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25 Arpeggios That Sound Amazing On A Dm7 Chord 

Jens Larsen
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You probably know that it is important to have a lot of options when you improvise, especially over a common chord like an m7 chord. In this video, I am going to show you a lot of arpeggios, how you can find them and how you can use them on a basic m7 chord.
The arpeggios work for this chord, but the method works for all chords. I am also going to show you how I use the arpeggios because that is, in the end, more important than knowing that they exist.
..and I will throw in a few strong and honest opinions on music and practice for free so you have something to disagree with in the comment section.
Get the PDF on Patreon:
/ 25-arpeggios-on-36964026
The Most Important Solo Tools For A Maj7 Chord
• The Most Important Sol...
Sometimes it is hard to come up with something that inspires you when you are improvising a jazz solo with maj7 chords. There are a lot of things you can use if you want to improvise, and in this video, I am going to give you some of my favourites in terms of arpeggios, triads, pentatonics and a few special tricks as well.
Triads - How To Use This Powerful Tool In Your Jazz Solos
• Triads - How To Use Th...
You don't want your solos to be scale, arpeggio, scale. In this video, I will show you how to use triads in your guitar solo vocabulary and use them to add some fresh melodic ideas to your improvisations. Every arpeggio is a melody and Triads is a great melodic building block you can use in Your Jazz solos.
The most important scale exercise in Jazz: • 25 Arpeggios That Soun...
Content:
0:00 Intro
0:41 7th Chords
1:54 The Mighty Triads
2:57 Strong And Honest Opinion: Arpeggio Choices and Modes
3:47 Sus4 Triads - The 3-note arpeggio hack (part 1)
4:59 Shell-voicings (Thank You, Pat Metheny)
6:09 Quartal Arpeggios - The 3-note arpeggio hack (part 2)
7:18 Quartals and Sus4 triads
8:00 Strong And Honest Opinion: Inversions
8:24 Spread Triads - Make Triads Great Again
9:30 Quintal Arpeggios
10:18 Solo Tools for Maj7 Chords
10:28 Like the video? Check out my Patreon page
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My name is Jens Larsen, Danish Jazz Guitarist, and Educator. The videos on this channel will help you explore and enjoy Jazz. Some of it is how to play jazz guitar, but other videos are more on Music Theory like Jazz Chords or advice on how to practice and learn Jazz, on guitar or any other instrument.
The videos are mostly jazz guitar lessons, but also music theory, analysis of songs and videos on jazz guitars.
If you like this video and want to help translate it into your own language you can do so here: ru-vid.com_vide...
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9 июл 2024

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Комментарии : 263   
@JensLarsen
@JensLarsen 4 года назад
A little late becasue I have a massive headache today. Did I forget your favourite arpeggio? Content: 0:00 Intro 0:41 7th Chords 1:54 The Mighty Triads 2:57 Strong And Honest Opinion: Arpeggio Choices and Modes 3:47 Sus4 Triads - The 3-note arpeggio hack (part 1) 4:59 Shell-voicings (Thank You, Pat Metheny) 6:09 Quartal Arpeggios - The 3-note arpeggio hack (part 2) 7:18 Quartals and Sus4 triads 8:00 Strong And Honest Opinion: Inversions 8:24 Spread Triads - Make Triads Great Again 9:30 Quintal Arpeggios 10:18 Solo Tools for Maj7 Chords 10:28 Like the video? Check out my Patreon page
@rileybird1428
@rileybird1428 4 года назад
Hi Jens, what is the reason for removing triads with a B in it?
@AdamTheBen
@AdamTheBen 4 года назад
Get well soon!
@JensLarsen
@JensLarsen 4 года назад
Thanks Adam!
@JensLarsen
@JensLarsen 4 года назад
I explain why I don't include the B in the video :)
@DennyJiosa
@DennyJiosa 4 года назад
Nice shirt, Jens! It's definitely a D minor kinda vibe.
@kevindonnelly761
@kevindonnelly761 Год назад
Knowing an arpeggio = knowing a melody - or knowing a melodic building block. That's powerful knowledge. Thanks Jens.
