Short attention span guitarist. A channel for guitar related content. Old gear, new gear, technical briefs and rants. Great finds from craigslist, pawn shops and FB yard sale. Me? I have played in bands in the D.C/Baltimore tristate area for over 20 years and had a pro-audio company for 12 years. Now just goofing on the internet.
I bought, new, the AT100 and teh 4x12 cab in 2000. This amp is really fantastic sounding. The clean is awesome, very Fender like. The various levels of gain are fantastic, and the EQ controls have a lot of control and change. The other awesome aspect is the various rectifier modes. It can go with a tube rectifier, solid state, or a combination. What difference does that make? For those who know tube amps, the rectifier gives a certain "feel". A tube rectifier as a bit of "loose" feel to it, whereas solid state has a quicker "stop" to playing. Some Metal players prefer solid state rectifiers for the faster response on thumping, chugging, and rapid fire riffing. Back around 2006 I left this head and cab at my buddy's house, where lots of musicians used to get together and jam. I haven't seen it since. Last thing. Bruce Egnater designed this amp. Around 2008 I bought the Egnater Vengeance amp for more Metal tones. Unfortunately, the Vengeance was not as Metal not as good overall as the AT-100 is. Someone needs to take this amp design and build new examples, and sell them for the very reasonable price that they sold for when they were in the market. When I bought mine, in the year 2000, I got the whole half stack for under $1000. The current retro-praise for these amps is driving up used prices. New builds would be great as it would offer a great amp for much lower money.
Hello Greetings from India. How was the Golden Mods done on this beautiful red contemporary start? any details would help on the golden pickups, tuners, beautiful matching golden white knobs to beautiful pickguard. little details would help
I have one and great it up to dubbel cpu etc . i am running it in a two notes torpedo studio and a new word opens up !!!! stil one of the best pre amps!! ever made !!
1. potentially a security risk if anyone knows you got one. 2. replaceable with a Digitech RP350 One of the strong reasons for that is Kimbra. Because of her we keep Digitech in the mix. We're not to mention Prince unless she does. I name Tom Scholz of Boston as my musical commander.
So in the patch community there are people copying patches and load them on CDs and reselling thousands of patches they didn't make. Since they are text files I put my name inside of them and anywhere I could.
Rock on dude‼️👍🏻🤟🏻🎸 How does the BluetoothHow does the Bluetooth work? Will this device allow you to connect to your Bluetooth on your stereo and play the guitar through stereo speakers? work? Will this device allow you to connect to your Bluetooth on your stereo and play the guitar through stereo speakers?
It is very nice. Previously I had Zoom G1 but this has studio quality. Does not matter you put Valeton into active speaker, old casette stereo, amplifier, radio, toaster, headphones, it sounds good. Even if you put it into cheap small speakers... It works even better.
Were you able to figure out if phantom power could damage the unit ? It would suck big time if that accidentally fries my unit while setting up for a gig.
It sounds like it can still hold it's own even today, and as I always mention to people, you can run an analog overdrive/distortion into digital gear. I've been doing it for 20 years and it makes a major difference, even with this year's models sounding damn near identical to valves.
I’m new to all this stuff, but if you could dumb it down for me on how you got the album tone out of the rockman it would be appreciated. This sounds exactly like it!
The ir won't show up as available, but it shows in the ir list up by the present. just doesn't show up where you can pick it up from the list. also my clean sound is distorted
@@GlenHydenin edit it shows up in 101 in irs, but if you go over to irs in the list where amps, cabs, effects etc. the irs don’t show up there, but my other irs do
I own a fractal FM9, Tonex, headrest prime, Ampero II, Pod Go, Amperium Live and about 3 others. I will say for live gigs, I choose the Valeton GP-200 all day long. Its sounds great, feels good, completely portable and easy to get great tones. Using the GP-200s ENGL Savage 120+ amp block and a 3rd party IR, a CT-UMV2-02 from choptones. low cut 114hz high cut 5000hz. Absolutely slays for metal. I also customize the foot switches to fit my needs \m/
$1200 USD buys me two Boss GT-1000Cores. $300 more buys me four Boss FS-7 dual footswitches to control them. Twice the power of any other modeler/multifx on the market for less money.
2 месяца назад
how many amps can the gt1000 have simultaneously? How many phasers? afaik, it's quite limited in freedom of choice
@ unless you need to run 3 amps at once, that wont be a problem
2 месяца назад
@@efosefpsefjpos also a problem if you want two non-basic delays. or two reverbs. Or 4 FX category effects. Anyways, deal breaker for me was the polyphonic pitch shifter (over tone?) being not nice
I’ve had 3 AT100 amp. I have one AT100 head. Had another one years ago in Dallas and also had the AT100 Combo. I didn’t care what the critics out there wrote about the B52 AT100 who doubtfully ever played one. These amps are really nice. I can pull Mesa tone all day from the B52 and scoop in some mods and it’ll get you back in the Marshall tonal range. The icing on the cake is the Clean channel and I do really consider it as capable as a Twin or evena dual Showman. Very nice reverb tank not junk. The weakest area to me are the components themselves. Run of the mill caps, diodes and resistors are installed. If they had spent a little more money towards quality parts the amp would have been a Mesa challenger and just as versatile. When you put a new set of decent tubes in it that are all matched it really gets it in the zone. There’s 11 tubes in this puppy so bring a wad of folding money when you head off to the tube stroke. P90 pickups through the B52 it is so responsive to touch, attack and volume. In some ways better than a JCM800, I love mine and I really like the 4 button footswitch throw an OCD boost/Overdrive pedal up front and it sounds even better. I love how clean the P90s can be when you roll the pickup volume down to 4-5. And get the creamy crunch when you dime the volume control on the guitar.
