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Durchwechsel and Zucken: Longsword Lesson 17 

Sword Carolina
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Here is a pair of very similar techniques used to move to the other side of your opponent's sword, the Durchwechsel and the Zucken. Both of these are used against someone who has cut against your sword, becoming strong in the bind but not immediately threatening you. They are strong so we become weak, in this case by leaving the bind for a more favorable position on the other side.
As always these are our opinions. If you have other interpretations, please feel free to comment with them below. We tweak our interpretations nearly every time we practice a technique, so are always open to ideas. There is always room for improvement. Thanks for watching!

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22 фев 2015

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Комментарии : 28   
@KwizzyDaAwesome
@KwizzyDaAwesome 9 лет назад
Great video! I'll have to try that durchwechsel variation. Especially with the Schielhau. Zucken I'd always interpreted as "pulling," so instead of dipping around you'd pull the sword back to get around the blade. What you guys show I've been calling abnemen, "taking off."
@sinisterbohemian
@sinisterbohemian Год назад
I concur with this. The Abneimen (taking off above) is very similar, but the zucken relies on shortening the sword to speed up the disengage above. In my club we use tip, hip, cut. So raise the tip up as we move the sword back to our hip which allows us to stay in the bind as long as possible before sliding off the sword and cutting to the other side. This is as opposed to some interpretations which just move straight back to the hip which exposes the weak of the sword. Additionally, with my tip up the opponent who might take the opportunity to try and shoot the point will have to pass over the strong of my blade and I can wind to ochs for the counter thrust.
@joaomarcalves
@joaomarcalves 9 лет назад
Nice video! Here we use the Durchwechseln mostly when the opponent parrys too close to the point, then the sword slides more easily from the bind.
@SwordCarolina
@SwordCarolina 9 лет назад
Thanks! You bring up a good point. The closer to your point, the easier it is to leave the bind. Thanks for the comment.
@Dhomazhir
@Dhomazhir 9 лет назад
Well explained. Thank you.
@pj_mckenna
@pj_mckenna 9 лет назад
Excellent as usual, guys.
@macsniper1337
@macsniper1337 9 лет назад
Well, at least in p.v.D., the Zucken is also a thrust: "hew in from the right side above strongly to the head. If he then drives with the sword strongly forward with the hew and will parry, or hews to your sword, then pull your sword on you, before he binds on you, and stab into the other side."
@SwordCarolina
@SwordCarolina 9 лет назад
Yes. Thanks for the comment. We can't fit every variation into a short video, so appreciate you filling in some gaps.
@PjotrFrank
@PjotrFrank 5 лет назад
Hi guys, it's always good to see folks around the globe, who use the same source material as one self. As pointed out by others, I would interpret your Zucken as an Abnehmen. But I do not want to get into semantics here. IMO the main issue with your work from the bind (Sprechfenster), that ALL of the shown techniques should be subject to Fühlen, and executed Indes. If your opponent isn't hard in the bind (trying to displace your blade), his point will always threaten you, when leaving his blade for a Durchwechseln, Abnehmen, or the like. That for, pressure of the opposing blade is essential. Indes (while) the other applies said pressure, you can now suddenly end your support of this pressure by your blade. This may lead to an opening, because his blade now goes to the side without your support, and his nasty point is now out of the way. I experienced that this sudden release make these techniques from the bind much easier, if not an essential prerequisite. Depending on the measure and where you bind to the opposing blade, you now can do your Durchwechseln, Abnehmen, Zucken, and even Schnappen (in the close measure) with minimal danger of catching a thrust in the process. Durchwechseln: you suddenly yield tho the pressure while a change into thumb-grip makes your point automatically circle around the opponents hilt and gets your thrust on-line (but be quick on your feet to avoid the Afterblow). Abnehmen (your Zucken): use your pommel-hand to slide up the blade of your opponent in an explosive motion. As soon as you pass the point, bring down your blow to the hands, chest, or head of your opponent. Zucken (my interpretation): in long, low bind explosively pull back your sword into pflug position, to end the support of the pressuring blade of the opponent, and thrust immediately on the other side of his blade (just move the arms, your body should follow the thrust). Schnappen: in close, high measure, suddenly yield to the opposing pressure, and let your point be pushed down, while your pommel comes on-line to your opponents face. Now you can either go for a pommel-strike, or you can get the "upper hand" by pushing down his arms with your pommel and go for a Krumphau/Schnappen to his face. Every one of these techniques (maybe with the exception of Schnappen) can be used as a Fehler/Feint/Feller, as long as you can be sure, the opponent attacks your blade, instead of your body - as you showed a the end of your video. While your video documents a valid point of view, I sincerely hope my interpretation of the topic is of some value to you.
