Formidable interpretacion de Jose Carreras,comparenla con la version de Beniamino Gigli y gusten como dos interpretaciones que en nada se parecen entre si,pues la primera es de un tenor dramatico y la segunda corresponde a otro tenor lirico-spinto pueden hacernos sentir y emocionarnos por tan dispares motivos,a mi personalmente me subyuga mas la de Gigli
Há pessoas que gostam de vir dar alarde dos seus conhecimentos musicais. Pois bem, todos podemos disfrutar da música mesmo que não saibamos uma nota. Há outros atributos que se podem ter, colmatando as enexistências técnicas.
mariaemilia matoscordeiro Pior que eles Tiveram Razão. O Ápice é ao Final. Assisti agora e pensei que pelo início ele teria de crescer muito no desenrolar da Ária. Acho que ele também achou isso e puxou o Freio no Restante.
mariaemilia matoscordeiro Veja o Dmitri. Irretocável. Pena que Faleceu em 2017. Novo... 🙁🙁🙁 ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-jVizjlBGRHo.html
"Core" instead of "cor" and "rigore" instead of "rigor" is a common practice among Italian singers when singing Italian songs. Pavarotti does that too. It appears that they do this when singing "arie antiche italiane" like this one. Supposedly the extra vowel adds sonority (of course) to the note. I'm not too sure if this is practiced in operatic arias. The vowel can be added to the "n" as well. If I remembered it correctly, such a combination "n+e" is called "Italian n."
@@user-pf9ln2tk3g I know that "cor" is the shorter version of "core". My point is that it is written "cor" in the score whereas some singers "add e" or "revert" to the original form of the word "core". When one note is given to two syllables ending with "e," "core" for example, it gets shortened to "cor" yet some singers add "e" back at the end. I was wondering why I wrote my original post ; it seems I wrote it because I saw RonaldBarone's post 11years ago (at the time of my writing this).
@@mariannewarradijn1084 Pavarotti era la voz más bella. Pero en el canto eso no es todo. Mejor q Carreras y Domingo por supuesto. Pero era anárquico cantando y profundizaba poco en la mayoría de los personajes.
Perdón, Caro mio Ben no es una aria, se trata de un preclasico, muy utilizado para los cantantes principiantes, lo cual, desde luego, no demerita su calidad como pieza musical bellísima y no se diga si es interpretada por cantantes de la talla indiscutible del maestro Carrera.
What part of Jose Carreras is ADD? I see no trace of it in him. And what part of his singing is ADD-like? He is very well centered. I'll bet every move he makes is planned carefully. Do you really know what ADD is? Calling Carreras an ADDer is an insult to him as well as to all the people who have ADD.
Carreras was one of the great tenors early in his career, but something terrible happened to his voice. His voice became very strained and frankly awful to listen to. Eventually he stopped singing entirely.
This is nasty. He attacks the first note with a "bark." Whatever legato he possesses is ruined by his overly accented vowels - not to mention scooping and minor pitch problems. This is certainly not Carreras at his best.
