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J. S. Bach: Piano Partita no. 6 in E minor, BWV 830 - I: Toccata (for marimba solo) 

Anders Elten
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Danish marimbist Anders Elten performs the opening movement - Toccata - of Johann Sebastian Bach's sixth partita for keyboard instrument, in a new adaption for marimba solo.
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About the music:
The toccata from Bach's sixth keyboard partita owes much to the well-developed North German toccata-style (Buxtehude, Böhm etc), in which sections of virtuosic - and at times almost improvisational - character give way to stricter, contrapuntal writing.
Essentially following the above formula, Bach's toccata opens and ends with free-spirited sections steeped in grandiose arpeggios and flourishes, interspersed by a lengthy fugal section. Bach ingeniously manages to weave these seemingly contrasting sections together through the employment of a secondary chordal motif, which first occurs in the exposition. Towards the end of the fugal section, the motif inconspicuously resurfaces and gradually supplies enough momentum for the music to break free of the confinements of the strict fugue; leading us at last into the final section, which elaborates upon, and finally resolves, the emotional struggles of the exposition.
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About the performer:
Danish marimbist Anders Elten is fiercely devoted to the dissemination of the marimba as a modern classical concert instrument. He is the winner of several major music competitions: Among others, the ‘Grand Prize’ at the Enkor Music Competition in Germany, First Prize in both the internal solo, chamber and concerto competitions at the Royal Danish Academy of Music, as well as third prize and the ‘Keiko Abe Honorary Award’ in the Universal Marimba Competition in Belgium.
Lately, he has been the recipient of the prestigious Sonning Talent Prize, the Harbye Foundation scholarship, the Gladsaxe Music Prize as well as the Danish Radio P2 Talent Prize.
In 2017 he joined forces with renowned Danish percussionist Mathias Reumert, and as a duo they have played numerous concerts all over Denmark. In 2021, the French composer Phillippe Manoury dedicated "ARGUMENTA" to them - a brand new piece for percussion duo - and it was premiered later that year. In mid 2022, they will release their debut album, featuring music by aforementioned Phillippe Manoury, as well as a new arrangement of "Le Tombeau de Couperin" by Maurice Ravel.
Aside from his concert activities, Anders Elten currently holds the position of marimba teacher at the Royal Danish Academy of Music in Copenhagen, from where he also obtained his soloist class diploma in 2019, having studied with prof. Gert Mortensen.
For more information, please visit www.anderselten.com.
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Video and sound recording: Torsten Jessen
Location: Musikhuset København

