Great Demo! I was wondering what the difference was. I have the Flat Iron and I like that it’s a more reasonable “Fuzztortion”. I do think it might shine with an EQ or EQ/Boost pedal after it, like the JHS clover
@Fostext what a coincidence, I just moved and that was the first pedal I messed around with. I got a couple amps but I put it through a Vox with the drive low enough on both the pedal and amp and that bad boy shimmers, but with balls you know? I got the clover too. Things pretty nice. Cheers brother 🍻
@@submarinemedia8316 oh very cool! I don’t have the Clover yet, but it’s going to be my next purchase. And I know what you mean, yeah the Flatiron has some good low end. And that’s cool you are cascading the Vox’s drive with the Flatiron’s. I’ve been experimenting with that as well, trying out 2 at a time, all with their drive low: The Orange Getaway Driver, The Wampler Tumnus mini, and the Flatiron fuzz. Cheers brother 🍻
@Kolmeeraitaashiwaas I don't make videos much anymore, but if you looking for more like this I have a playlist call Suicide Saturdays, playlist full of this stuff. Cheers 🍻
I feel like what makes this album is the vocals. Like in most aggressive music, the vocals have a super menacing vibe, like you’re running away from the music. But I feel like machine girl (Matt) sings and screams in a way that sounds absolutely panicked and in terror. Like the singer is running for their life, away from some insane cosmic horror beyond comprehension. I also feel like the character in this album being in such panic makes it so that you, the listener, are the insane powerful being in this situation. It makes the album really invigorating It. also makes moments where Matt is being more intimidating like the closer feel suuuper powerful and triumphant, like the weight is off their chest and now they just get to feel like the fucking goat. 10/10 album. Even after shit like death grips and 100gecs and other modern hardcore had kinda lost its edge for me, this album still feels as deranged and insane and empowering as the first time I heard it.
Still one of my faves, I don't do videos to much on ped a ls anymore but I've been thinking of some interesting ways to use this. Might post just because. I'd get it get it though probably cheap on reverb. Cheers 🍻 and thanks for watching
I've got a volca drum and volca keys, love playing with them, but I feel like I'm missing one more volca to complete a trifecta of awesome. I'm torn between a volca bass and a volca samples.
Do the Volca fm, you love it and its got good bass sounds or ypu can input sounds from an actual Dx.I had the bass it's not that cool, I had the behringer 303 and it worth the extra few versus
The weird sounds at the end of the video are the "artifacts" they refer to in the instructions. I play primarily clean and even acoustic and I hate the artifacts they can be useful with fuzz/ distortion in a Hendrixian sort of way.
This is why i love so much this pedal, i don't know any other that kind do this kind of stuff in the glitch world of pedals, neither on boutique stuff i've heard this before. It's like the FFT synth engine of electro harmonix and vocoders, this kind of effect it can't be classified very simply.
please use a microphone headset to amplify your voice. at times, it is difficult to hear what you are saying. I like the way you demonstrate the pedal, that's excellent. it would be even more excellent if I could hear what you are saying. thank you.
Really great video. I don't mind all the yapping. It helped me realize that I need this for more simple stuff. I like the tracking abilities on the swell. The polyphonic is fun. Anyway, nice job.
I thought I'd be getting rid of one of them but even though that have a nice filter, each one has a different tone. Rates a classic, but I actually really like the flat iron with just it and an amp nothing else.
WFLGRL is another album of the artist’s, my interpretation for mchngrl vs wlfgrl is if you’ve listened to wlfgrl, you could definitely hear elements of that album (mainly dnb rave stuff etc) in the beginning and it merges with elements from BIYAAHEYSF pretty cool if i say so
to answer your question, no you didnt. manufacturers will do their own versions of a popular circuits, and usually make their own tweaks. on top of that, even same brand/model pedals can vary from each other because of component differences.
Right? The guitars Tones on those early albums are insane. You are so right about those drum sounds by the way. I love how the last track on Bullhead they just kill you with that epic drum solo🔥🔥🔥
@@submarinemedia8316 you might dig Joe Preston’s (ex-Melvins) solo project, Thrones. It’s just Bass and drum machine. Super heavy and weird. ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-XacI2AknauM.html
Reading the comments I'm starting to think the difference is in the rubber feet not being on the bottom of the Rat? But I agree the Flatiron seems to be fuller, fatter, and on my wishlist!
I just wanna call this guy up & explain to him where the Goldilocks zones are in this pedal, haha, I'm sure it gets better, but I had to give up outta frustration, plus I'm looking for external clock triggering info, & I don't think he'll get to that.
@@nelsonhanneken975 yep I'm the one that fell for it. It was Chicago Music and Exchange. I haven't tried it since I was wanting the Proco Rat for a certain sound and it's doing the job.
