Band-Maid - THE DRAGON CRIES 🐉😭 | MUSICIANS REACT 

Very cool!

We did not, it is a great song

@@dicodec Saiki and Miku worked with Tony..... Vocals only....

agreed. Glad someone else getting the Hendrix vibe from this. Their new song Manners is closest to this sound wise.

Very cool!

People get so caught up in how good they are the music and they don't even listen to the lyrics. If you don't feel this you don't feel nothing.. these ladies actually change my life

Very nice! Always happy to see your thoughts on these songs.

Correct are you.

True. And good point

Still, many people love this song!(me included)

@@realdocloco one of my favorite tunes as well, Kanami’s riffs are brilliant

The issue most people have with this song is the way it's mixed. They say it's has too much compression.

@@armynurseboy rather mastered than mixed but that's right

That is awesome. We could all use some more Miku

Miku Kobato: guitar, backing vocals, lead vocals, and stunt vocals.

Love the weird sounds in manners. Honestly speaking I love manners way more than this. The dragon cries sounds a bit over simplified and sound like western hard rock.

Most definitely!

He really has become a maidiac for sure haha. Thanks Jay!!

So true🤘🤘🤘

hAVE a nICE dAY. eh!

Very cool, nice to see we are on the same page!

Very cool!

Whoa I never even noticed that was Miku's guitar, thanks for pointing that out!

Totally feel you on this!

So weird. You think it sounds like western influenced or something? 🤔

Got ya, I was guessing 🤷‍♂️

I took it to mean that the phoenix is taking flight after being born anew, so it's still hopeful.

Very dope!

Yup yup, we had no clue until we got word that they dropped Manners haha. Yeah it is a bit of a change but it still sounds like them overall I think.

Yup yup! Gonna react later tonight

Flying High is awesome. I don’t think it gets the love it deserves.

Heck yes! We're down!

Probably one of my all times favorites song of them!

We gotta hear it live.

Exactly!

True haha. I can hear it too!

Very cool indeed! Thanks for the insight

Thank you so much for your support. We really appreciated it!

Thanks! We haven't but in sure we will get to them soon.

Ah I see

@@dicodec when will you guys release the Thrill cover video? I am really looking forward to it!

We will react later tonight

Thank you!

Thank you! This is a really great song. Maybe we can react to it live soon.

Yup, plenty of people were sure to point it out haha.

Nope.

Heck yes! We are ready!

For sure!!

Thank you 🙏 soo much for watching!

@@dicodec you're welcome as always 😊

Ah I see, very cool!

Right!!