@JensLarsen
@JensLarsen Год назад
Exactly 🙂
@artompkins7958
@artompkins7958 4 года назад
Jens, every week you put out enough information to keep me busy for months. You’re killing us, Man! Thanks so much - it’s great to have your channel in my guitar life.
@JensLarsen
@JensLarsen 4 года назад
Glad you like it!
@griffinwojtowicz6961
@griffinwojtowicz6961 4 года назад
"so you have something to disagree with in the comments." brilliant haha
@JensLarsen
@JensLarsen 4 года назад
Thanks :)
@SteveMahoney
@SteveMahoney 4 года назад
@@JensLarsen watching at 2am, I laugh snorted so loud I hope I didn't wake anyone.
@rogerwilliams2629
@rogerwilliams2629 4 года назад
I am self taught and have played for 55 years. I always get about 2 years worth of lessons from each of your youtubes!! Thanks so much!!
@LGPhotoArt
@LGPhotoArt 3 года назад
Jens, you are the best at explaining jazz guitar techniques. Truly a gem on youtube, thank you for your giving.
@kevinpatrick4670
@kevinpatrick4670 4 года назад
I just love your touch Jens!!! And what you are teaching is theory of course and the application of the theory, but most importantly you are teaching us how to become individual players to have our own voice!!! Our own style!!! I think that's the most important lesson of all!!👍
@diamondbreak
@diamondbreak 3 года назад
This is the best of the best things, most of the guitarists (even musicians) have been looking for. Really appriciate it.
@JensLarsen
@JensLarsen 3 года назад
Glad you find it useful 🙂
@brzozek9669
@brzozek9669 4 года назад
Dear Jens, Thank you for what you do! Your films contain a lot of knowladge which is necessary for every jazz guitarist. Your explenations are really usefull and can truly inspire. Stay health and tuned!
@brandon_fernandez
@brandon_fernandez 4 года назад
Amazing! Videos keep getting better and better. Thank you for your hard work and knowledge Jens.
@JensLarsen
@JensLarsen 4 года назад
Glad you like it Brandon!
@Domitianvs
@Domitianvs 4 года назад
I usually find your videos helpful, but this one was above and beyond, I have to say! Really good stuff, great use of visual aids in eliminating triads containing B etc. Keep it up!
@v2vroth
@v2vroth 2 года назад
Man best channel on you tube..Thanks for sharing!
@JensLarsen
@JensLarsen 2 года назад
Glad it is useful :)
@xSecamx
@xSecamx 3 года назад
congrats for the 300K !
@rickymolina7390
@rickymolina7390 4 года назад
There's some powerful stuff packed in this video. On a micro as well as on a macro level. Thanks Jens.
@sergionunes7274
@sergionunes7274 3 года назад
Very good, Jens. Very useful. It opened my mind to a lot of stuff. Many thanks, keep up the good work and God bless u.
@JensLarsen
@JensLarsen 3 года назад
Happy to hear that!
@terryquinn2042
@terryquinn2042 Год назад
Jens, I love your teaching. It's very inspiring and I love the way you explain everything in such a comprehensive manner. You certainly give a lot of food for thought. Thank you. Terry
@JensLarsen
@JensLarsen Год назад
You are so welcome!
@Fiddlertom
@Fiddlertom 4 года назад
I have learned so much from you! Thank you! I’m a bluegrass flat picker and I love jazz and mixing some into other styles!
@Dang...
@Dang... 2 года назад
Excellent! Thank you Jens!
@JensLarsen
@JensLarsen 2 года назад
Glad you liked it!
@dacuygtr
@dacuygtr 2 года назад
Thank you! This lesson is invaluable.
@bookinb3222
@bookinb3222 4 года назад
Legend has it that Pat Metheny is still up there playing those shell-voicing a to this day...
@JensLarsen
@JensLarsen 4 года назад
Haha! 👍👍
@paulmitchell5349
@paulmitchell5349 9 месяцев назад
So useful ! Thankyou Jens .
