1:35 Wow! Cate was almost ready to cry from Bradley's kind and beautiful, complimentary speech towards Cate's extraordinary acting ability! Also, love Bradley nerding over this movie hahaha
This conversation is a treasure thanks to Bradley and his point of views. The movie is great (it definitely must be seen more than just one or two times) and Tod Field, Cate and Nina are all genius. Really amazing. I’m sorry we live in a world where this masterpiece is struggling at box offices while some garbage makes billions of dollars at the same time. Greetings to all Tar fans.
This movie became one of my favorites of all times, this kind of acting is a bless, the way this movie was developed is amazing, and the acting of Cate is believable, she is one of the greatest of all times. And its sad that not so many people is talking about this.
Absolutely phenomenal acting by cate and Lydia. Bradley cooper comes across as a real lover of cinema. I so enjoy hearing him talk movies. Can’t wait for maestro.
I'm with Bradley. Loved that movie. I still think about it days later and try to get to the bottom of what each scene meant. I keep reading and watching different opinions and interpretations. Please Todd make films more often. And Cates acting is just another level. I was amazed that she did not receive an Oscar today (and I'm a fan of Michelles performance as well, but another level...)
A pure artistic treat is what this conversation is. Beginning with the rythm of it. All four of them are great artists, with rich and high quality biografies behind (and in front of) them. It's such s pleasure to witness this jamming of all master solists. And luckily, Bredly is still young, I'm sure he'll rush to catch up with Nina's work. Ideally to begin with White Massai. Thank you.
The movie ROCKs in Brazil and in UK... Such a profound and spectacular film about the reproduction of Power... In fact what happened to tyre Nichols, the young black man brutally beaten by black police officers, or Thacher being as agressive against the outcasts as a man politician, proves that power of white patriarchical capitalism (or any other system in past of future) can colonise minds and be interlanilised regardless of gender race religion. Things must be changed and cinema through TAR and such films opens the discussion... WHAT A BRILLIANT and socially important PIECE OF ART!
Seeing the movie for a second time was revelatory for me. I had the uncomfortable feeling following the first viewing that it had gone completely over the top of my head. It really is a film that gets richer, more profound and nuanced the second time around. What struck me particularly is how brilliantly the film has captured the complexity of issues surrounding the abuse of power and its consequences
Four greatest . I'm looking forward to watching this film as soon as it Is shown in Caracas' movie theaters. Especially in my country where, in spite of all the political and economical, problems we have, music it's been present colouring and bringing hope and ways of forgetting the reality of our lives. Thanks.
It's a fantastic film and I'm a composer and conductor. They got a lot right. (Berlin is still male-dominated but that didn't matter to the story.) Excellent film!
I had to watch it again (watched it 2x already). I haven’t fully absorbed the richness and depth of the characters the first time, and as I watched it again, I see another layer. I’d seen almost all of Cate’s movies, we know she’s a great actress, but in TÁR she’s just beyond extraordinary - I was utterly mesmerized by her performance esp. the scenes where she was conducting the orchestra - I was blown away. (I feel you Bradley 😉). Also another reason for me to watch it more than once was Nina Hoss. I was not familiar with her background prior to this movie but her role as Sharon was so significant to Lydia’s that even in scenes where she’s not with Lydia, I think of her. (I has to google her so I could see/watch her other works). Also I was intrigued by Sophie (Olga) - I thought she was so good in playing as a cellist not knowing that she really is in real life. TÁR is one cinematic experience of a lifetime - best of luck at the Academy! 🎉🎉🎉
Time? These interviews aren't planned 3 months in advance and watching someone's work has to be organic. I have definitely seen nina hoss in stuff over the years but i can't for the life of me recall the names
@@akshayde You don't need 3 months to watch a couple of stand-out performances by an actress. He could just have watched Barbara and Phoenix to have an idea of what an excellent and acclaimed actress she is. Arriving completely unprepared for an interview with one of the most famous German actresses in the world is embarrassing as the commenter said.
I felt embarrassed when he said that. The courteous thing to do would be doing research on their work. Cate researched Gustavo Dudamel’s work before he interviewed her, imagine that.
Questo film meritava l 'Oscar. Questo film ha vinto su tutto più guardo il film e più studio le analisi e le interviste dei protagonisti più ne sono convinta. Graze Tod Field Cate Blanchett Nina Hoss
I hope it's good but if it's not, it really does beg the question why an actual biopic can't achieve something nearly as profound or thoughtful as a fictional film which presents itself almost as if it were a biopic. It'll be an interesting side by side comparison lol
Кейт Бланшетт ❤ лучшая актриса она мне запомнилась вроли Галадриэль из властелин колец я самая преданная фонатка передайте пожалуйста привет Кейт Бланшетт я хотела чтобы Кейт Бланшетт увидела моё видео ❤❤
Я столько посветила ей песен ❤ для ние ❤ 😭я хочу чтобы Кейт Бланшетт австралийская актриса посмотрела моё видео ❤ желаю Кейт Бланшетт много счастья здоровья успехов благополучия радости и любви
no way... dont get me wrong pal she was PHENOMENAL IN BJ BUT in TAR Blanchett uses the unbelievable range of her gestures, her appearance and her voice to say less and suggest more, an exhibition as magnetic as overwhelming. Lydia Tár has features we usually see on male roles, so the gender-bending uniqueness of the character plays a key role: power mentality can be reproduced in order to succced and this is why becomes so dangerous . This performance is much more subtle and internalised than what she did in BJ. BJ screams the story and social collapse behind it. GREAT FILM. But Tar is another universe, way more complicated film. As i read It’s not easy to manage a story where the main character is not going to arouse our sympathy, there’s barely any warmth in her, aside from her passion for her craft. She’s self-centered, narcissistic, despotic and emotionally incompetent. However, our empathy is awakened by the characters who live with her and have to suffer from her complex personality.
@@rics1883 in fact what she does it is! I was in a mind edge all the time when i am used to sit back and relax with movies i know where they are heading in order to relieve me after some booms, fights and fucks. And this is why i need pattiently to wait until one great script is given to her again... Because these scripts are so very rare...
Brilliant acting by Cate Blanchett. However, the movie itself was not easy to follow. I understand each movie has its target audience and like movies that make one think days after watching, but if you need an hour long interview to understand the movie, the movie is flawed in terms of telling the story.
Such a strangely, intriguingly different perception... Obviously there's no right or wrong. I mean, we are all so different and me personally... I find this film very clear and deap and truthful. I guess that's a shame (at least for me) that now we are so used to the films that digest information for us and instead of us, those films don't leave any room for the viewer. The era of the greatest movies ever made, which never gave us explanation but gave us information only, seems to be all but over nowadays. It's hard to imagine somebody as daring and modern as Fellini. Unfortunately for me the majority of modern day movies and tv shows have formed that unique viewer who doesn't know what to feel unless explicitly told what to. It troubles me a lot how surprisingly old fashioned modern films have become. As if 60s and 70s never happened and we are again in 1950s, 1930s and 1910s.
Interesting. Because for me it felt extremely fresh and unique because she wasn't a faceless villain, she was the protagonist and I'd say an extremely sympathetic one. That juxtaposition of conflicting emotions made this film for me. It's not very often that we can find that reminder of the human nature of every person and every action in the movies or media in general. Media tends to shove that disturbing thought as far away as possible. But this films makes you really question our human nature.