Thanks for this video…I’m watching it 3 years later as I’m now in the Fuji system. I bought the 23mm and the 35mm as I couldn’t get a hold of the 27mm, until this week. Now I fear I have three lenses that are too similar. I want to keep the 27mm for all the reasons you mention and in particular its small size. Would you keep all three or perhaps swap the 23mm for an 18mm and then swap the 35mm for a 50mm? Or am I overthinking it all.
Are you shooting RAW? Is that a Cinestill Preset at 7:28 or is that a recipe? I have also a xf10. You changed my mind. I never gonna sell this masterpiece. Thanks
Amazing work! Just one quick question: what about the color management inside Davinci Resolve? I shot with Blackmagic 6k FF and normally would input BM6k as the input color space
Hey! I just purchased the filmvision II Powergrade and it looks a bit different from the power grade in this video, I'm not sure if this is the updated version, but I wanted to ask if there are any tutorials on the new version?
How are you finding using the PT6 with Open Gate on the Xh2s? I just got mine! I'm loving for my video work, but having trouble making it (Open Gate recording) work with external monitors!
Great video as always! Have you noticed any exposure shift issue while zooming? It seems that all Fuji zoom lenses have this problem, especially the cheaper ones designed to maintain a specific aperture.
Every one of these photos could have been taken on an X-H2 or any other camera. Nothing here compels me to rush out out spend $15k on a GFX system - good as it is. Just sayin'.
hey I wanted to know what causes artifacting in general? I applied method 2 in one clip there is no artifacting then i apply the same amt to another clip (same camera settings) and it causes artifacting
It was long ago the last time I checked if compact cameras could produce such a cinematic look. And non of them were capable of recording that film "magic". I have still my hacked GH2 lol. But after this video I'm sitting here with a big WOW in my face. Now I think about to upgrade my rig. I think this is as close as it gets to a real film camera. These colours... OMFG!