@JensLarsen
@JensLarsen 9 месяцев назад
Glad it was helpful!
@carlosprediger1922
@carlosprediger1922 4 года назад
Thanks very much for sharing your great knowledge. Really good stuff. Please keep posting, thanks!!
@JensLarsen
@JensLarsen 4 года назад
Thank you! I will do my best to continue making videos :)
@riccardobertilotti884
@riccardobertilotti884 2 года назад
Beautiful ! Thank you 😊
@JensLarsen
@JensLarsen 2 года назад
Glad you like it 🙂
@irvegriffiths8256
@irvegriffiths8256 4 года назад
THE BEST LESSON ON THE INTERNET! Thanks Jens
@JensLarsen
@JensLarsen 4 года назад
Glad you think so!
@myguitarchannel8775
@myguitarchannel8775 4 года назад
I've always watching your videos. I've been learning so much about it. Well Done! Stay safe!
@JensLarsen
@JensLarsen 4 года назад
Thanks, you too!
@myguitarchannel8775
@myguitarchannel8775 4 года назад
@@JensLarsen your welcome idol! 🙏🎸👍
@brturner
@brturner 4 года назад
Wow, this REALLY helped. Having to think what I wanted to play, and not being able to play the shred I usually gravitate to (shred being playing up a scale fast for me) forced me to actually hear what I was playing. I still need to learn to think about how to make the arpeggios interesting by not just playing them up and down in a way that makes sense, how to organically weave these arpeggios into a melody, how to add enclosures and passing notes, and how to learn where to stop the phrase but this was awesome to practice over a D-7 backing track. Gonna watch the Maj7 chord version you put up, and then probably figure out something for Dom7, m7b5 myself
@johnjacquard2182
@johnjacquard2182 4 года назад
Excellent content kind sir. I appreciate your work.
@bobsavage3317
@bobsavage3317 4 года назад
Really great video ... packed with cool ideas, and presented so clearly. I hope your headache gets better soon.
@JensLarsen
@JensLarsen 4 года назад
Thank you so much! It is already better, just needed 12 hours of sleep :D
@blainebargfrede9391
@blainebargfrede9391 3 года назад
its so simple to understand. thanks!
@JensLarsen
@JensLarsen 3 года назад
You're welcome! :)
@louismaiden8360
@louismaiden8360 2 года назад
These videos are the best
@jackhennessy848
@jackhennessy848 4 года назад
Great video, thank you Jens.
@JensLarsen
@JensLarsen 4 года назад
Glad it was helpful!
@flavioalheira
@flavioalheira 4 года назад
Thank you very much for this video
@JensLarsen
@JensLarsen 4 года назад
You are welcome
@nandoselleguini
@nandoselleguini 4 года назад
Good idea! Hugs from Brazil
@JensLarsen
@JensLarsen 4 года назад
Thank you! 😊
@alfredomanlapaz8123
@alfredomanlapaz8123 4 года назад
Thank you so much Sir Jens👌👍
@JensLarsen
@JensLarsen 4 года назад
Always welcome
@aaronayodele2556
@aaronayodele2556 4 года назад
Your TABs keep me going. Without them I won't be able to follow. Thank you my great teacher. I just wish you can gift me with one of these your guitar on the wall there. Lol
@JensLarsen
@JensLarsen 4 года назад
You are welcome!
@FranciscoBIdo
@FranciscoBIdo 4 года назад
Very useful. Thank you!
@JensLarsen
@JensLarsen 4 года назад
Glad you like it 🙂
@JC-xy3lm
@JC-xy3lm 4 года назад
Thank you for sticking to Cmaj scale🙌 it makes a lot easier to learn/understand on all of your vid lessons 😊👌
@bobblues1158
@bobblues1158 4 года назад
Excellent Jens . Super melodic material. Also for saxophone. Thanks.
@JensLarsen
@JensLarsen 4 года назад
That's great to hear :)
@JohnHorneGuitar
@JohnHorneGuitar 4 года назад
Another golden video!
@JensLarsen
@JensLarsen 4 года назад
Thanks John!
