Gérard Grisey, Espaces acoustiques 1/2 - Ensemble intercontemporain - CNSMDP

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Gérard Grisey
Espaces acoustiques 1/2
Prologue, pour alto
Périodes, pour sept musiciens
Partiels, pour dix-huit musiciens
Grégoire Simon, alto
Ensemble intercontemporain
Pascal Rophé, direction
Enregistré en direct le 14.12.2013 à la Cité de la musique (Paris)
Coproduction Ensemble intercontemporain, Conservatoire national supérieur de musique et de danse de Paris, Cité de la musique, Max prod

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Опубликовано:

13 ноя 2014

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Комментарии : 54

@user-jr1vk8tk4w 5 лет назад

Sometimes I wonder why contemporary composers still use classical instruments but after listening to this I understand there's a lot to explore

@null8295 3 года назад

because good acoustic instruments are irreplaceable

@soportetecnicohigoversomas3451 3 года назад

@@null8295 i'd say all acoustic instruments are irreplaceable! each one has tons of unique sound possibilities!

@aleksiuturgaidze9058 2 года назад

The problem is with the overtones, room acoustics and dynamic range that a digital instrument can't provide. Also I personaly want my compositions to be a subject of human interpretation but not an algorithm interpretated by a computer. Also the digital siganal is quite lossy and can't be compared to orcheatra. Both acoustic and digital instruments are good in it's own way.

@singhsinga4592 2 года назад

That's exactly the thing, contemporary composers look for new way to use these centuries old instruments to create new sounds. Sometimes, like here, the result is sublime!

@bc4315 Год назад

@@null8295 Tell that to the vielle.

@davephillips1263 4 года назад

Deserves 100x the number of views it has now. Grisey was such a fine composer, this kind of performance does justice to the man and his music. The Ensemble continues to amaze and astonish. Deep thanks for this recording !

@HiggsBoson82 9 лет назад

Never never get bored to listen this masterpiece again and again

@mattabrey2803 7 лет назад

Absolutely beautiful. Thank you so much Ensemble Intercontemporain. One of the most visceral & gorgeous pieces ever written, done brilliantly, complete with tracing-paper score pages at the end. I wish I had been there.

@ensembleinter 7 лет назад

Thanks !

@sonicsnap1173 6 лет назад

Three cheers for the Ensemble Intercontemporain for this prodigious performance! And hats off to Gregoire Simon!

@LiteratureTodayUK 5 лет назад

I love all the mad stuff in the final few minutes (50:54) - the rustling of scores and the theatrics with the cymbals, etc!

@grzymol Год назад

Just watched and listened to it live tonite at Warszawska Jesień. An absolutely fabulous piece of music

@cosmet7595 7 лет назад

Hace dos semanas que descubrí esta pieza musical. No ha dejado de acompañarme en cada minuto. ¿Qué ha hecho Grisey para transportar a esos espacios a cualquier mortal? Obra maestra. Interpretación admirable.

@cornicello 9 лет назад

Fantastic! I'm looking forward to seeing the rest of it.

@19Lqueen17 6 лет назад

Love the bassists hair

@MrThesamster Месяц назад

Congrats to the audience for coughing in all the right places! Bravo! Bellissimo!

@musiqueetdanse-s2tmd-lycee838 8 лет назад

Prologue, pour alto : 00:19 Périodes, pour sept musiciens : 18:34 Partiels, pour dix-huit musiciens : 33:05

@AlejandroPerdomo. Месяц назад

Merci

@calaf1816 5 лет назад

I can't live without listening the Ensemble Intercontemporain.

@brucebennett5338 2 года назад

one of the truly great pieces of music of the 20th century

@notnek202 8 месяцев назад

😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😊

@jeffsunbury3345 9 лет назад

Amazing performance. Thanks.

@episnod 3 года назад

Grégoire Simon, alto - brilliant virtuoso performance. unimaginable command of the instrument and the language of Grisey.

@haotianyu6368 9 лет назад

Spectacular!

@Kethvan 9 лет назад

Finally performed at the right place and by the right group!

@timothyready7702 9 лет назад

These performers are spectacular; they play as restrained as the music requires- which must be brutally difficult...

@machida5114 2 года назад

so good...

@phillippowell7905 4 года назад

Wondrous, thank you

@AgustinDavidF 4 года назад

So unique interpretation!

@sonicsnap1173 8 лет назад

Great!

@Neuron8000 8 лет назад

Amazing

@culturalivrebr 5 лет назад

Beautifully numb

@tinvalbaca3380 6 лет назад

Astonishing performance. Crear Valentin Cava Abadía

@maxsilva11 3 года назад

There's only one thing about this that isn't perfect: the video editors didn't give us a good view of one of the coolest extended techniques of all time - when the French horn swaps their mouthpiece for a bassoon reed!! You can just barely see it at 36:52.

@NicoMeri1 4 года назад

J'adore la fin ;)

@LendallPitts 9 лет назад

Yes - where is the second part? We are all waiting for the other shoe to drop.

@miguelsegura6569 Год назад

48:44 He approves the whole thing. "Yes, he knows what he's doing..."

@eatthem5829 Год назад

Was thinking the same thing:D healthy Self confidence "i know that we're good"

@diabolusin 9 лет назад

Magistral ! Musique inouïe…

@truthlivingetc88 4 года назад

i heard another version of this but this sounds more like human emotion even though the other version was the same notes. how can this be ? a quite profound experience. i believe Grisey would have appreciated this version.

@mershymarsh 3 года назад

Honestly I hate how much of this sounds, but there are some magical moments. I found I liked the section starting around 33:00

@paulaustinmurphy 5 лет назад

I guess that when the violin tunes up in the middle of this piece, that's written into the score.

@darrenbloom1265 4 года назад

Yes, indeed. He even drew in little cartoon eyes to guide the musicians' facial expressions!

@giovannipaologalletti5365 11 месяцев назад

Geniale

@austronoma 7 лет назад

escucharlo junto a este link soundcloud.com/panalrecords/sets/unknown-dancer-no-future-lp

@MegaCirse 2 года назад

Au-delà des faux semblants, Gérard Grisey dénoncerait-il l’ordre apparent et les paradoxes d'un monde insensible. Spirituel, sensoriel et rebelle, ce poète sonore dévoilerait-il les impostures secrètes, explorant des jouissances sereines précédant un monde de rêves resurgissants 🙂

@carlosbuchlein 4 года назад

Aquí es cuando los espectralistas rebasan por la izquierda a Boulez y su Ircam.

@thomaskaufmann6711 8 лет назад

nice schorsch!!!

@tesco5614 5 лет назад

Пиздатоfull

@jacquesdeville 6 лет назад

L'art du bruitage, comment faire de la musique sans theme, sans melodie ...

@LouisGuillotYT 5 лет назад

La musique n'a pas forcément besoin de thème ou de mélodie comme vous le dites. L'absence de mélodie est un des principaux enjeux de la musique importante depuis le XXe siècle parce qu'elle permet au timbre d'exister pour lui même.