@@andreamariotto5107 It's from the mobile game "Fate Grand Order" or "F/Go" for short. A bit of a spoilers since you may not exactly know, but this music piece plays during the "The Sixth Singularity: Camelot" and in the concluding scenes of the final singularity. I would definitely recommend you playing Fate Grand Order on mobile and experiencing the story, as well as the music for yourself. It's a banger.
Well, Bedivere was the most loyal Knight of the Round Table, it makes sense for him to be the most devoted. Even in the Prototype lore Bedivere is so devoted that his seal is never applied, as he trusts King Arthur implicitly.
@@LeonGun8 ah, so I'm guessing that Bedivere is the first Seal. Makes sense, since Bedivere trusts his King to always do the right thing- or as close to the "Right Thing" as possible given the situation- so he wouldn't see a need to judge or approve Arthur's actions.
_To the loyal knight who wandered for 1500 years tirelessly and faithfully looking for his king,you are truly the most magnificent of the Round __Table.Rest__,Sir Bedivere,as your long journey hath come to an end._
@@TC127_ ... Maybe I cannot feel love, but for those fleeting moments when I heard of my daughter's hand grasping the shaft of her spear, I still grieved for the loss of her true humanity. Even as a just king, Artoria was still human, but when she gave herself to Rhongomyniad, all of it was gone. As one who has known inhumanity for a millennia, to see her give up her humanity just as I have is something that even I can feel great sorrow for.
The fact that Bedi-chan faced through all of that. More than a millenium of carrying a heavy burden, all to restore the king he was once loyal to. All to repay for that one great sin he caused. This ost reminded me so much of Yuki Kajiura's works. Always touching the soul of the listener. The whole thing with Bedivere's *long* journey made me want to cry...
"From now, I will tell you of a future. The future of the mystical island which became the land of fairies. The innocent shall return. To the Queen's castle, bottomless as it is. Accumulating, accumulating; like rain, like ashes. Fading away, fading away; like snow, like the unbelievable. Our hopes are at the ledge; still held within the palm of the queen's hand. Yet we must only endure a short time more. them. The morning when two thousand years have passed, the child of salvation will appear. They who unites fairies and humans, us and them. The child of salvation who will save the world. Like a moth to the flame. Even if it begins as but an ember, even if it cannot be seen. A city of iron, a sea of soot. When the calamity has been repelled, the pilgrimage will be hailed. Guided by the Staff of Selection, watched over by a foreign, the child of salvation will reach the throne. The true king takes their place on the throne. A bloodstained crown presented. Ring out, ring out; like thunderous fury, like fiery lamentation. Let the six bells toll in demonstration. Make way for the true king. Before the red calamity reaches us. Before the black calamity bites. Although our work may be neglectful, we are descended of free fairies. Ever absent is our hope. A shining tomorrow is desired."
Camelot was released not even a week ago. This song makes me remember why I love the fate series. Full of ups and downs yet it always has hope no matter the danger. May this series last for many more years.
I sure hope it lasts! If all that gacha money becomes meaningless so soon, I'll question my life choices more than I already am! No, but in all seriousness, playing through Camelot was a rare delight. The other Singularities were still good, but playing through this one feels like the first time where they really took the story seriously outside of the constraints of 'mobile game', perhaps in part due to Nasu's involvement. When I first heard this play, with Merlin and Bedivere in Avalon - even now, I still tear up a little. I feel like I was playing a legitimate game that transcended its origins. I ended up burning apples just to see the continuation of the story. I hear things only get better from here, so I'm looking forward to it.
you can admit it, at least one of the other singularities had trash stories i myself skipped most of london and america because they were the worst combo of uninspired and boring camelot actually made me care about the characters that none of the other fgo stories could by being exciting and well written
I didn't skip anything, I never do. The franchise began as a VN, and most of the games I play are varying degrees of text-heavy, so why would I do that? It wouldn't feel right. London was okay, and I actually enjoyed America. If pushed, the only singularity I would say was trash was Septem, because of Sakurai's irrepressible ladyboner for Nero. She had far too much unjustified praise, and for a mortal emperor who wasn't even renowned for her swordsmanship during life to fight on the level of Servants also made no sense. Though I think most people unanimously agree that Camelot was on another level entirely.
the singularities are mostly independent of one another, you didn't need to read france to understand rome or rome to understand okeanos. the only plot detail i felt was worth caring about from london was solomon appearing this isn't like fate/stay night where skipping fate and reading the other two will confuse you, this is like skipping inconsequential filler to get to the main arcs. it's fine to read if you like them, but there's no reason to read them if you don't
Honestly, every singularity up until now in the NA server excepting the fourth and sixth has been pretty uninspired, and the major plot details in the fourth were a bit rushed. Despite this flatness, however, the character arcs of various servants have vastly differed in quality from singularity to singularity, kind of roller coaster-like in nature. Septem and London were extremely empty, basically throwing in characters willy-nilly just for the hell of it and having no lasting consequences for any of the characters. Orleans, Okeanos, and especially E Pluribus Unum did a little better, with various characters questioning their ideals and places in the world (Jeanne, Eli/Carmilla, Jalter, Jason, Asterios, Euryale, Edison, Scathach, Medb, Cu Alter, maybe a few others with a little less development). I think those three singularities were enjoyable to read from a literary perspective at least a little. It's no question that Camelot is leagues ahead though. Every single minor servant had a complete story arc with at least some detail, even Nitocris, all the Hassans, and Tawara Touta. Some even got multiple due to the final assault on the Holy City, like Cursed Arm Hassan and Sanzang. I'm a little in awe of how they crammed such quality into a mere mobile gacha game.
Hideyuki Fukasawa is probably the best "new Fate" (post 2010) composer Type-Moon has ever hired (the MONACA guys being a close second). Never a low note from him.
@@tsurugi5 I dont think his work on UBW was bad, the sound mixing and direction was very poor. The OST listened 'in isolation' is very good, but the specific mix used in the anime is riddled with poor timing choices and generally very tame volume. His remixes/rearranges are specially noteworthy. Into The night for example is great, but you get to hear it exactly 12 seconds in the whole anime runtime. Nothing he can do about that. EDIT: Another example is Deep Slumber. Very tastefully done rearrange, but I can barely remember when/where it played during the UBW anime.
@@Goetia544 That would be cool. The best to see imo would be 'The Epic of Gilgamesh', 'The Mahabrahta', 'The Trojan War', ' Arthurian Legend', 'Heracles 12 Labours'. There the main ones id love to see but others I wouldnt mind would be like 'Siegfried or Sigurds story from Germanic or Norse myth' and 'Cu Chulainns legends'. As for Fate,'EMIYAs journey to betraying his ideals' and 'Sefars invasion'
