ein tolles Beispiel für das Musizieren im Ensemble - das ist (wie ich finde) die wirkliche Krönung des Musizierens - so schön und so virtuos und so eindrucksvoll Soloarien auch immer sein mögen, das können sie nicht besser!!!)
Very fine. Regarding earlier comments: I dont think Alfonso is supposed to be cynical in the portion of the opera--Mozart didnt write his part that way. Besides he has to keep up the charade that his friends are actually going off to war. On the comparisons w/ other great sopranos: at least have the courtesy to compare live performance w/ live performance: Fiordiligi is an extremely taxing role in a complete staging of the opera. I've heard Soile both live & on record and she has invariably captivated me.
Forget the clothing, this is bel canto writ large, the singing is perfect, and the acting of the sisters, especially at the end of the terzettino is very moving. Very beautiful, thank you to whoever posted it. I shall buy that DVD. brendan
Lovely, unforced singing and acting. I do not understand the negative comparisons with Schwarzkopf - Isokoski is very much her heir with the same steadiness, evenness, accuracy and musicianship - just a more naturally beautiful tone (though Schwarzkopf possessed the artistic magic of making our ears and minds believe her tone was more beautiful than its objective reality).
AURA AMOROSA "Cosa serve? A battaglia finita fia la cena Per noi più saporita”, assim está em ação Na ária “Cosi fan tutte”, ópera que encena “Un’aura amorosa”, de Mozart, tradução: “O que é preciso? Quando acabar a luta, Faça o jantar para nós mais saboroso.” Assim será o fim da Covid-19 que enluta O planeta com a família jantar primoroso. Aqui tempo tem ampulheta, quando areia Acaba, nosso corpo físico se junta no chão. Semear o pão para termos uma boa ceia. A energia que sai das flores, dos pássaros, Dos rios e da rosa, cantada em cantochão, Cria a aura amorosa, ostentando lábaros. (*) (*) FERNANDO PINHEIRO, presidente da Academia de Letras dos Funcionários do Banco do Brasil. - AURA AMOROSA (poesia), de Fernando Pinheiro. - in O mundo de Morfeu, de Fernando Pinheiro.
15 лет назад
You're right! And Elisabeth Schwarzkopf would teach the Soprano why she doesn't has to cry this so loud! Listen to the recordings of Schwarzkopf and Janowitz!
Thank Gof for the wonderful orchestral playing. There is no blending or balancing of the voices, hardly any first beat in the bar arrives together. The 1/8 notes (especially of Corbelli) are unequal and not together between the voices. His 1/16ths are not togther with the bassoon either. The two ladies are sincere in their text, but Alfonso is not. But how do we see this? Pretty awful.
