Тёмный

Buddy DeFranco Interview by Monk Rowe - 4/13/1996 - Sarasota, FL 

Fillius Jazz Archive at Hamilton College
Подписаться 6 тыс.
Просмотров 7 тыс.
50% 1

Buddy DeFranco speaks about adapting the clarinet to bebop, and reminisces about work with Count Basie, Tommy Dorsey, and the Glenn Miller Orchestra.
Use of these materials by other parties is subject to the fair use doctrine in United States copyright law (Title 17, Chapter 1, para. 107) which allows use for commentary, criticism, news reporting, research, teaching or scholarship without requiring permission from the rights holder. Any use that does not fall within fair use must be cleared with the rights holder. For assistance, please contact the Fillius Jazz Archive, Hamilton College, 198 College Hill Road, Clinton, NY 13323.
Visit the Fillius Jazz Archive Website
jazzarchive.hamilton.edu

Опубликовано:

 

15 фев 2018

Поделиться:

Ссылка:

Скачать:

Готовим ссылку...

Добавить в:

Мой плейлист
Посмотреть позже
Комментарии : 25   
@postatility9703
@postatility9703 3 года назад
I was amazed at the regard that Buddy had for Cecil Taylor. What a great, insightful, open-minded musician and person he was!
@pgroove163
@pgroove163 2 года назад
I think his openness as far as music showed in his playing... I just recently really started to seriously listen to his stuff and it's really incredible..
@pgroove163
@pgroove163 2 года назад
Great interview. .& Buddy DeFranco was not only a phenomenal virtuoso and one of the greatest players in jazz history but seems like a really down to earth and cool dude..
@Ms2blackcats
@Ms2blackcats 9 месяцев назад
agreed !😄!
@JulieBluestoneMusic
@JulieBluestoneMusic 2 года назад
Wow, what revelations! Awesome interview!! He's great.
@Paul-lm5gv
@Paul-lm5gv 3 года назад
I had the great good fortune to have a much older brother who introduced me to Buddy DeFranco and Nelson Riddle's "Cross Country Suite" when I was a kid. I was hooked. Many years later before CDs I found that record in a New York City record store and gave it to my brother as a surprise gift. He had long since lost his original copy so he was so happy!
@postatility9703
@postatility9703 3 года назад
Great!
@stevekobb3850
@stevekobb3850 5 лет назад
Wonderful. Thanks so much.
@NadavHbr
@NadavHbr 9 месяцев назад
Amazing man ! His appreciation of Cecil Taylor shows him to be open minded and humble.
@evangelinperselis4113
@evangelinperselis4113 11 месяцев назад
lovely man
@reisserjean-michelakabeeth8551
@reisserjean-michelakabeeth8551 3 года назад
Buddy was the Charlie Parker of the clarinet, period to me
@NadavHbr
@NadavHbr 9 месяцев назад
In what way was he „the Charlie Parker‘ ?
@MusicFanOnline
@MusicFanOnline День назад
@@NadavHbr Regarding your question about how Buddy DeFranco was like Charlie Parker, in this video DeFranko himself talks a bit about it from 13:33 - 14:49. He starts out by saying that a trumpeter Charlie Shavers was talking about a "guy up in Harlem" (which was Charlie Parker).
@HEADSUPBERKELEY
@HEADSUPBERKELEY 6 лет назад
Thanks great info STERLING
@fritzjazz1
@fritzjazz1 6 лет назад
Thank you this one! I just met him a few months after this interview. Great memories from my number one idol!
@djclarinet
@djclarinet 3 года назад
I saw Buddy at the Jazz Showcase in 2006, a decade after this interview. One of the Chicago papers wrote in its review that Buddy was "80 going on 50". It was so true. Compare any of his later recordings with those same (barn burner) tunes recorded earlier in his career, and you would be hard-pressed to know which was which.
@walterprince8462
@walterprince8462 2 года назад
The one clarinetist I have been impressed with in the jazz world alone with Woody Herman from Milwaukee
@walterprince8462
@walterprince8462 2 года назад
The Charlie Parker of the clarinet
@arame29
@arame29 Год назад
Buddy & Roland Kirk were true jazz players
@HelloooThere
@HelloooThere 2 года назад
Heard he was also a huge fan of aElvis
@callmeBe
@callmeBe Месяц назад
What a great interview! Would love to share a Modelo with Buddy and talk arranging. It is so strange to me that Buddy decided to dedicate 8 years to the name of Glenn Miller. Maybe it was just a good and regular pay check? I would love to have that conversation . . .
@filliusjazzarchive
@filliusjazzarchive Месяц назад
I would not be surprised if the regular pay check was the first reason Buddy took that gig. Sometimes we assume that established or even famous jazz players must be OK financially. I have found that this assumption is unrealistic. Monk
@callmeBe
@callmeBe Месяц назад
@@filliusjazzarchive Look at all the great composers and arrangers who took teaching jobs in education for the same reason: Eddie Sauter, Aaron Copland, Arnold Schoenberg, and Sammy Nestico. Yep, I am pretty sure you are right. But I would still love to have the conversation! Thanks.
@georgehandy127
@georgehandy127 Год назад
I get shout-out at 9:24!
@jonathanfogelman2136
@jonathanfogelman2136 Год назад
funny
Далее
Jazz Improv: Three ii-V-I Licks You Must Know
7:12
Просмотров 2,2 тыс.