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I knew Colin's pack would be awesome. Love watching you discover these tones and the look on your face going from one to the next. I can tell you're genuinely digging it! This will my first STL purchase.
This was awesome I was already looking for some more STL tones plug ins to get and this is exactly what I was looking for and to have it presented with the Rob Arnold touch was the best way to hear it!!!!
These sound awesome! I use the Ignite Emissary plug-in which is free but still sounds really good. You can put your own impulse responses on it too. I also use an overdrive and noise gate plug-in
Really good there Rob. I'd go with the first amp tone that you went to and add a little something with a bit more heavier tone for me. Maybe that old classic thrash tone or something like that. And I could see from what you've said before about how the mic needs to be in the right place. All in all a very got amp sim and another great video Rob. Thank you.
Great vid i bought the pack! FYI for the wah u can get a midi wah pedal that will work so u can control it or 👉 I actually bought the boss FC300 to be able to switch tones and use the volume and wah pedals with my feet! There's other options as well
Hi Rob! These tones are awesome. 17:10 😄👍 sounds amazing! I like the wah pedal but wished it kinda moved on the screen. But still sounds great. Take care,
Right on Todd! Yeah, I've seen some other ones where the wah will move based on like, how hard you hit the strings. I was expecting something like that!
@@RobArnoldWorld Dude! I’m loving your ‘metal guitar ‘ video. I’ve been playing for awhile but there’s still soooo much for me to learn from you. 👍 I really appreciate it. Keep rockin!
subbed and great tones dude. i was like "is this the rob arnold from chimaria?" for some reason i didnt recognize you and i was like "it is!" lol. "Power trip" is still my go to jam to this day. cheers
@@RobArnoldWorld Definitely. I bought it late yesterday evening and man is it addicting because its like the tones are ready to go with no tweaks or anything. I was afraid to move or adjust anything.
I'm definitely keen to give stl tone hub a go after these videos. Been trying to get the chimaira sound sound for ages on various other plugins but seem to struggle.🤘
These sound amazing!! I use AmpliTube 4 and I have so many issues with the noise gate not cutting off sounds properly and also adding a 0.5 second delayed “echo” when I cut a note off. Listening to you play the sound cut off is instant as soon as you mute the note. I think it may also have something to do with my budget hardware. I’m using an iRig HD2 interface and a Lenovo tablet. Maybe I need to get a proper interface and a MacBook Pro.
Couldn't hurt to level up your gear a bit! The first step is actually KNOWING that you may need to level up, which is the point you've reached. I suggest doing some research and diving in!
Amplitube 5 has a really good Dimebag sound gate. I have the Mesa Boogie pack too, and I really like it...but I'm definitely interested in this Tonecrate pack after hearing Rob mess with it.
@@itssteveufool It's actually a ToneHub pack. Tonecrate is a pack I have specifically for Kemper amps. The Tonehub is something anyone can use on any computer. 🎸
I downloaded STL Tonehub about 6 months ago after seeing you mention the Mark Lewis pack in an older video. I really liked the free trial but ultimately ended up going with Neural DSP. Have you ever tried any of their plugins? Their two newer ones are a Gojira plugin and a John Petrucci plugin. Both are killer. I personally bought the Gojira one as I think it’s a perfect plugin for metal. The distortion tones are sick. The brand new Petrucci one has a ton of cool bells and whistles that are fun to play with. Maybe you could try a free trial of one and do a video similar to this one!
Could you do a video on guitar strings what you used with chimaira what you used with six feet under what gauge strings and brands for tunings i think you used to play in drop B and even drop A and have been curious what you used 11-56 drop C maybe?
I'll just tell you right here! Chimaira: Drop A (7 string) 11-52 with an added .60 for the 7th sting Drop B 11-52 Drop C 11-52 SFU: C standard 11-52 Always with a wound G string! From 2001- 2016 I used Dean Markley Blue Steels. From 2017- present I use DR High Beams 🎸
@@RobArnoldWorld thanks so much! I wondered what setup you used with strings amazing how you can make drop C sound so heavy to, some of the riffs from chimaira were so crushing like born in blood....the breakdown is so fucking good
Definitely! I recommend checking out this video for helpful information on how to do just that! 👌 ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-aTkDRpi8nZg.html
Here's another link you can check out. There are a bunch of great vids to help you get started! ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-v4-KBxMRKdE.html
Rob so love the video but have a recording question. I try to use a VU meter to try to keep things around -18dbfs. Do I place it before or after for gain staging?