@SwordCarolina
@SwordCarolina 5 лет назад
Pjotr Frank thanks for the long comment. I see your interpretation of the Zucken. We also do it that way and have had success with it. This particular video shows an interpretation we developed largely from Ringeck: Das ist wenn du mitt dem zu°fechten zu° im kumst so haw võ der rechte~ achslen starck oben ein zu° dem kopff bindt er dir dann mitt verseczen ode~ sunst an dz schwert |So tritt im bamd bande nahent zu° im vñ zuck dein schwert oben abe võ den sine~ vñ haw im zu° der andern sÿtten wide~ oben ein zu° dem kopff |Verseczt er dir dz zu° dem andern male |So schlach wide~ zu° der andern sÿtten oben ein vñ arbait behentlich nach der obern blöß die dir werden mag mitt den dem dupliernn vñ mitt andern stucken So, we pull the sword up over his and cut to the other side. But like I said, we do it according to your interpretation as well. Of course Fühlen is involved and of utmost importance. It’s why we mentioned it in the video. Fühlen happens as soon as the bind occurs, indes. As soon as he defends strongly, I go immediately into an appropriate Nachschlag.
@PjotrFrank
@PjotrFrank 5 лет назад
Thanks for pointing out the Ringeck manuscript (and its terminological inconsistency) to me. I must confess, being more of a PvD-boy, I did not consciously compare the two Liechtenauer sources in its entirety. Hopefully my comment did not appear condescending, or even polemic to you. As a HEMA instructor myself, I maybe stress the concept of Fühlen too much upon my padawans. On the other hand: Hie soltu mercken: Das das fülen und das wort jnndes ein dinck ist und ains an daß ander nicht gesein mag und das vernÿm also: wen du jm an sein swert pindest, So müstu ze hant mit dem wort jnndes fülen ab er am swert waich oder hert ist, und wenn du hast gefült, So mustu aber jnndes arbaitten nach der waich und nach der hert am swert. Also sein sÿ paiden nicht wenn ein dinck und das wort jnndes das ist zů vor aus In allen stucken. und das vernym also: jnndes dupliert, jnndes mutirt, jnndes wechselt durch, jnndes laufft durch, jnndes nÿmpt den schnit, Indes ringet mit, jnndes nÿmpt das swert, jnndes thuet was dein hertz begert. Jnndes, das ist ein scharffes wort do mit alle maister des swertz vorschnÿten werden die das wort nicht wissen noch vernömen. Das ist der schlüssel der kunst. LOL. Some people may even point out, that I am obsessed with this part of Liechtenauer's art. ;) drive.google.com/file/d/1zfyUI7kH-UWlekVjiKNr69rPwi-ZiCb1/view?usp=sharing
@frankhaj001
@frankhaj001 9 лет назад
Nicely done as always guys, really enjoy and appreciate your videos!
@SwordCarolina
@SwordCarolina 9 лет назад
Thanks! It means a lot to hear that.
@arpioisme
@arpioisme 9 лет назад
Guys, i think it's a good idea to make video on the vier leger and put it on the top of playlist.. your videos are great! So much explaination. Greetings from indonesia
@MrPhylacista
@MrPhylacista 9 лет назад
Thank you for alll the Great Videos. For my Interpretation what you Call Zucken is an Abnehmen. You could translate Abnehmen in Lift. Zucken in German is literraly a shrug or wince but I would Interpret it as a tug. It really works well in your example When the Partner is deflecting your weak with his strong. Abnehmen works well if his Point is facing up. Either technique You should always do it in a tight movement. That Said, I really like your durchwechseln. Keep up the good work. Kudos from Germany.
@SwordCarolina
@SwordCarolina 9 лет назад
Thanks! Appreciate the insights and the compliments.
