Just want to make it clear I don't make, nor do I intend to make money off of these videos. All the credit goes to the people that filmed the tapes and EJ himself. My main aim is to share these clips with all of you.
Email me at adamloftyy@gmail.com for any inquiries/trades. Thanks for sticking around!
Yngwies tone and vibrato here are out of this world and wow his improvisation is just nuts back then...the accuracy and intensity was insane even by today's standards and this was almost FOURTY years ago 😂
Thank you, EJ’s tone in that era was amazing with the Dumble, Fender & Marshall set up. This has to be one of the earliest shows with Tommy on drums. Great bass solo by Rob Alexander- very Jaco -esque.
Saw EJ at Rockefeller's 85 or 86. .at about that time, Rockfest 1984 (Bill Hicks, Hey Boy (later Velvet Hammer), Eric Johnson, Pat Travers. Thanks for upload. 😊😊
This was back before he had his Chandler Tube Driver and was using a Tube Screamer for his lead Marshall tone. You can hear how the Tube Driver took his lead sound to a whole other level of Violin Tone later on. 🔥
*Ackchyually* ...he was using a tube overdrive pedal designed by BK called the mini Mini Boogie and later Matrix likely as far back as 1980. The '84 Guitar Player article didn't list its inclusion.
This is great stuff. Nobody is going to complain about you posting up rare old footage of our guitar hero’s when they were younger. I just listened to the Desert Rose one from the Cameo. Holy Bejesus.
@@zenlandzipline I can post more of that show if you like? One of the best sounding soundboards from around that era. That was his last show of the Ah Via Musicom tour and you can tell, he was giving it his all. 9 minutes of desert rose is ridiculous for the normal live length.
@@PROGROCKBOOTLEGS I’d like to see the Soulful. On that Desert Rose at the Cameo, he totally overplayed the Hell out of the solo section…and I loved every bit of it!! What amazed me the most though, is he nailed the feedback notes just like on the album. The second solo on the album. That album version I’ve always thought was one of his best solos. And I was always believing that he got really lucky with those feedback notes that start at the beginning of the solo. But he did it in the Cameo version too, so I guess he had it dialed in. Kinds tough to do. I mean, you have some control over it, keeping certain strings open and standing in certain positions to the speaker cab, but a lot of it is trial and error and luck when it hits right. Awesome stuff.