@PeterDStephens
@PeterDStephens Год назад
OMG the spread triads sound so good!
@JensLarsen
@JensLarsen Год назад
They are nice 🙂
@theshredguitarist25
@theshredguitarist25 15 дней назад
This video is a godsend thank you so much!!!
@theshredguitarist25
@theshredguitarist25 15 дней назад
I just realized i commented on this video a year ago lol
@BabisPlaysGuitar
@BabisPlaysGuitar 4 года назад
Thank you very very much Jens! That was one of my favorite. I'm actually in a band where we play a kind of funk jazz so less functional harmony stuff and more modal. For example we do a lot of Dorian (like Im7 - IV7) where I really need to highlight the 6th so I guess I'm gonna play all the arpeggios you say they don't work and leave out the rest :) I hope your headache's gone. Thanks again!
@RC32Smiths01
@RC32Smiths01 4 года назад
Really amazing how you can make infinite uses out of a single chord! Really enlightening my man!
@JensLarsen
@JensLarsen 4 года назад
Glad you like it RC!
@josephvotta6698
@josephvotta6698 4 года назад
Thank you- I love the way you see music and teach us that from what appears to be a different perspective. It makes so much more sense and easier to understand! “You should think of arpeggios as melodies”, - I never did before and I always will now! Also, excellent graphics with the “right here, right now” notation, in all 3 modes! (This actually helps me read sheet music better, too!!) No need to download additional resources! Fantastic! I will check out more of your offerings! As for suggestions, I would like a lesson on how to approach the song “Misty”, its structure, chord voicings, and maybe some melody /and improv suggestions; its an old tune, but often called out at jam sessions, and I have always struggled with it. Thanks again, Joe Votta
@thepartimemusician65
@thepartimemusician65 4 года назад
Wonderful lesson Jens,you are a master.
@JensLarsen
@JensLarsen 4 года назад
Thank you! 😃
@GregoryPearsonMusic
@GregoryPearsonMusic Год назад
Very useful exploratory approach
@JensLarsen
@JensLarsen Год назад
Glad you think so!
@christianpargarini1586
@christianpargarini1586 4 года назад
very cool video.easy to aunderstering.good theacher.
@necemer
@necemer 4 года назад
Great Video. Have a nice day. Greetings from Austria
@QuistJam
@QuistJam 4 года назад
Great work (as always) Jens!!!
@JensLarsen
@JensLarsen 4 года назад
Thanks Jacob! :)
@QuistJam
@QuistJam 4 года назад
@@JensLarsen :)) Let's do another collab soon!
@JensLarsen
@JensLarsen 4 года назад
@@QuistJam Yes!!
@johnhood9567
@johnhood9567 2 года назад
This is very useful!
@JensLarsen
@JensLarsen 2 года назад
Glad to hear that!
@markezov
@markezov 4 года назад
Top notch stuff. Thanks.
@loufugier3481
@loufugier3481 4 года назад
Thanks Jens !
@maxsegali5588
@maxsegali5588 2 года назад
Great lesson
@JensLarsen
@JensLarsen 2 года назад
Thank you 🙂
@theshredguitarist25
@theshredguitarist25 Год назад
Wow 2:54 sounds so good! And so helpful to know. Thanks Jens.
@JensLarsen
@JensLarsen Год назад
Glad it was helpful 🙂
@miguelabrahamocampo3943
@miguelabrahamocampo3943 3 года назад
Gran maestro señor Larsen muchas gracias!
@efrenhei4902
@efrenhei4902 4 года назад
Thank you, greetings from Argentina
@JensLarsen
@JensLarsen 4 года назад
You are very welcome! :)
@ashandesilvaguitarist
@ashandesilvaguitarist 4 года назад
thank you so much jens!
@JensLarsen
@JensLarsen 4 года назад
Any time!
@Silviossb
@Silviossb 4 года назад
Isso é maravilhoso! obrigado Jens Larsen
@eternalrainbow-cj3iu
@eternalrainbow-cj3iu 4 года назад
Good Lesson! i tried all the sus paterns with ánd without the " B " but the avoid method is still nice to have seen at work. Thanks a lot!