@SwordCarolina
@SwordCarolina 9 лет назад
Kristen Argyle, I think of Zucken as a particular kind of Abnehmen done as tightly as possible. I've also seen it translated as "pulling", but our school's resident, native German tells me that "twitch" is closer to the mark.
@samuelbarham8483
@samuelbarham8483 4 года назад
@Weedus Ah! So "jerk" -- in that case native English speakers will typically say that, "When I accidentally touched the hot oven I *jerked* my arm *back*." Twitches are usually similarly fast motions, often involuntary, but not aimed at any particular direction, so I've never been really sure it fits in this context. Based on your example, I think I prefer "jerk back" now.
@horuslupercal6745
@horuslupercal6745 9 лет назад
First, you guys are awesome. Second, is there an efficient and safe way to place a cut after Durchwechseln? At the place where I train we aren't allowed to thrust. I can imagine that a cut to the opponent's swordarm might work, because you can keep his sword under control, while you perform the attack? (Sorry for any mistakes, I'm German)
@SwordCarolina
@SwordCarolina 9 лет назад
MS 3227a says that you can follow the Durchwechseln with Cuts, Thrusts, or Slices. The DW allows you to get to the other side of the sword, from there you could step in with a cut or a slice to the arms.
@scottfarrell1
@scottfarrell1 9 лет назад
As always, great instructional video. Thanks for taking the time to produce this series - I hope there are more in the works! At Swords of Chivalry (chivalrytoday.com/services/knight-school-historical-fencing/) we teach the Durchwechsel just a little differently - as a "sliding through" under the opponent's sword, and as soon as your point clears the opponent's blade, you wind in against his sword to perform the thrust. The result is that, as you rightly point out, you restore the "your sword between you and the opponent's sword" defense as you begin your attack. I point this out because, in the way we approach it, the opponent's technique is what makes the determination between Zucken and Durch. If the opponent binds your blade -but- keeps his point close to "on line," the Zucken (over the top of his point) works best; it uses the narrow angle of the opponent's sword to create the path that your Zucken takes. If, on the other hand, the opponent binds particularly wide, pushing your point far out to your right (in the perspective of your video), the "slide under" style of Durch seems (to me) to naturally follow from the pressure the opponent is putting on your blade. Narrow angle = Zuchen. Wider angle = Durchwechsel. That way you never have to struggle against your opponent's blade to get your tip clear. Hopefully that makes sense! In any case, thanks for your videos!
@SwordCarolina
@SwordCarolina 9 лет назад
Good points, Scott. Thanks for sharing. What you are saying sounds similar, except you are winding immediately after the DW, versus feeling to see if you think the thrust could land or would be displaced. Agree with the concept; we may be splitting hairs. From MS 3227a: " And then move your point quickly in above his hilt, with a good and perfect thrust. And if you feel you hit, so follow well through (with your thrust). And you should do the same from the other side, low or high, as you do it on this side. Whoever binds you, so move at his sword against him and he defends, so change through as before, or wind and feel his technique if it is soft or hard. Then seek strikes thrusts and cuts against the openings." Interesting thought with the different angles, though I do think range factors in as well. Thanks!
@willnonya9438
@willnonya9438 9 лет назад
So would you say that with the Durchwechsel that you are reengaging the bind from the other side? or is that just convenient if it happens?
@SwordCarolina
@SwordCarolina 9 лет назад
Yes, I would want to reengage the bind. If not, I run a greater risk of being struck by an afterblow.
@SamStuart07
@SamStuart07 8 лет назад
Coupe and disengage or double disengage.
@Robo0595
@Robo0595 6 лет назад
Is this an interpretation of Döbringer? I always assume people are explaining Meyer, but from what I can read, what you're calling a durchwechseln Meyer just calls a Wechseln, and Meyer seems to describes Zucken as a very different handtarbeit altogether.
@KnightedDawn
@KnightedDawn 4 года назад
Definitely not Meyer.
@valkaek
@valkaek 9 лет назад
Video quality is getting a lot better. Don't fidget with the sword and bob your head to attempt to let the audience know you know what you're talking about. It's distracting when there is constant movement while attempting to concentrate on the technique at hand. Much better video! Thumbs up!
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