Long as you know-- I informed my family to play "Long as you know" in remembrance of me. I love it dearly. Yes: I know about Gaucho, which I also love; but this,to me is the epitome of the jazz fusion that moves me and gives reason to my life. I know every nuance, every chord change -- everything! And I love it! Words cannot express the debt I owe to Keith & Co, I don't know about anybody else on the planet, but I don't care about anything else except what the music means to me-- which is EVERYTHING! This is music that will live on forever and be loved by people like me always. Thank you Keith Jarrett !
I love how 'Long as you know', never resolves : the constant tension all the way through, is unbelievable. ps: Jon Christensen (RIP),throughout this concert, is his usual 'deadpan dynamite' on those drums
Usually, it was the concert-goers who had egg on their faces if someone coughed or had the temerity to shift their weight from one butt-cheek to another...the guy was VERY touchy. After scolding the audience a few times for making noise, he stopped a concert I was at in Oberlin Ohio when the sound of an ambulance siren leaked into Finney Chapel. Fantastic musician, bit of a nut...
I don't think the playlist you submitted is correct... for example what you can hear at 7:25 is Solstice and not Mandala... Plus I think that Mandala is the opening tune... can someone double-check the list? Thanks for submitting this though: amazing stuff indeed!
0:00 - Mandala 7:25 - Solstice 22:14 - 'Long As You Know You're Living Yours 40:11 - Give Me Your Ribbons, I'll Give You My Bows There is a part one or first set concert, and the uploader just wrote one description for both videos. Hope this helps!
Weiß jemand, wie Jan Garbarek zwischen 5.47 und 6.09 diese schnellen Repetitionen macht? Ich denke für eine normale Doppelzunge ist es zu schnell? Does anybody knows how Jan Garbarek manages this very fast repetitions from 5.47 till 6.09? I think it is too fast for a normal dubble tonguing?
I believe this is the "machine gun" effect done by forcing the air to vibrate the tongue as it clings to the roof of the mouth with the tip dropping behind the lower teeth. The air itself vibrates the tongue as though the tongue were a passive reed. Therefor the effect doesn't rely on the musculature of the tongue as such.