@ajadrew
@ajadrew 4 года назад
Love it Jens...helps me get those sounds I knew were in there somewhere...on the bass!!
@JensLarsen
@JensLarsen 4 года назад
Go for it! :)
@ajadrew
@ajadrew 4 года назад
@@JensLarsen 👍
@billy-keane-music
@billy-keane-music 4 года назад
Fantastic!
@thomasmorris4579
@thomasmorris4579 4 года назад
Lots of things to work on, thanks!
@JensLarsen
@JensLarsen 4 года назад
You're very welcome!
@sheddybhulji8196
@sheddybhulji8196 Год назад
Great ..thanks
@JensLarsen
@JensLarsen Год назад
Glad you like it 🙂
@bobparsonsartist564
@bobparsonsartist564 4 года назад
I love these sounds. Very well laid out, even I can understand what youre saying! Before we knew anything but Mickey Baker chords, my cousin and I had our own lingo for music theory. Of course there was the Hendrix chord, which we produced that name inour own basement world, not knowing it would become a thing. And the David Gilmore note - the 9th on the G string. And these spread triad arpeggios we’d hear, we’d call the “tickle” notes. Our only jazz guy at the time was Johnny Smith, and once in awhile we’d hear Tony Matolla (sp?) on the radio. Yeah Im that old (67). Indidnt know what a major scale was (formaly) until I was 40! When I heard it, I immediately knew what Larry Carlton was doing on BP Blues from his album Last Night....descending F scale over that G blues.
@marcelbrunav
@marcelbrunav 4 года назад
It’s like you have been analysed the language of Metheny, Kreisberg, Lund and Rosenwinkel. Each one of them use one of the approaches that you discuss in this video. Thanks!
@JensLarsen
@JensLarsen 4 года назад
Thank you very much! I did check out those guys for sure, but of course there is more to their style than a few arpeggios 🙂
@brad724p
@brad724p 4 года назад
Great one, Jens.
@JensLarsen
@JensLarsen 4 года назад
Thanks Brad!
@timparetti1944
@timparetti1944 4 года назад
I have never commented in RU-vid on anything but since I dig Mr. Larsen so much and he baited us I'm gonna take a shot. I learned harmony at the piano and on the flute after i started on guitar. So the 1st thing I did was learn to read music from the Melbay books, with a little old Italian in the back of the music store. So from the very start as was dimly aware that the shapes and positions of the guitar were not really the theory. If you tune the guitar differently what notes are stay the same and the shapes change. So then I started on the piano and flute. Piano I was doing with with a cat classically trained and that played jazz at my highschool. By the way I should say this is all happening in 1968 or so. Then in senior year I studied flute with a jazz saxophonist. Now he made me really learn my notes. In college I kept at it. So I figured out that people are using the term "music theory" wrong, basically because what they are referring to is really simple what the notes are in the scales and chords. There is nothing theoretical about a C chord being the notes C E G- it's a fact, and furthermore a fact of "sound". There's 11 others. So if you know the notes you can begin study their relationships which is what music is. So if I play F A C over a D minor chord, I'm just playing a D minor 7th- if i play A C E I'm playing D minor 9th- if I play C E G it's D Minor 11th-if I play Eb G Bb it's a D minor with a flat 9, an 11th and a raised 5th and so on and so on...there's a lot of them and how ever many there is, there is 11 more of every one of them. It's only guitar players who think the shape is the notes. You can't play shape tricks on the flute. I'll stop now. Everybody keep picking and I guess washing your hands!
@mariorey2327
@mariorey2327 4 года назад
Gracias Maestro!!!!
@JensLarsen
@JensLarsen 4 года назад
You're very welcome! Glad you like it!
@jimtessin4130
@jimtessin4130 4 года назад
Thank you!!!!
@JensLarsen
@JensLarsen 4 года назад
You're welcome!