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20 янв 2022

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Комментарии : 34   
@jaynainsync
@jaynainsync 2 месяца назад
Ilove thiS!!!! Bach on marimba is why I wanted to learn the instrument in the first place! Thank you for your lovely and intimate interpretation of this piece. You have an understanding of the energy between notes unlike many others. I deeply appreciate your dedication to the subtle nuances in execution of your concepts...very inspiring for the rest of us!
@bovestergaard-thomsen1953
@bovestergaard-thomsen1953 2 года назад
What a beautifully played transcription of the Toccata. Sounds as if it was an original work for marimba. The tempos and phrasings are perfectly balanced. Anders Elten is an extraordinary musician. He seems completely to have transcended the technical difficulties connected with playing Bach on a marimba (only 4 mallets compared with the pianists 10 fingers), and he is able to shape the music in a way that can compete with the best recordings by pianists.
@konst1887
@konst1887 Год назад
I can’t put into words how happy this makes me
@wonderofnature7510
@wonderofnature7510 Месяц назад
WHY?? SOUNDS SO SAD THIS PIECE
@timothydeneffe249
@timothydeneffe249 Год назад
The voicings you interpreted to this arrangement are simply "right". Well done.
@nimax97
@nimax97 Год назад
Sounds so ethereal on the marimba. Maestro Bach would be proud.
@LAK_770
@LAK_770 2 года назад
Beautifully played/transcribed. One of the best interpretations I’ve heard, not just for a transcription, but overall. The septuplets in particular have a great feel to them, very even yet organic
@anderseltenmarimba
@anderseltenmarimba 2 года назад
Thanks for your kind words!
@andremarchal7808
@andremarchal7808 Год назад
Quelle merveille ! Johann Sebastian Bach, père spirituel de tous les musiciens, serait fier de vous ! Dans l'imposante fugue centrale, vous restituez le contrepoint des 3 voix à merveille. Vraiment, merci !
@Sid_music
@Sid_music Год назад
this is magic... brings about strong feelings. Ethereal performance... Bach's music always seems to be adding up and piling up till it all just collapses and then the cycle repeats... Amazing performance... It's scary how your interpretation is so good! Absolute genius! Those low notes sound like out of this world on the marimba... WOWW
@berulan8463
@berulan8463 2 года назад
Amazing how gently those notes are tapped out of the wood. And you can let it sound as if Bach wrote that piece for marimba, great.
@reglementme6321
@reglementme6321 4 месяца назад
This is a full on performance, not only very musically but you are even « in » the music. ❤
@galahadthreepwood9394
@galahadthreepwood9394 2 месяца назад
Bravo 👏 superb
@Johanvibes
@Johanvibes 9 месяцев назад
Wow, great performance of this piece, sooo beautiful !!!!
@nicolashuynh5789
@nicolashuynh5789 2 года назад
Je ne peux pas faire mieux qu'approuver ce commentaire sans réserve ! Superbes phrasés et nuances, quelle musicalité et quelle maîtrise technique ! Bravo.
@dtopham100
@dtopham100 Год назад
Very nicely done. I love your interpretation. A pleasure to listen to.
@peterjongsma2779
@peterjongsma2779 Год назад
What a treat.
@privateprivate22
@privateprivate22 Год назад
Gorgeous performance, the polyphony in fugue sounds so transparent, it’s mesmerizing even with limited dynamic. Is it possible to get the whole partita? Thank you for uploading, it is the best one and I know almost every famous version.
@differentstones
@differentstones 11 месяцев назад
Superb! ❤
@thinkbaroque
@thinkbaroque 5 месяцев назад
Beautiful!
@eboone
@eboone 10 месяцев назад
Beautiful
@AgentNight1
@AgentNight1 10 месяцев назад
spectacular
@shan1231
@shan1231 2 года назад
I cannot imagine how difficult it is to play this on Marimba, and you did it so well! This is one of my favourite renditions of the piece. Thank you for uploading this!
@anderseltenmarimba
@anderseltenmarimba Год назад
Thanks a lot, that's great to hear! You're very welcome :)
@avanti_sognatori
@avanti_sognatori 8 месяцев назад
Allucinante!!! 😳😳😳
@bruin4Christ
@bruin4Christ 7 месяцев назад
I feel sorry for the billions of people before my time who did not have access to such fine music.
@Carnavalda
@Carnavalda 2 года назад
A few months ago I searched for bach played on marimba but I didn't find much I like. But today youtube algorithm somehow worked and I am finally listening to this! Thanks for this video! This is so good.
@anderseltenmarimba
@anderseltenmarimba 2 года назад
I'm very happy to hear that!
@yordanpetkov7232
@yordanpetkov7232 6 месяцев назад
What kind of mallets do you use? You are incredible!!!
@gioartval3662
@gioartval3662 10 месяцев назад
Fuga: 2:10
@gioartval3662
@gioartval3662 10 месяцев назад
Fuga: 2:08
@OwenP26
@OwenP26 6 месяцев назад
just wondering - why play the resolutions so quietly?
@anderseltenmarimba
@anderseltenmarimba 6 месяцев назад
Hi, thanks for your interesting remark! The simple answer is taste. A more elaborate answer would involve diving into the works of C.P.E Bach and his contemporaries, where it is mentioned that harmonic tension/dissonances should be paired with louder dynamics, whereas consonances generally take the softer dynamics. Of course such a rule is destined to be broken - but it is a rather interesting principle to work with (light/dark), especially on an instrument like the marimba where we have quite limited means of articulation.
@OwenP26
@OwenP26 6 месяцев назад
@@anderseltenmarimba Thanks so much for your detailed response. Definitely fitting for marimba.
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