Just found your channel, been looking for arranging tutorials specifically for so long, this is great stuff!!! Would absolutely love if you could do something related to 70s jazz-funk/orchestral disco breaking down the harmonic structures/interplay between sections. I am passionate about writing music in these genres and it is so hard sometimes to find tailored advice. Again, really great content, keep it coming!
You're the best. Very fortunate to have worked with you. I will never be that theoretical, and wish I could have been, but meanwhile... you're the best! 😁
fantastic video. very well done and inspiring. to Ab/Gb to Cm7/F i could add diff bass notes for the Ab/Gb chord like Ab/A or Ab/E or even Ab/B or Ab/G and that would be all poss. bass notes then. other than that, i couldnt think of more. excellent job adi !
In my opinion, when multiple parts are recorded by the same player and each part is isolated, the sound tents to be a bit sterile. Still, I thought it would be nice to hear real players as opposed to sampled sounds.
@@AdiYeshaya oh, I didn’t mean in your videos, I meant in the records I’ve heard in the last 5-10years. Not all, but some that have real players. Maybe it’s the recording process? Because the sound is true when you go see a marching band for example
@@AdiYeshaya Adi, Can you make a video on how you hid the staves under the chord symbols in Finale ?? Many of us would buy Finale if we knew how to do that.