@GJSsongsmith
@GJSsongsmith 4 года назад
Superb vid again Jens .... never ever going to leave you an angry comment ! 🤘😂🎸👍
@Mats.Fagerberg
@Mats.Fagerberg 4 года назад
I agree about the B. If you use it on the subdominant parallell (as Dm13) the dominant is weakened.
@bicky3679
@bicky3679 3 года назад
thank you larsen
@JensLarsen
@JensLarsen 3 года назад
You're welcome
@devanjackson509
@devanjackson509 4 года назад
I think the hardest thing for me is learning how to connect scales and arpeggios in a way that’s always Tonal. With scales it’s maintaining awareness of Whether or not a chord tone is landing on the strong beats or not is an ongoing learning process. For me arpeggios kind of state where you’re at tonally and the scale points to where you’re going next. But that’s as far as I’ve got for now and I know there’s much more to it than that
@Cr8Tron
@Cr8Tron 4 года назад
I was basically trying to indirectly touch upon this topic, with a comment I made on a different video of his. In response, he decided to be a complete asshole for some odd reason. I wasn't even directing my comment to him; it was in response to somebody else's comment that he was already in the thread of.
@devanjackson509
@devanjackson509 4 года назад
One thing that’s helping me is watching some saxophone lessons. They have an extremely direct way of communicating various concepts that’s been easier for me to grasp at least. One such RU-vidr is Jeff Schneider. But even some of those guys don’t really get into getting some concepts working together. I’ve just had to start force-fitting a short scale with a little arpeggio to a bit of chromaticism with a few enclosures thrown in the mix even if it wasn’t great. Then you go back and listen to the greats and often times they seem to work with shorter motifs that aren’t as demanding conceptually...
@geoffep8784
@geoffep8784 4 года назад
Jens, as always many thanks for a typically clear exposition. Maybe do the same for V and I chords?!
@SimpleManGuitars1973
@SimpleManGuitars1973 4 года назад
The second lick you played during the Mighty Triads section reminds me of that Wes Montgomery ascending lick from Four On Six at Smokin' From the Half Note. I'm not sure if you know the lick I'm talking about but he plays it with blinding speed and the fact that he's doing it with his thumb makes it even all the more mindblowing. I can play some of that solo but I have to hybrid pick to accomplish some of the licks.
@BL55
@BL55 4 года назад
As always, thanks for the lesson! Can we get one more (#26?) by adding in the Em7 Shell-Voicing?
@ginodellaconza3037
@ginodellaconza3037 4 года назад
before I knew you I thought jazz was more incomprehensible than quantum physics. Thanks a lot
@JensLarsen
@JensLarsen 4 года назад
You're very welcome! I am glad you like it! 🙂
@jubronie
@jubronie 3 года назад
I know quantum physics. I don't know jazz
@JustCallMeDrift
@JustCallMeDrift 4 года назад
Hi, Mr. Larsen. I appreciate how you take the time to respond to comments. Was there a deliberate decision to not include the G quintal triad (GDA) or the Em7 shell voicing (EGD) despite them not having the avoid note, B? Thank you.
@JensLarsen
@JensLarsen 4 года назад
Yes, I didn't feel that these structures really sounded like they were connected to a Dm7 and started to sound like another chord. I guess it is all the context, it is never really enough to just look at the notes.
@musiclido
@musiclido 4 года назад
Fantastic stuff and not a 2 5 1 in sight!
@JensLarsen
@JensLarsen 4 года назад
Except the one at 2:57 :D
@lucasnon5784
@lucasnon5784 3 года назад
Lol love the intro
@DeckardRJ
@DeckardRJ 3 года назад
Very good! Jens, can you recommend some books you read in your harmony studies? Thank you very much in advance!
@JensLarsen
@JensLarsen 3 года назад
Thank you! I actually never read any books, I just followed a class at the conservatory. You could check out Frans Elsen's harmony books though, he was very influential at the conservatory
@DeckardRJ
@DeckardRJ 3 года назад
@@JensLarsen Very Nice!!! I'm gonna check it out on the internet to see If I can find them! Thank you so much and keep up the awesome work!!
