@@crabulonbestgirl9130 "the day he was to be evicted from the snes library, i went to go check on him... but he wasn't there. there was only a flag hanging off the handle. he must've left in the middle of a level, because i could still hear something on the other end. but when i got closer... there was nothing but a high quality rip."
PLOK, YOU LITTLE [Plok the Exploding Man]! I KNOW YOU HAD [Flagged Content] ALL OVER [Akrillic] UNTIL THOSE DARNED [Fleas On Your Dog?] CAME AND RUINED EVERYTHING! BUT WITH THE [Locket] OF YOU GOOD OL' [Grand]PAPPY PLOK, WE CAN BOTH BE [BIG SHOTS] ONCE AGAIN!
Been playing this recently and I find amazing how the boss theme is like 20 seconds of an horror song and them it turns into something straight from Hotline Miami. Tim Follin is a legend.
NOW’S YOUR CHANCE TO BE [[An Obscure SNES Platformer From The 90’s]] I genuinely love this rip a lot, especially with the varied use of sound fonts from other Plok themes within it.
NO WAY NO WAY. Officially the best rip to ever exist. I love Plok's soundtrack like everyone else especially the Boss theme and hearing that with on of the best songs from DR Chapter 2 is just pure.
I've always been a huge fan of one of Sp4mton's many signature catchphrases, _[[HyperIink Plok-ed]]_ This is a REALLY great BIG SH0T remix, amazing job from whoever made this
The combination of Ploks soundfont and Toby Fox's composing has made something truly beautiful Also I love how you included the "ough!" sound effect as a part of the song
@@23nugentmunknown21 The guy who did Undertale and Deltarune’s soundtracks and also 99% of the rest of those games. This is a rip using the melody and vocals of BIG SHOT from Deltarune Chapter 2.
PLOK tried to be a [B I G S H O T] all his life. He had the gumption, the [C U N D A D E R O S], and strength to be the [# 1 R A T E D] [V I D E O G A M E] Mascot [1 9 9 4]! Sadly he just didn't rake in the Big [K R O M E R S] that the boys at Nintendo were looking for and he left all alone. Though some say he's still at it, and on a quiet [S A T U R D A Y N I G H T] you may be able to hear him fling them limbs and hear his rocking tunes.
HERE I AM NINTENDO! IM BACK [[and Better Than Ever]] THIS [[High Quality Rip]] IS AMAZING! I CAN [[Regain My Former Glory]]... or so I thought. WHAT ARE THESE STRINGS?! WHY AM I NOT [[B i g]] ENOUGH?! MARIO! Mario Mario YOU! I NEED YOU! TO MAKE ME [[BIG]] AGAIN! YES! WE'LL STAND UP TALL AND LOOK PASS THE OBSCURE REALM OF THE SNES LIBRARY, WITH OUR HEAD UP HIGH AND LOOK INTO [T h e I n t e r n e t] I Just Need... YOUR GLORY! *Insane laughter for being forgotten all these years*
Imagine parts of Spamton’s character and story being applied to Irving, the missing Bobbins Brother. Times are hard for him after Milton and Marshal kicked him to the curb, so now he seeks Plok for [[freedom]].
IT'S ME! [TIMOTHY] G. [FOLLIN]! DON'T YOU REMEMBER ALL THE [GAMES] I [COMPOSED FOR], KRIS? ALL FROM THE ERA OF THE [Super Nintendo Entertainment System]! [PLOK], [TIME TRAX], [insert game here]? SURELY YOU REMEMBER ALL [one.] OF THE [BANGER Alert!] ARRANGEMENTS I GOT FOR [MissingNo.] IN THE [King for Another Day Tournament], RIGHT, KRIS?!
This furthers my theory of Tim Follin and Toby Fox being related - Both of their initials are TF - Amazing Composers - Composed for mediocre games (Tim=Silver Surfer | Toby=YIIK) - can kick modern Nintendo's ass (Tim=doing things the soundchip wasn't thought possible | Toby=Sakurai vs. Toby SSBU match)
When you said both bad composed for mediocre games I thought you were going to throw out the spiciest hot take of a generation and immediately dissintegrate me. Now I'm disappointed. I don't even know what Little Town Hero is...
I was reading about Plok like 20 minutes ago after listening to Deltarune music. Then this popped into my feed not even 10 minutes later. Get out of my head, Gunner!
Okay, this sounds REALLY good... which I suppose is only natural considering that this is a rip of Plok's boss battle theme, but still. One could only imagine what would happen if Toby Fox and Tim Follin were to collaborate on a music track...
Genuinely think that Akrillic's guitar line is BUILT to suplex the snes because every time I hear it or one of the rips uses it for a different melody, it still fucks like goddamn