DJI Mic 2 VS Rode Wireless Pro - Who is the KING ?!?! 

Why don’t you just connect your wireless Pro to your pocket 3? Yes, you’ll need to use the receive.

I kinda like the small form factor. I have big gear that I use, but when I am using something simple I like to keep things as simple as possible. @@robertquinonez_

You can’t. Just record internal

@@TheEverythingMan OHHH So I can buy a 3rd and just set it to record on the dji transmitter then pull the file from that and add it to the video

I have the Rode Wireless PRO and for a third mic I use the Tascam DR-10L Pro. I just sync everything up in DaVinci.

Also you can just use a nice rode lav pro 2 with your dji receiver and get the best of both worlds.

​@@LukeSchaeferFilmsgreat idea, have you tried it before?

Rode specs much better on the bass side 20hz vs 50hz, in real use ?

I have to agree with the OP on that topic. Using a mirrorless camera for vlogging is a complete waste, IMHO. I tend to use the right tools for the job... right now, the Osmo Pocket 3 would be the tool I would recommend for vlogging duties.

@@GrayGhostDog1 it doesn’t stack up to a full frame when blown up and RU-vid is 49% tv viewership now, but do you

I actually have to push back on this for a few reasons. If you google it 70% of people watch RU-vid on their smartphones. Regardless, when it comes to blowing up an image on a larger screen like a tv sensor size doesn’t have much to do with that. It’s all about resolution. Sensor size helps with depth of field and low light scenarios. Plenty of some of the most beautiful looking movies have been shot on apsc cameras. If you’re using an iPhone 15 pro and shooting in log and know how to get a good color grade really the only thing you’re missing is the opportunity to have a crazy blurry background for the most part. I have examples on my channel of side by sides with the 15 pro max and my full frame Sony and once I step the aperture to around f5-8 it’s extremely hard to tell the difference. Btw I’m a full frame shooter and always will be I’m just saying for on the go walking around vlogging situations you can’t beat some of these smaller devices and I’m over walking around with a big full frame camera and lens with a shotgun mic attached when I have a phone with 4 cameras that shoots amazing video and is in my pocket anyway.

@@TheEverythingMan it goes further than that, prores log on an iPhone is going to take up way more than a long gop on a mirrorless which isn’t worth it and the dynamic range is good but doesn’t stack up. Those figures you quoted are from 2020 and since the pandemic started, internal figures from Google indicate 45%(my mistake) viewership on tvs these days. Even more so, 4k on res on an iPhone 14 vs 4k res on a ff isn’t even a comparison. If all you’re doing is vlogging, great, but if you have talking head, and anything else, the ff is the most versatile. Also saying “movies have been shot on an aps-c sensor” doesn’t really mean anything. An ARRI super 35 destroys a Sony aps-c and the red destroys those consumer cameras as well. Phone are only at a level of higher dslr from a decade ago. They’re good but not great. Anyone saying anything differently is stuck in a RU-vid rabbit hole and believes an iPhone 15 pro can match or come close to matching an ARRI 35 and that’s not the case. If it was, production companies and Hollywood would not use them anymore to save money and time. If you compassions are under RU-vid compression, it will be hard to see, but for other platforms, it’s incredibly noticeable. Yet again, do you but don’t knock other people for what they do to retain quality

@@TheEverythingMan those figures are pre pandemic, internal data from google shows it’s 45%(my mistake). When it comes to resolution, resolution is only as good as sensor size and mega pixel quality. iPhones are good but only akin to high level DSLRs from 10 years ago. Saying “movies have been shot on an apps-c” means absolutely nothing. A super 35 on an ARRI or RED completely crushes any Sony equivalent or consumer based camera. The ProRes Apple log is over kill all the way, a long gop on a mirrorless is going to have file sizes far smaller and take up less space while retaining higher quality. Even more so, sensor size is a big deal as it allows in more light, even in non-low light scenarios. Smaller sensors are tedious to color grade as any adjustments sway the image to an extreme point so you have to really fine tune it. Even more so, you’ll have to do tons of work in post to make it match up. If you’re vlogging and only vlog, sure, use your phone and a pocket 3. For professional work or taking content creation serially, there is no substitute for a mirrorless quality wise. And the comparisons are most likely on RU-vid and after YT compression, sure, they’ll look similiar. But for other platforms, you’ll see the difference. But if phones, specifically the iPhone 15 pro max, were that amazing, then production companies would do away with larger cinema cameras to save money, especially the studios. If you think that an iPhone 15 pro comes close to an ARRI 35 or Red Komodo, you’ve gone down a RU-vid rabbit hole that isn’t based in facts. Don’t knock people for not comprising quality, that’s all I’m saying

My hope is that Rode steps out there with the ultimate system. If they make their devices about the size of the Tascam DR-10L Pro, they can have AAA batteries instead of the built it battery. The Rode does sound better! I tried them both myself and like the Rode better. So here is my wishlist for their next update: removable batteries, touchscreen on the receiver, and the ability to use MicroSD cards for storage. They do this, they will dominate and not even the DR-10L Pro could touch them. Also, keeping with the same form factor of being able to use it without the lavalier mic if you choose. What do you guys think??

Or you can straight to another channel … beat it