@GiovanniBottaMuteWinter
@GiovanniBottaMuteWinter 4 года назад
Loved this video. Gave me a lot of ideas to make lines and practicing over specific chords. I have a few questions: I went through the exercise of finding similar arpeggios for a dominant and a major7 chord and it’s a lot of material (using the 4 as avoid note). How would you suggest practicing these ideas on a simple progression like a II V I? I was also wondering how to do the same for a minor II V I: for example, the half diminished chord does not have avoid notes (if going off a Locrian or Locrian natural 2 mode). That leads to all arpeggios being viable. Maybe there are other rules of thumb for that and maybe for altered dominant too (the 4 becomes #4 so no avoid notes either). What do you think?
@JensLarsen
@JensLarsen 4 года назад
I wouldn't worry too much about avoid notes and train my ears and knowledge of how different notes sound and what I want to hear on a chord. In general, it is always better to focus on what to play than what not to play.
@GiovanniBottaMuteWinter
@GiovanniBottaMuteWinter 4 года назад
Jens Larsen I guess I was using avoid notes as criteria to choose what to play. How would you choose arpeggios on a half diminished chord?
@sedisvacantia8581
@sedisvacantia8581 4 года назад
Absolutely awesome video format. I would love to see one for other common chord types.
@JensLarsen
@JensLarsen 4 года назад
Coming soon! Give it a few weeks :)
@DESIENASHOES
@DESIENASHOES 4 года назад
nice video :-) , as usual inside a 10 min there are tons of hrs of pre work to be done in order to get it at first sight :-)
@Cooltorpedo
@Cooltorpedo 4 года назад
Thank you, Jens. Very good lesson. The problem of learning that you have those many options playing harmonically linked melodies (triads, arpeggios, quartals, quintals, etc), and that you may also add chromatic condiments to that, is having to make decisions. How do you choose among all those what to play while keeping time? Do you really think of what comes next or is it practice that leads you to the next phrase?
@JensLarsen
@JensLarsen 4 года назад
You're very welcome! You don't think about which arpeggios you use when you play. You practice using them until they are a part of what you play naturally. Everything you do when improvising should be on a higher level in terms of decision making.
@Cooltorpedo
@Cooltorpedo 4 года назад
@@JensLarsen "Higher level of decision making" How is that higher level? Is it related to the notes that help to define the harmony? Perhaps just being driven by the music and the flow you want to give to it? This sounds like material for a lesson ;-)
@joelperry8187
@joelperry8187 2 года назад
Cool Jazz...........
@PlayLikeTheGreatscom
@PlayLikeTheGreatscom 4 года назад
How do you enable the timestamps in the player timeline? Do you need to flip some extra switch after writing the text in the description?
@JensLarsen
@JensLarsen 4 года назад
No, RU-vid takes care of it :)
@bsorryrthatsit7055
@bsorryrthatsit7055 3 года назад
Jens, The 345 sounds great and I extra-like your videos. The Gm6th that is the same as the dim threw me a bit on the last one. Otherwise I'm planning on going through your series for intermediate Jazzer's like me.
@JensLarsen
@JensLarsen 3 года назад
Thank you very much! Go for it!
@steveyastrowandcompany
@steveyastrowandcompany 4 года назад
Jens ... rare typo for you ... near the beginning when you illustrate the arpeggios of the root, 3rd and 5th, you had the notes of the Am7 as FACE, not ACEG.
@JensLarsen
@JensLarsen 4 года назад
Thank you Steve, that is indeed a typo 🙂
@steveyastrowandcompany
@steveyastrowandcompany 4 года назад
Jens Larsen I loved the video. It was one of those “I could have figured that out but I didn’t” moments. So much of your wonderful teaching reminds me to “slow down and see/hear the jazz.”
@joehernandez5600
@joehernandez5600 4 года назад
Another great lesson. Thanks Jens. Small error at 1:22: The A-7 was not spelled correctly. Thanks.