Oh dang

True

Oh wow, that is wild

@@dicodec from wikipedia "His first hit single was T. Rex's "Ride a White Swan" in 1970, the first of many hits in collaboration with Marc Bolan. Visconti's lengthiest involvement was with David Bowie: intermittently from the production and arrangement of Bowie's 1968 single "In the Heat of the Morning" / "London Bye Ta-Ta" to the 2016 release Blackstar, Visconti produced and occasionally performed on many of Bowie's albums.[3] Visconti's work on Blackstar was cited in its Grammy Award for Best Engineered Album, Non-Classical and his production of Angelique Kidjo's Djin Djin was cited in its Grammy Award for Best Contemporary World Music Album. One of his first production projects in England was with the British outfit Tyrannosaurus Rex (later to become T. Rex) on their debut album My People Were Fair and Had Sky in Their Hair... But Now They're Content to Wear Stars on Their Brows (1968). This began a relationship with T. Rex that would last for their next eight albums, and eleven UK Top Ten singles in a row, commencing with "Ride a White Swan" (1970). One of Visconti's greatest successes was Electric Warrior (1971), the album that made T. Rex frontman Marc Bolan a superstar and cemented Visconti's producing prowess. More early production work included David Bowie's second album (1969), and for the Welsh group The Iveys (later known as Badfinger). He produced several tracks for the Iveys' first LP Maybe Tomorrow (1969) and Magic Christian Music (1970), released on The Beatles' Apple label. He produced the first two albums by influential progressive rock band Gentle Giant. Shortly afterwards, Visconti began to work again with David Bowie and, along with guitarist Mick Ronson and drummer John Cambridge, formed and toured with the band The Hype in which he played bass. Although the band name would be very short-lived, most of the line-up persisted and - with Woody Woodmansey replacing Cambridge - would go on to record the seminal album and single The Man Who Sold the World in 1970.[3][7] He would further go on to work on the albums Diamond Dogs (1974), Young Americans (1975), Low (1977), "Heroes" (1977), Lodger (1979), Scary Monsters (And Super Creeps) (1980), Heathen (2002), Reality (2003), The Next Day (2013) and Blackstar (2016). Visconti scored the orchestral arrangements for Paul McCartney and Wings' 1973 album Band on the Run. He later produced two albums for the Moody Blues, The Other Side of Life (1986), and Sur La Mer (1988). In 1990, he produced several tracks on the Moody Blues' Keys of the Kingdom album (1991), Luscious Jackson's Electric Honey, Leisure Noise by Gay Dad, Soul Caddy for Cherry Poppin' Daddies and Dawn of Ananda for Annie Haslam. In 1997, Visconti produced the debut album of The Stone Roses member John Squire's new band, The Seahorses entitled Do It Yourself. In the 2000s Visconti renewed his association with David Bowie, producing the albums Heathen in 2002, and Reality in 2003. He produced and played bass on a handful of tracks from The Dandy Warhols 2003 album Welcome to the Monkey House. In 2003 he teamed up with the Finn Brothers (Neil and Tim of Crowded House and Split Enz fame) to record and produce their second collaborative album, eventually released in 2004. In 2004, he produced three songs on the Manic Street Preachers album Lifeblood. In 2005, he collaborated with Copenhagen band Kashmir, whose fifth album, No Balance Palace, featured David Bowie. He has also collaborated as co-writer and producer on the album project by Richard Barone. He worked in Rome and produced the #1 UK album by Morrissey, Ringleader of the Tormentors. In 2007 and 2008, Visconti was very active in the studio with Benin singer Angélique Kidjo, producing her Grammy-winning album Djin Djin. Guests artists include Alicia Keys, Peter Gabriel, Joss Stone, Josh Groban and Carlos Santana. He has also produced two albums at Saint Claire Recording Studio in Lexington, Kentucky: The Bright Lights of America by Pittsburgh punk band Anti-Flag and an album by Alejandro Escovedo called Real Animal released in June 2008. He produced the new No. 1 album (in France) by French artist Raphael in Paris and New York. He produced and mixed Kristeen Young album Music for Strippers, Hookers, and the Odd On-Looker, released in 2009 and arranged Fall Out Boy album Folie à Deux. 2010 marked the release of Richard Barone's Visconti-produced Glow album,[9] which includes five songs co-written with Barone and a remake of T. Rex's Girl. He also played bass, guitar, synth, and Stylophone on the album and performed live in concert with Barone on numerous occasions. Visconti produced the David Bowie album, The Next Day, and remixed and remastered both The Slider anniversary box set and Electric Warrior 40th anniversary boxed set by T. Rex. In 2013, he produced Solar Secrets by Capsula.[10] In 2014 Visconti produced and arranged several tracks on Marc Almond's album The Dancing Marquis. Almond has wanted to work with Visconti since hearing some of Visconti's earliest production work with T-Rex and David Bowie, stating "It was a dream to work with Tony".[11] In 2016, 2017, 2018 and 2019 Tony Visconti was a Jury member of the ANCHOR-Award linked to the Reeperbahn Festival. Visconti produced Bowie's final album, Blackstar, released on January 8, 2016.[12] In 2018, Visconti produced Evil Spirits for The Damned; their first album in 10 years. He also produced Merrie Land the new album by The Good, the Bad & the Queen (2018)."

Thank you!

