Chloé Caillet Makes A Club Track From Scratch 

Maceo Plex

Red Axes

Dauwd please!

nikki nair obv

Lauer

Glad you enjoyed it!

@@DJMag do more like this please. wow

Glad you enjoyed it!

Was wondering why she didn't just use the 909

@@carcass2677 my only guess is that i'd imagine dj mag would want more common/relevant gear at the forefront when people make videos for them but come on, it's a freakin 909!! 😭

Maybe she’s recording it through the desk for some saturation and eq

She could do that through sends... It's okay to not know that it can do that. Another reason could be usb is noisy, and maybe not enough inputs to hook up the individual outs

@@blkrbbt USB can't be noisy because it is a totally digital signal. She isn't using the USB output because that's not her desk (look in the description); you can't use two different sound cards at the same time. There are some workarounds but they will add too much latency for what i know. With the TR8S the alternative is using the 6 individual outputs with 1/4" cables. BTW if you can make it sound good, doesn't matter the signal chain 🙂🙂

Let’s shorten this up, she’s still on an amateurish skill level.

@@Centomila Your wrong. @jorvten360 has the right answer. Shes just not good.

The 909 drops a tiny bit in value everytime it plays a single kick sound

Although you can load samples into the TR-8s, the main sound engine doesn't use samples. It uses a DSP process called analog circuit behaviour that digitally recreats the analog sounds of the TR-606/TR-808 and TR-909.

@@tommyk88888oh, now I see.

@@Rr0gu3_5uture right ! the charleston and cymbals were 8 bit samples on the 909 tho ; )

@@PRCRSTNTR I always heard that the hats on the TR-909 were 6-bit, but the samples were compressed and then digitalized so they'd have a greater S/N ratio and higher digital resolution. Apparently, the 3 ROM chips that store the sounds are only 32k in length, which by today's standards sounds ludicrous.

How do you that?

@@Guitarist888 just using either the tr8 or Ableton as your master clock, I make music in a similar way except I use an mpc1000 as the master clock for everything and play stuff into the Mac and it time corrects whatever I play rather than warping the audio in Ableton and then once you have bits recorded in you just click the "EXT" button on Ableton and that decides if its Ableton that's my clock or my mpc, she could do this with her tr8

into the mpc not Mac

Midi Clock.

​@@matthewgarcia8450 There's no right or wrong way to use or sync gear, I'm also pretty sure that she knows what she's doing. In saying that, if you're using external hardware synced to a DAW via Midi you're always going to have to align your audio if you want any degree of tightness. Even more so, because everything is connected via USB these days, and Midi via USB is absolute fkin' horseshit because of issues like jitter and inherent latency. I don't own a TR-8S, but I did 2 mins of research and found that it seems to have a whole bunch of assignable Trigger Output options, but seemingly no Trigger Inputs, which seems a bit daft. If it had a Trigger Input you could use something like the free E-RM Multiclock Plugin software to generate an analog clock signal, then send this audio signal out from your soundcard and sent it to the Trigger Input of your drum machine. As long as you record your drums first, have no other plugins running, and keep your ASIO buffer size as small as possible, it's possible to sync your external hardware for free with virtually zero latency or jitter.

schmogue

I'm calling the police

Building the drumkit too?

@@crazymaniac89 going out chopping the trees down for the wood

Surely you'd have to make the drums too.

@@saren6538 you'd have to plant the trees first