it kind of makes sense for the followers, as they have all the knowledge of the past at their disposal in the library, thus they understand the horrors of how the apocalypse came to pass more than anyone. which is why they work so hard to make sure that it never happens again.
That scene always creeps me out, in the good way. Just seeing an old titan of a ship wake up to life after 200 years and all the machines working perfectly but all the people that built them and sailed in them have been dead for hundreds of years. It tells you that something isn't right.
0:01 (especially when 0:18 happens) to 0:45 feels like terror. Corrupt ideals (whilst the community is thinking they are safe and good) in a desolate world... absolute distortion of reality. 0:48 when that background and soft violin comes in reinforces this idea; when the violin pays the downwards tone, it immediately emphasizes the point of horror, terror, and anxiety, to the upward tone played at 0:54 to climax the point. From 1:08 with the ascending and descending synthesizer gives way to 1:15 - 1:55 giving a very stark feeling of tragedy... such a deep sense of loss, to following diminuendo note 1:58 leading into a void feeling of despair and emptiness. Then at 2:32 only realizing the reality of the world we have created, do we finally align our senses with what the world has really become, and with what we have done... with a thump at 2:53 to signify the end. No hope, no light at the end of the tunnel.
+Mike Hunt Heh... now that I've had a bit of experience with music composition firsthand, I am experiencing this piece a little more concretely :P. The harmonizations in this are breathtaking... synths are pretty amazing! I guess Fallout 4 didn't see this coming (;
I am still surprised on how Fallout TV Show haven't even remotely mentioned the Followers of the Apocalypse. These guys should have been the powerhouse in the California or at very least, functioning as a faction.
Forget the followers, I don't think they would even acknowledge LA Boneyard and its politics from FO1. The Shady Sands nuke is just, it's pretty apparent Bethesda want the slate clean in west coast so they can shill more BoS/Vault Tec nonsense. The TV show doesn't exist in my books.
I’m gonna make an unfounded prediction and say that the NCR, followers and most of the real development is gonna be moved to either Vault city or Arroyo or maybe even New Reno and season 2 or maybe 3 will be Lucy traveling from shady sands to that new place l
I think the NCR cut ties with the Followers at some point before the TV series (which is, as of now, the farthest in the future the Fallout universe gets). But there is still a lot of lore to explore, including the Enclave, on future seasons. I'm looking forward to it!
Because Todd and the crew forgot that these factions exist. Not an ounce of thought went into the show to make it good but also continue upon the original story FNV had.
This theme really can be summed up by "So even after China and you guys nuked eachother into oblivion our government is still shit?" I loved the Enclave in Fallout 2 precisely for the fact that I can just imagine that with how repressive the U.S. had become before the bombs fell that they would make a contingency plan that was only for the select few and that the efforts to survive hadn't changed their nature of sacrificing the many for the sake of the few. Like when I discovered their plans and their experiments as a kid I was almost as horrified as I had been when I discovered the Master's. Like you guys are human? You have vertibirds, a functional oil rig, advanced weapons, probably healthy food and you choose to.......This theme's opening just displays that horror of just "God you never changed....the whole world blew up and you learned nothing from it."
Every time i play "Fallout Online: Reloaded" and this music comes during a fight, i get shivers down my spine. Maybe it's because i don't know what will happen and if i will make it out of a battle alive.
This is a masterpiece... when truly realizing the meaning and the nuances of this composition as portrayed by the instrumentation, this is beautiful...I cried. It truly upsets me too that this composition seems so less viewed than the rest of Mark's music of FO1 and FO2
Frank Horrigan was hit for 22 damage Frank Horrigan missed Turret was hit for 50 damage and was killed Frank Horrigan was hit for 22 damage Frank Horrigan was hit for 22 damage Frank Horrigan was hit for 22 damage Turret missed Sergant Granit missed You missed -entire frank horrigan boss fight
It makes sense for the enclave in fallout 2 but when the first composed it for fallout 1 kinda sounds like there evil or hiding something. Also something if you haven't noticed somehow this played as the followers theme in fallout 1 then enclave in fallout 2 in new vegas a major followers member and companion was part of the enclave coincidence i think not
I can probably imagine this being used for something involving the Operation Anchorage DLC in Fallout 3, had that game used some of the classic soundtracks ala New Vegas. Or even potentially as the theme of the CIT ruins in Fallout 4, for that matter.
To this day I feel bad not finding the mole among the Followers. I know it's due to the bug but it still feels incompleted when the titles show you their sad fate
Thank you for the video. Isn't it supposed to be the Followers of the Appocalipse??? Where did you get these names brother? Play FOnline to support Fallout 1 & Fallout 2!
@@hectoraliegbe9429 naah dude this track was used only in Fallout 2 which was released in 1998. By the way - same thing with Modoc soundtrack, it was also borrowed from NetStorm.
@@vladurban6036 One cannot say that Fallout 1 & 2 "borrowed" certain tracks from NetStorm due all three games soundtracks being composed by the same person (Mark Morgan).