@johnjacquard2182
@johnjacquard2182 4 года назад
I just wanted to share something I do with D Dorian .( see what you think) I look at it as 2 cadences Dmin7/ G7/ C6/ ( flipping through inversions) Bmin7b5/ E7b9/ Amin6/ ( flipping through inversions) So the whole thing looks like Bmin7b5/ E7b9/ Amin6/ Dmin7/G7/ C6/ F6/ That whole progression is consonant over top of Dmin7 or F6/ ( its true though that certain types there's a lil bit crunch then it relaxes at others) We can even follow same principal for Maj7 chords . ( Fmaj7 in this case)
@johnjacquard2182
@johnjacquard2182 4 года назад
If you want less spicy then Dmin7 Bmin7b5/ Bdim7/Amin7/Dmin7/Bdim7/C6/F6/
@devanjackson509
@devanjackson509 10 месяцев назад
When limiting myself to triads I noticed how bad my phrasing was while using them. Having all the compatible triads with a certain chord under your fingers does help though. Practicing these concepts on the flute has helped with learning better phrasing as well. Then I can translate that to the guitar…
@jamessidney2851
@jamessidney2851 4 года назад
I couldn’t really figure out anything to get mad about this time. Maybe Pat will? But it’s okay to make fun of Pat a little. It seems like he knows he’s pretty good, this probably won’t affect his confidence as a player. Besides, he may not even see this lesson (he’s pretty busy). 😉 But I learned a lot! Thanks for the spread arpeggios and the quintile arpeggios. That’s some great new ammo for the next time I find myself in a Gunfight at the D Minor Corral. Oh, by the way, for a while now I have been sometimes approaching major 2-5’s (in C), phrasing from a D minor 7 arp on the ii chord, then making a very simple transition to the D Dorian scale on my V chord. I know, I know, it’s all completely diatonic. But it has the same effect you mention (of delaying the B), so I feel like it does sound a wee bit more informed than just wading around in C Ionian scale harmony over all three chords, and it’s a super easy go-to in a pinch. I never considered that substitute arpeggios and triads were subject to the same laws of gravity. I probably would have realized that on my own in a few years. But thanks for pointing it out sooner!
@teresathomley3703
@teresathomley3703 4 года назад
Nice guitar
@JensLarsen
@JensLarsen 4 года назад
Thank you!
@abedelsatershamma1951
@abedelsatershamma1951 4 года назад
Thanks for that brilliant lessons Sir, but i concluded the following, in that scale ur using if starting from the third of Dm we get a maj7 thn starting from the 5th we get a minor 7 thn starting from the seventh its a maj7 again....am I right :)
@JensLarsen
@JensLarsen 4 года назад
Glad you like it! Yes that is correct :)
@EclecticEssentric
@EclecticEssentric 4 года назад
I...I've never thought to practice my Sus arps. Odd. Thanks Jens! Nothing to argue with here, except my Am7 isn't spelled FACE, but I see that you're aware of that already. :)
@JensLarsen
@JensLarsen 4 года назад
Haha! Yes, If it wasn't for the fact that I screw stuff up a the time I should put them in there on purpose for engagement
@Yupppi
@Yupppi 4 года назад
Really hard to disagree with a guy who presents a common case and makes few arguments why he treats it that way, then admits that there are cases where you might still want to do the opposite successfully. Personally I'm very illiterate with theory outside basics, but I just enjoy the videos and smooth tunes and playing. Hoping to accidentally catch some of the ideas without practicing and learning, like putting a textbook under the pillow at night.
@JensLarsen
@JensLarsen 4 года назад
In music context is everything :)
@dkwvt13
@dkwvt13 3 года назад
LOL, only 25... Brilliant, Thank You! B-)
@JensLarsen
@JensLarsen 3 года назад
It was a slow week.... 😁
@makeajazznoiseYTstoleit
@makeajazznoiseYTstoleit 4 года назад
I want to know how to be able to not avoid playing the major 6th of the ii chord in a ii-V
@dutchdude123
@dutchdude123 3 года назад
What DFAC? So cool, still learning! Thnx for the Lessons.
@JensLarsen
@JensLarsen 3 года назад
My pleasure!
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