Lalgudi Gopala Iyer Jayaraman (17 September 1930 - 22 April 2013) was an Indian Carnatic violinist, vocalist and composer. He is commonly grouped with M.S. Gopalakrishnan and T.N.Krishnan as part of the violin-trinity of Carnatic Music. He was awarded Padma Bhushan by the Government of India in 2001.
His disciples included his two children Lalgudi G. J. R. Krishnan, Lalgudi Vijayalakshmi, his sister Lalgudi Srimathi Brahmanandam, renowned musician S P Ramh (grandson of Shri. G.N. Dandapani Iyer), renowned Harikatha exponent Vishaka Hari, Saketharaman, Vittal Ramamurthy, Dr. N. Shashidhar, Film Music Composer Girishh G, Padma Shankar, Kanchan Chandran, Raghuram Hosahalli, Srinivasamurthy, Pakkala Ramdas, Sankari Krishnan, Yamini Ramesh, Mumbai Shilpa, Shreya Devnath, Krithika Natarajan, Salem Sisters, Arushi Ramesh, the leading Vainika Srikanth Chary and the Academy Award-nominated Bombay Jayashri Ramnath.
Sir, u and ur offspring along with other disciples of Lalgudi sir are really fortunate to undergo tutelage under that wizard of violin. I humbly request to post the full fledged version of this KARNARANJANI tillana beaming with the glories of percussion. Thanks in advance.
I am very sorry. Without percussions accompaniments this piece looks like a practice session. Not a full tribute to their great guru Srimaan. Lalgudi Jayaraman sir.
Excellent and could see the blessings of beloved Jayaraman sir throughout the video and in all the artists present here.. Pranams and hearfelt thanks for a wonferful recording, mixing and mastering in both audio and video, rite amount of blend so that every voice and instrument is heard clearly ! Looking forward to many more from MILAP ! Love it love it love it !
I just want Sri Lalgudi’s family to know that I am one of his ardent fans for over 50 years. In my mind, there is God, then my parents and then Sri Lalgudi. 🙏🙏
Many thanks for this wonderful insight.. The more one delves into Lalgudi Sir music,it is such an enriching experience and it's just touching the surface
Shailesh Ramamurthy emphatically brought out all his findings. He made us appreciate more and enlighten many of us. Like to hear more of his own perspectives and comparative analysis of how, [for example,'ethukai & monai' ; vallinam & mellinam; lyrical beauty; anuswarams; use of double strings for enhancing tonality & instrumental beauty...to name few] have been given importance in concerts by Lalgudi sir and other senior vidwans. Many thanks for sharing this illustrious talk.🙏
Very 'standard' speech!! He touched and explained the minute places very well. I want to hear it again. So many points. Well explained. Thanks for uploaded and my pranams to the Sangeetha kalanidhis. 🎻🙏🙏🎻
7:26 love this heavenly music So many super musicians Can listen to it even a hundred times and never get bored God bless all those who bring this joyous music to us
