'll want to EQ them darker otherwise all your mixes will become dark... more important is speed... there's many mix engenerers that prefer the HE1000 se's over the Heddphones 2 because they expose sibilance better and give a better understanding of the sound stage you are creating... with this being siad it's why you need monitors that do not do things very well also... which is the concept of the Sony NS10's back in the day... not so relevant now with how much consumers speakers are now in comparison... but it's then good to have some monitors that aren't so good in sound stage to see how your sound stage is translating... as you'll be able to hear some songs on a headphone with generally worse sound stage suddenly sound like they have more sound stage than they do because of how well the sound stage of the track is translating, so these headphones I was thinking might be good for that reason... you have to get used to how songs sound like on your headphones before they become monitors to you otherwise you do not know if you are adding too much flavour or not enough. I'm maybe thinking these and giving the Verum guy a second chance and get the Verum 2's along side these and paint the sides white and order the grills of these in white to go with my current black and white theme... I'm still going ot be up in the air for a while about these or the HE1000 se's... in the end I will have both and then some... just first studio build in a long makes the decision a lot more crucial... I've got a couple fellow engineers telling me the HE1000 se's but also not one else is reviewing these... you search them and only your two... well 3, videos come up
@@ZReviews it’s more you don’t want headphones or speakers flattering anything… it being completely flat is simply a good starting point. Speed helps to cut down resonance but you can never use correction for that… acoustics first, then correction to add the last 5% but never have it ruler flat because that never really works… you need them to fit your listening style… you have to imagine you don’t want to be adding too much or too little or f anything to get it how you like it to sound… like the headphones you have that make everything sound good, those are obviously a big no no… but, those might be good for the production phase, where you want to just get a track made and not keep stopping to obsess over details until you get to the mixing stage
@@ZReviews back in the day I had this problem… I’d make a drum loop then spend a hour processing it to sound exactly how I want… that’s a wasted hour as you’ll need to process it differently to sound that way with a bunch of other things going on
Tried these on the Erish 3? For some reason the Starry/Moonlights love that amp even though its a little underpowered on paper so curious if these would be the same.
I don't have it. So I won't review it. If iBasso or Linsoul send it. It will be at least 2-3 months after they ship for the review to go live. You can stop now.
Other reviewers mostly complained that it wasn't worth the price. Sound wise the latest Dyson headphones doesn't do anything offensive. Slightly scooped on the highs and adjustable bass shelf is quite a popular sound signature.
I could be wrong. But did you try the Denon headphones (better than Fostex): Closed-back, but vented. It looks like big Infinity Stones stuck on a Tesseract.
