Pity he didn't do the double stop ossia at 11:20 but rarely do you ever see cellists doing the start of the final passage at 14:09 in octaves which is so nice to hear, even if the volume is a bit low.
Bach Cello suite No.1 1962 Well worked out dynamic movement and flow and again fine sense of direction and wider phrase, plus some impressive inwardness and intelligence across the music, keeping the attention, a strong personality; however this too evenly conceived in contrast to the early Ma recording pointing up the sequences more effectively. Misses a few paragraph markers and instead is a degree pushy in some of the faster movs, overly languorous in the sarabande, and lacks the weight yet articulation of the best men. Uses a similar cello to Casals with a leaner sound as allowing for added rhythmic attention and liveliness; likely she knew the recording though not the Rostropovich Saga LP of 59 and 61 with its steadier power. Bach Cello suite No.2 1962 Again here finds some steady lyricism where the expressive detailing is kept in check, contrasting with her later wilfulness; has the overall searching and some of the inward aesthetic nature and Germanic murk with the sarabande well sustained, even if she’s only just making sense of it all and the results are more successfully managed and self-conscious than authoritative; again the third mov courante is skittish. She’s only 17 and making a commercial recording is disrespectful to the music, something no one with a developed awareness would do, but suites 1-2 here have a maturity beyond her years; interesting enough work, and great recorded sound.
No conocía la música de este maestro. Escucharlo por vez primera me resulta agradable y se suma a mis favoritos como Vivaldi … En mi opinión y gusto, el diálogo de dos instrumentos es suficiente para acceder a la necesaria tranquilidad que niega el ajetreo de estos tiempos; donde impera la prisa para todo. Gracias por la oportunidad de compartir este gozo de buena música.
m, agrada molt Vivaldi , pero , acabo de arribar , a casa de Tossa , avui he tingut quirofan , i , ahir tambe , ...... vaig a dormir , ......dema us escoltare , estic a casa , a primera linea de mar , a prop de la estatua de la Minerva , .... pots venir , tu , my love ❤😊❤
Seems like a long time since anyone commented on this post. Just wanted to say that this is a new composer to me and that I agree with all the comments below. Not sure yet whether this composer is hypnotic, melancholic, joyous, poetic, or just a part of an evolving tradition. My ignorance. But captivating it certainly is. And - happily addictive. Much love to all who appreciate this music and the brilliant performers who bring it back to life for us.
Ads in the middle of the music? In the middle of a note? Disgusting! Do the Bayerische Kammerphilarmonie know someone is making a packet on their recordings? Give it a miss guys. Have removed from my playlist.
Mai nessuno che approfondisca con un minimo di conoscenza del musicista che commenta...soltanto entusiastici "wow" ed esperienze di vita di nessun interesse condite dal ricordo di parenti o amici morti...perche' non provate a studiare prima di scrivere certe sciocchezze?
"Op 7, No 7" contains some of the deepest music, including Beethoven R.Strauss Schubert & Wagner....Amazing to hear it just now after decades of ignorance.....BRAVO from Acapulco!
Was kann ich sagen? Es gab mehrere Große in 20 Jahrhundert,,,,aber so wie Jaqueline - Keine. Only one. Sie ist ein anderer Planet. Sie war viel zu gut für unsere Welt,,,,,❤❤❤
The word genius is often overused. For Jaqueline it was appropriate. Here at 17 playing better than any other cellist alive. How sad to realise that just two years later she developed the first symptoms of multiple sclerosis whilst in Russia. Her major recordings were all made over the following 6 years. She is the reason I took up the 'cello and meeting her in person in Beare's in London was one of my abiding memories. Just two years before she was forced to give up public performance. What a shattering tragedy.
These are beautiful. Thanks for sharing them. I've also recorded some Marcello harpisichord sonatas - on the piano - if interested, please see my channel. ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-j9WnZU258rI.html
I´m listening to these wonderful pieces for the first time. No time, only peace filled with love. Thanks and Blessings to Master Marcello and messer citrazzo for uploading it.
Tuve la posibilidad de visitar Venecia cuatro veces en mi vida junto a mi esposa. Caminamos horas en noches de invierno, en esas calles maravillosas y escuchamos estas melodías en la Chiesa de San Vidal, por la orquesta local. Pero acaso uno de los datos que hicieran que nos volviéramos totalmente fanáticos de Vivaldi, es que conocimos su trabajo en la Pietá, enseñando música a los huérfanos asilados en el Ospedale.
This music is so beautiful and intricate. Just think that they wrote this by hand in ink one note at a time! It humbles me to think that I will probably not do anything that people in 300 years will still enjoy..
My Dad was a war time fighter pilot and commanded a Wing over D Day and met my Mother in Antwerp and I was born in Bern where he was the Air Attache and she loved all sort of music including Piaf and Django Reihnhart and all classical music
