京都橘高校吹奏楽部　Kyoto Tachibana SHS BandKYOTO TACHIBANA HS VIDEO CONTEST ORIGINAL MOVIE 【外国人の反応】 

彼女達はプロでは無くて3年で入れ替わる高校生だから凄いんですね。

橘見てくれてありがとうございます😊ダンスしながら演奏も凄いけど、まだ高校生に驚きですよね～👏✨

橘メンバービデオは秀逸❤️動きに演奏のレベル、、、かわいい、素敵、最高峰ですね❤️メンバーが入れ換わりながらのレベル維持はそれぞれの生徒の猛練習の賜物。今回更に取り上げて頂きありがとー😆💕✨

あるRU-vidの情報に依ると、今年の10月に台湾の記念イベントに招待されたとの事です。 台湾に近いアジアの人にはチャンスかも知れません。

隣の人のトランペット押すのすごすぎるー！！かっこいい

橘は、何度見ても鳥肌、そして感動しますよね。 それは日本人だけでなく、海外の人達も同じですね。 彼女が腕を何度となく触る瞬間は、 鳥肌が立っているんですね。 おそらく海外の人達は、 勘違いする事もあるはずと思うのは、 彼女達は全員10代である事、 そして当然この活動は、 たった３年間の高校生活だけである事を 信じられないのではないでしょうか。 高校のブラスバンド、単なる部活動で、 ここまで完璧なパフォーマンスが可能なのか、 という事が、とても信じられないはずです。 海外の同様のブラスバンドで、 ダンスをしながら演奏しているのを見た事がありません。 おそらく不可能だからでしょう。 それは個人主義だから、身勝手に動き 全員が揃う事が不可能なのでしょう。 きっと、橘を真似してやった高校もあるはずです。 しかし、到底無理だったのでしょう。 そして、せいぜい軍隊式、 つまり演奏しながら、ただ歩くだけの演奏方式 になるしかなかったのでしょう。 日本人しかできないのです。 日本の他チームは、最近ダンスを交えたスタイルを やっているのを見かけますが、 結構、サマになっていますが、 橘を抜くほどでもないです。 橘は、はっきり言って、 次元が違います。

Hey Mama, Great Reaction - Again! - your comments seem like you're reading our minds. You'll will probably have realised that this is an indoor performance of the bulk of their US Festa routine 2017/18 (without the dinosaurs etc) just prior to their Rose Parade appearance. Sweating, Goosebumps and Tears are known collectively as "The Tachibana Effect" - May we never recover!! - Good Job Mama!

All have to add is, The Future is bright the future is Orange 🍊

The formation at 1:43 is the shape of a Mickey Mouse ears hat from Disneyland. The clarinet soloist at 9:35, Okazel, became the Drum Major in the year following this. She is currently a member of O-VILS where she played the same solo in the We Are O-VILS vol.3 video you already reacted to.

ありがとう

I'm German and I think this band is fantastic and I'm always happy when someone discovers this magic for themselves. I've known the band since 2016. I also always get goosebumps when the Kyoto Tachibana S.H.S. band can be seen. These young Japanese people truly convey a sense of happiness over and over again..👌

Hi Mama Ai, I have big smiles too. This one is one of my favorites. I'm so happy that you were able to view it too. Kyoto Tachibana members dance and play their instruments so well. Some of these faces can be found in the O-VILS Band.

これはアメリカのローズパレードに出る為の１０分間の予選のビデオ。 この演奏ビデオで２回目のローズパレードに出る事が決定しました。 日本のデズニーシーにも出てます。その関係で、ついでにアメリカのデズニーにも出ています。 ３年ごとにハワイで演奏もしているのですが、今回は予選でローズパレードに出るので（２回目）デズニーにも呼ばれてます。

They did that routine at the 2018 rose parade band fest. The did field shows. It was 3 bands together as one. The current band and 2 alumni bands. Search rose parade kyto tachibana 2017/2018. The got a very long and loud standing ovation

