Siepi e Nucci al massimo del loro splendore! Nucci il miglior Figaro e Siepi il miglior Don Basilio. 🎉 Tutti grandi rossiniani di impressionante agilità!😁 Viva le versioni tradizionali degli anni '80!!! 😊😊😊
Her vibrato is too fast (almost a bleat), especially in this repertoire. It disrupts the musical line and demonstrates underdeveloped technique. Never been a fan, and this confirms it.
I was there that evening. Beautiful memories! I made a huge effort to get a ticket, solely because I needed to hear Merrill. Finally got one and was not disappointed.
Glorious. She SINGS every note. So much to admire - the legato phrasing, the portamenti, the rock-solid core of the sound. The highs are thrilling because they're so secure and part of the line.
Till today, I had a favorite... Del Monaco and Bastianini... But this version is so unbelievable great, that I would put it on par. Il Maestro Bastianini con Merill sono stati grandiosi! Grazie!!! Here my beloved version: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-GMFiUXdyOro.html
Wow! For goodness sake, I've only just found this in 2024. It's absolutely, gobsmackingly, awe-inspiringly, fabulously brilliant. I've never heard such a stunning performance of this in my life. No wonder he is such a huge star. ❤
Wszystkie piękne słowa zostały już wypowiedziane pod adresem tego wyjątkowego Człowieka. Powiem więc tylko;każdy,kto chociaż raz usłyszał Go i zobaczył nie odważy się porównać z żadną,inna osobowością sceniczną.Bo takiej po prostu nie ma i nie sądzę ,aby kiedykolwiek się pojawiła. On był,jest i będzie tym kimś,kto nadał blasku operze,zawojował serca pieśniami wojennych lat,zniżał głos do włoskiego bell canto i francuskiego chansone. Jeszcze jedno,najważniejsze:On nadal śpiewa w naszych sercach i nigdy nie przestanie. Pozdrawiam wszystkich wielbicieli tego nieziemskiego Artysty.❤
@@katiaaguiar7103A Ty wyruszasz mnie swoimi słowami.Dziękuję Katiu,Przyjaciółko i posyłam serdeczności. Masz rację.On jest godzien wszelkich zaszczytów.❤
That is SOOOO thrilling ! Two magnificent singers, perfect for this particular duet, singing their heart out ! Giacomini possessed a beautiful, very baritonal voice. Perhaps not ideal for the rest of the opera, which pictures Andrea as a youthful, sensitive man : think of Carreras, who sang (and recorded) the role at the very limit of his vocal power, but so moving and attractive, and of course of Corelli, the epitome of vocal sex-appeal. As for Eva Marton, she is here at her very best, and that is saying a lot.
se strauss l'ha diretta per primo una ragione ci doveva pur essere!!! E non me ne vogliate, ma in italiano e con un cast del genere........mi piace di più così !
Giacomini, umile e timido, è sempre stato considerato dai colleghi. Purtroppo, pur avendo una gran bella voce, era penalizzato dalla scarsa presenza scenica. Del Monaco sfoderava, oltre ad una voce elettrizzante, anche una grande recitazione drammatica.
Wieso hat den Souffleur nach spätestens 10 min. niemand standesrechtlich erwürgt? Selbst in Aufführungen bescheidenster Laienbühnen weiß man, das man mit voller Bruststimme dieser Aufgabe nicht nachkommen kann! Hier heißt es - mit höchst präziser Artikulation - zu flüstern! Erbärmlich! Eine enervierende Beeinträchtigung in diesem Hochfest der Stimmen!
@lucashamilton151 Have you heard Dolora Zajick live? I heard her live on several occasions. In fact I was in the chorus during one of her performances as Anmeris in "Aida". Her chest voice, the middle voice and the top were were equally big and grand. Believe me when I say that the Zajick instrument could cut through any size orchestra, chorus and rattle the rafters of any theatre. She was a force of nature. Also heard her as Azucena in "Il Trovatore" and in concert. Unforgettable.
Merci du fond du coeur vraiment pour cette vidéo car ma maman aurait fondue en larme en regardant cette vidéo !!! car elle rêvait de la voir !! Et merci 😊