ライブ版を生で聞いた時の印象は全く別の曲です。

お給仕まだ未体験ですので、是非帰宅したいものです⚡️

@@mv3873 BAND-MAIDのお給仕(OKYU-JI)は素晴らしいの一言です。 特にAKANEとMISAのドラムとベースの低音の印象は全くCDとは異なりますし、ライブの為のスペシャルバージョンや古い曲のバージョンアップ、チューンアップもあり、いつも新しい発見があります。 そして、ライブ演奏の方が音がクリアーだったり、よりダイナミックだったりする事が多く、素晴らしい演奏に引き付けられてしまいます。 もちろん小鳩タイムも面白く、お呪いコーナーも異次元(?)の楽しさがあります。 実は渋谷ライブは2日とも帰宅しましたが、Dragon Cricsはチューンアップされてまるで別の曲のようになりましたし、輪廻も初日のエンディングと2日目のオープニングでスペシャルバージョンが披露されています。 しかも2回とも演奏が異なっていたので驚きました。初日はエンディング向けの拡張版、二日目はオープニング向けのイントロ版とでも言うべき内容でした。 海外のファンや高齢者や女性のファンも多く、メイド服にコスプレした若い女性や男性ファン( ! ! ! )、母親同伴の女児(当然のようにメイド服でした)もおり、忘れられない楽しい思い出になっています。 騙されたと思って帰宅してみるのも一興だと思います。

12月のオンラインお給仕のafter life の後のaloneのイントロは印象的でした~~💥 本当帰宅するのが楽しみです！ 先輩貴重なアドバイスを頂きありがとうございます😂😂😂

That's fair

Thats fair. We feel the same mostly.

We've reacted to quite a bit of these bands already. Bands like The Gazette we react to on Tuesday or Wednesday on twitch because those videos always get blocked. The only one we haven't reacted to is Kizu.

@@dicodec Oh, I see. Thank you so much! With your Kiryu reaction, I noticed that you picked a song that was considered rather tame for Kiryu's normal style. Would it be alright if you gave then another shot? I'd recommend Yuukaku-saikouchiku-, though it has no MV. Most of their heavier and more fun songs tend to be B-sides😅

Down and down!

She and Alan had know eachother for about a year and we will help eachother out from time to time.

Agreed!

I totally feel you on this

@@ronjohnson2193 Haha yeah it's relentless :)

I'm so kungfused now

???

iCan answer that, but this is neither The TIME, nor The Place!

Nani?

@@dicodec Na, I was thinking of how the guitar reminds me a bit of hendrix.

Hmmmm

Because there is... This song was co-written and produced by Tony Visconti (David Bowie, T-Rex, The Damned etc.) HUGE producer, he actually stepped towards Band-Maid after an concert and asked them if they wanna do a song with him and that´s it :)

@@Slippy6582 iT's HARD to get a correct story and re-tell iT properly, eh?

People confuse political with environmental because politicians use and bend environmental issues for their own agenda.

how environmental problems could ever be political is beyhond me,,and i dont just mean your statement but world wide people on the right dismiss them for some reason,,,its not and should not be a political subject,,,the fact is we have and are destroying and poisoning the planet full stop,,,in 50yrs it wont matter your politics we will be fucked anyway

@@billrand4138 you’re right, the environment matters to all of us, and we are destroying our world if we don’t pull our heads out of the sand. I realized thar I hadn’t finished my thoughts after I hit send, but I fell back asleep before I got to edit my comment.

@@ronaldbowers2240 my txt was more to do with the origional op than you :)

I'll add it to the list 🤘

You won't regret it 😊

Sure thing!

Dicodec 😊

You got it!

We each have our taste fam. I feel you.

Thats fair. Yeah this song is dope for sure

lol @ YOU

lol this comment is hilarious, You should do comedy

Probably towards us and not the bands themselves haha.

@@dicodec Well hell man then the answer to the ? is simply that they are just haters oh well what can you do about some peoples kids!

True, can't please everyone so we don't let it get to us.

Why though?

We have one up already!

@@dicodec You should do Kill this Love with Black Pink. It is amazing...