そして、2025年のローズパレードに出場が決定しました❤🤩👍 彼女・彼達のフォーメーションの豊富さには、いつも驚かされます❣️😍👍

Hi Mama Ai, after watching a video, I was reading comments and read one I read before two years ago. This one is instructive and I thought I had best pass it on to you: " Kyoto Tachibana SHS band does their own choreography , dance moves. This is from a website that I will leave at the end of this, it's long so > Present were the five members of the Marching composition team. When working on their choreography, the members sit in the classroom , and listen on their smartphones to a recording of a song they’ve performed together. Everyone tries to come up with their own dance, letting their mental image grow. Then, they form a circle and watch one another’s dances, deciding on the choreography along the way. KT’s traditional moves all have their own names, like “kick,” “side,” “kinoko” (=”mushroom”), and "turn", allowing the discussion to flow as the participants listen to the song. We should put a kick here”, “After we turn around here, we should do a side”. The atmosphere is fun and full of laughter, with no particular leader, and no one person making the decisions. At one point, one person’s moves will be spontaneously adopted without a word. The next moment, everyone is instantly united in doing another person’s dance. It’s as if those five people are communicating telepathically. The group of marching organizers is made up of representatives of the woodwind, brass, and percussion sections, and one from the Color Guard. While they dance, they’re also thinking about their own separate parts of the choreography. After the group has been dancing in a circle for about an hour, three people move to the front and spread out from side to side, and the other two sit across from them and watch as they dance to the song. The two doing the watching also offer views like “At this spot, we should do this”, and the choreography is revised through this process. That the three are standing side-by-side at this time is because at the most basic level, marching bands are organized in three lines, or “files”: the right file, the center file, and the left file. In KT’s choreography, the timing of the moves is often deliberately staggered between the files at the sides, and the center file to add dynamics to the movement. Even at this stage, the three who are lined up to test the new choreography ; already have this in mind as they work it out. This time, when they arrived at a certain part, one of the three called out “Whoo!” without warning, raised her hand, and moved to the front. It was a spontaneous move that had never been suggested , during any of the discussions that had preceded it. Upon seeing it, one of the people who were sitting and watching from the other side nodded approvingly, mitating the “whoo”. Thus, it was decided that a “whoo” would happen at that point. It was then that the filming began. The member of the Color Guard films the three as they dance to the entire song. Then, the three turn around to go through the routine once more, so that they can be filmed from the back. The band members tell me that these front- and back-view videos are sent to Yokoyama-sensei, who then reviews the choreography. When speaking with us adults, the band members are articulate and well-spoken, using standard Japanese. However, when working amongst themselves on choreography, the conversation takes place in the Kyoto dialect, and the words come out at an extremely high rate of speed, making it difficult for anyone else to pick up much of what’s being said. Nevertheless, these young women are able to communicate complex, ideas to one another in an instant, with little more than a word or two. I’m sure that conversations between high schoolers are like that everywhere in the world, but I would also think that if a high schooler from Tokyo, for instance, were to be added to this group, the conversation might be slowed down significantly. In Japanese, the unspoken understanding of thoughts between colleagues, united by a strong shared consciousness, is known as "aun'no kokyu "("a-un breathing") (expression based on the first and last letters of the Sanskrit alphabet). The secret of KT’s choreography was the marshalled powers of five people, who were blessed with talent, diligent in their preparation, and experienced in performance. KT’s choreography really was devised and done by the students themselves. No professional so much as set foot in the room. That is truly an amazing thing. Link to this > kyototachibanashsbandunofficialfanblog.wordpress.com/ < If you are a KT fan , you'll find a lot of interesting things here. Video links , interviews in English print of several KT girls who performed in the 2018 Rose parade and more. Enjoy " " Hey! "

I apologize for tachibana. About roseparade decision ltwasan informants mistake Iam currently in theprocess of submitting docnments. Sorry

Canoas RS 🇧🇷🙋☺️😘 !!

釣りはやめて欲しい！