Hmm... I'm not really sure what the best way is to answer that man, without seeing your signal chain myself. You should try and judge your levels by your channel faders, the input and output levels of your plugins, and your bus levels. Then use something like a VU on your master bus. To me, gain staging is watching your levels and keeping them from clipping every step of the way. So that means not clipping your channel faders on your input, then not clipping your plugins from one insert to the next, then not clipping your sends to the bus, then not clipping the bus itself. Then your buses feed your master bus, which you obviously don't want to overload either. So it's important that every "stage" of your signal, is "gained" or at the appropriate level, from input to output. Good luck!
@@ST-fl5fy Because it gives me a reading of the overall level of my session. Since everything within my session is feeding into my master bus, this is where an output reading is most important.
I guess here's how I'd think about it... With Amphub, you're getting a bunch of sick sounding amps and effects, and you can dial everything in to your liking. With Tonehub, you're getting a specific set of amps, chosen directly by specific producers, with the combinations, settings, and mic placements that they prefer. You can then of course tweak things however you like. Oh, and you of course get all the STL effects as well. So if you want a bunch of amps to play around with, go with Amphub. But if you want the amps, tones, and presets from a specific producer, like Colin Richardson, Mark Lewis, or Jason Suecof, then go with Tonehub.
@@RobArnoldWorld Thanks Rob, that's super useful information. I'm more of a 'plug in and go' guy, so think i'll give Tonehub a whirl in that case. Love 'Magnitude' by the way! 🤟
Rob, are you hearing what you're playing through monitors? If so, which ones & how loud are they? I'm used to an Orange CR120 w/ 2x12 v30's & a 1x12 Eminenence Swamp Thing, usually, just the V30's but, looking to get into sims & not buy 10 more amps 😂
Yes I am... but depending on how I'm recording, I have to be conscious of what my dialog microphone is picking up while making these videos. So sometimes I opt for headphones. But if I''m just jamming and writing and stuff, I'm definitely just ripping through my monitors. Always at a comfortable level. Not too loud, not too soft. I've used Dynaudio BM5 MKII's for the past decade. The pair I have have been updated to a newer version, which you can find on my gear list! 👉 www.robarnoldworld.com/gearlinks
@@RobArnoldWorld good to know, thanks. Do they get pretty loud if you really want to crank it? Never used them so I'm not sure if their even in the ballpark of a 1x12 or 2x12(!)...?
@@BubbaZanetti_375 Well, that's not really the way you want to think about it. Studio monitors have a different purpose than a guitar amplifier. Think of studio monitors as like a nice big stereo system we all had in our houses in the 80's and 90's. Music sounded great on them. But if you tried to play a guitar through the stereo, like with a distortion pedal or something, the results would not be desirable.
@@RobArnoldWorld gotcha, thanks for answering my noob questions lol I love your channel & your content, man, it's just great w/ where I'm at as a player.
Best I can do is refer you to this video, where you can watch me play it up close and isolated 👉 ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-NGLPFlC4RAY.html And the TAB is available over on my Patreon, along with the tab to a BUNCH of other cool Chimaira songs! 👉 www.patreon.com/RobArnoldWorld Cheers!
Damn near losing my mind with plugins... For some reason I cannot get any of them to sound good! Im using a macbook, guitar (active and passive pickups on different guitars) to focusrite scarlett solo 3rd gen, logic pro as DAW, neural dsp gojira and fortin cali plugins. I really need help... guitar tones all sound thin and tinny. Level inputs on interface are not clipping... Checked for 44.1 input in daw... Cant seem to find any help anywhere on this..
Unfortunately I can't help without hearing your situation myself. If you'd like, record a quick little video (just like 30 seconds or something) and send it to me on Instagram. @RobArnoldWorld I'll see if I can help after I hear what you've got going on. And kudos for taking the initiative to describe your signal chain! That's very helpful!
My god Rob Everythin is change The whole world as we now make blown away Please You and Mark Matt Chris Andols and Jim Give the world most brutal album of the decade Please. World is so fucked up Your music guys is so brilliant Make wish come true and make new record For the fans For You We need you Fuckin CHIMAIRA🙏🙏🙏🙏
