Thanks Martin, that was really useful, and interesting. It doesn't have to be the Iridium to make these, as these recipes can be taken to many other instruments.That's lucky for me, because I don't have an Iridium! The Hydrasynth or Opsix would be my weapons of choice here I think.
Fantastic tutorial. I have always wanted to learn the proper way to make the dub techno “stab” sound. The subtle modulation and delay tricks are so great. Thanks Martin!
Thanks for the vid. Nice to see your workflow and tips. Man, if you keep up with this you're going to convince me to buy one. I just wish for the price that it supported MPE. Edit: I see the 3.0 beta supports it 😶
@@MartinStuertzer It's going to be my next purchase. I want to see what Seaboard's new product is first. It might be my big purchase of the year. Realistically after that my MPE synths will have to be VST's or a Micromonsta 2 for awhile since this is just a hobby for me.
Very Nice Martin. Thanks for that tutorial, so minimal. I have a question regarding your midi clock. I know your primary audio interface is an RME and you ADAT your Apollo in to it. Does your RME midi goes straight in to your MOTU or do you use an additional external clock to sync all of your rig? In other words, is Ableton the true midi master in your setup? Thanks in advance..
You are correct regarding my audio interfaces! But all midi is running through the Motu Midi Express which is connected with USB directly to the computer. The RME does not do any midi. All clock signals come from Ableton through the Midi Express 128.
Yes, it is possible to modulate the delay speed or mix ratio in the mod matrix. You can then change it with any mod source like LFO, envelopes or the mod sequencer.