Richard gives you his thoughts on the Bose L1 Pro32 with the SUB 2 base after 4 months of use!!! SUBSCRIBE FOR MORE! bit.ly/2XggCdp WEBSITE www.brightonmu... FACEBOOK / brightonmusic INSTAGRAM @brightonmusicccenter @bmc_repair
Great review. I have a L1pro 16 and I am in love with it. I DJ small events. I can't imagine how the pro32 is.....but I am intrigued. I might have to consider it
@@cduemig1 the pro 16 is super clear. Whenever I do like backyard or small venue gigs (like 50 people) I just bring the pro 16 and it's more than enough. And when I play that thing is the house it's rocks the whole house while being super clear.
I use the previous model the L1M2 with T1 mixer and B2 sub on thousands of gigs. Never had a single issue. I have seen some people having major issues with the new Tonmatch mixers overheating and becoming a brick, also some folks say that even though the new model is louder it doesnt sound as good as the previous model. The way Bose makes the L systems is that you dont need conventional system SPL levels because of the way its designed the artist hears the exact thing their audience hears and theres virtually no SPL drop off from the stage to the back of the room.
@@BrightonMusicCenter I understand what you mean, there is a cure for that though. The Audix OM7, those mics are completely unmatched in feedback rejection. There is a learning curve and if you dont have excellent mic technique it wont work. But once you understand you MUST eat the mic, and to trail off notes it only requires moving your mouth around a half inch off center than its great. They sound incredible, best feedback rejection to date and really great for mic technique discipline. The only down side is they are gain hungry so you have to be using a mixer with lots of headroom, but most mixers these days have that ability. For people are used to the frequency spectrum and conventional pa approach to sound pressure levels the Bose units are a shock. It doesnt take those high SPL's that conventional systems require to get the sound to the back of the room so a lot of times people max out the stage volume thinking it will take loudness to cover the venue but it doesnt. What you hear on stage is nearly identical to what the audience hears at the back of the venue. Another thing I liked about Bose was their artist support, once I fried my entire system (my fault) and way way out of warranty, they replaced my entire system for under $300. and shipped it out to me without me even boxing my old system up yet to send back....thats unheard of in any business. Hope you found something that fit your needs.
@@Truth209 Hey! Don't waste money over the sub1 & sub2! They are energy inefficient & also not loud enough. Better to get the old fashioned dual 18 or quad 21 or octa 12 subs.. for the price of a dual sub2.. I get quad JBL SRX828SP.. what a waste of money! I prefer to invest in just Bose F1 system! The only system from Bose that's on par with the market standards! Also each unit consumes max 200w.. very energy efficient!
Nice video! Could you help me with something? I have a Boss VE-8 acoustic singer and a TC Helicon Harmony Singer, and I used to play it with my Bose L1 pro 8. The guitar sounds great the same as the voice, but when I try to use the Harmony the sound does not have the same quality when I do the same thing using headphones. Any thoughts? Thank you.
To be honest for the price. Yes it's 180 degrees coverage is nice, but having listening to this side by side with The Evolve 50 the price doesn't justify it. I also have an Ev ELX 200 12 inch 1200 watt sub for even more punch. I can't justify 6400.00 and that bose 2 sub sounds more like a 15 and not an 18. It looks like it has 32 size drivers from the bose wave radio. Without the sub you have tweeters in a nut shell. It's lacking mid frequency and relies solely on the sub.
