Glenn Gould - FULL SHOW On How Mozart Became A Bad Composer Or Return Of The Wizard

Подписаться 119 тыс.

Просмотров 20 тыс.

0% 0

The full show featuring Gould's light-hearted and humorous tribute from one musical genius to another. Glenn Gould had a somewhat mixed opinion of Mozart's music: while he was renowned for his interpretations of the works of Johann Sebastian Bach, his views on Mozart were not as consistently enthusiastic. Gould expressed reservations about the emotional expressiveness and the perceived emotional restraint in Mozart's music.
This unique-documentary is significant in several respects. It is the most sustained and pointed of his various public statements about his ambivalent feelings toward Mozart’s music. It marks the first time he let loose the comic side of his public persona on television and concludes with passionate performance of the K. 333 sonata, that up until now has never been released and differs significantly from his three other preserved performances of the work.
Video and audio have been completely restored from the broadcast master.
Footage licensed from WNET. All rights reserved.
-=-=-=-=-=-=-=-=-=-=-=-=
Connect with the GLENN GOULD:
Website: www.glenngould.com
Facebook: / glenngould
Twitter: / glenngould
Instagram: / glenngouldo. .
Spotify: spoti.fi/2lzERRM
iTunes: apple.co/2lB4XE5
RU-vid: bit.ly/2Mq69a9

Опубликовано:

7 мар 2024

Ссылка:

Скачать:

Готовим ссылку...

Добавить в:

Мой плейлист

Посмотреть позже

Комментарии : 100

@88_AC

He would have been a twitter God.

@RodrigoRaez

Only Glenn Gould could have an argument to say that Mozart became a bad composer, what would be a blasphemy for most musicians.

@villain7140

He has changed nothing about my opinion on the greatness of late Mozart, nor on the C minor concerto he singled out for that matter. He has however changed my estimation of the works by the younger Mozart, which I regarded as merely preliminary to the late masterpieces, but Gould proves they were just as brilliant and deserving in their own right. And that’s far more important in my opinion

@cruxofthecookie

It is

@bernhardfbuttner5694

He was so right about older Mozart but i think, some of what he said is true also for the younger one. So boring and predictable most of the time.

@jpharnad

His amazing facility allowed him to do anything he liked with the music. But he could use it both to create wondrous things, and to undermine what was wonderful. In Bach, he had no peer - but even there, after creating something unique, memorable, completely convincing, he couldn't resist going back, later, tampering with it, tampering with the instrument, the tuning, the tempi, the conviction, seeking what? He could also play Beethoven wonderfully, and much, much more. But Mozart! Mozart's magical simplicity seems to have defeated him; perhaps he resented it.

@Teabonesteak

I love listening to Glenn Gould talk.

@ConstanceWhenever

This sounds like Rod Stirling about to show me an improviser becoming unable to write anything in this episode of the Twilight Zone

@tantotonto

Glenn Gould is talking such utter hogwash here. I love Glenn and his genius and his unique contribution to music - which changed our understanding half a century ago.

@classicbib3225 21 день назад

Gould approach to Mozart was oriented more toward harmony and structure and in the last sonata he uses too accentuated staccatos which was his signature style of course, but what works in Bach doesn’t necessarily work with other composers. However, in my opinion best interpreters of Mozart use more legato in their approach, making his harmonious works sound smooth and ethereal, and less cerebral.

@awakenwithoutcoffee

I never realized Glenn's powerful striking blue eyes. I consider him as one of my mentors in spirit, right next to J.S. Bach, Mozart, Beethoven and Chopin.

@horst29

Excited for this

@GreenTeaViewer

One thing is that Mozart's piano concertos were his bread and butter for a number of years, literally his most important income as he received commissions and played them himself. He did indeed produce a large number of them in short order. He grew tired of this and in the last 5 years of his life only wrote 2 or 3 piano concertos. So it is true that a number of the concertos were by-the-numbers affairs. Mozart always had to write voluminously to survive. But he put his heart and soul into his most important works, such as the Da Ponte operas, the last 3 symphonies, and a number of other works. These date from after the "decline" that GG claims.

@luiscolorado

He's the Sheldon Cooper of musicians. Respect!

@RodrigoRaez

I don't share this vision. What about the Magic Flute? He's only talking about the evolution of his piano works.

@kingkongkickthedrum3357

I teared up after listening to nice soft sound.

@donaldcoppersmith1018

Mozart died age 35. The late Mr. Gould uses "in his later years...Referring to Mozart!

@fmoll2509

Играет, как молится.. Единственный и неповторимый Маэстро Гленн ❤

@huikwanyuet2001

welcome back Mr gould

@Kedai610

His points on improvisation remind me of how Amadeus portrayed Mozart. Writing music down that he'd already come up with in his head.The movie makes it look like pure genius, while Gould makes it sound like writing a rough draft and never polishing it.