I have not 'seen' one better but I've heard one better. Listen to a 1935 recording of this piece by the great but under appreciated Claudia Muzio. It is stunning and heartbreaking.
Indeed, but it is very sad to see her in the deplorable production of the opéra de Paris wearing a jogging and sweat shirt, she deserves so much better 😢
Se non si brucia per sbagliare repertorio, abbiamo uno dei migliori soprani dei prossimi vent'anni. Timbro, presenza, bellezza, suoni ben girati e soprattutto non strilla e non è pettegola nella voce. Adorabile.
Praised for her vocal beauty, seamless technique, and abundant musicality, Nadine Sierra is being hailed as one of the most promising, young talents in opera today. She was named the Richard Tucker Award Winner in 2017 and was awarded the 2018 Beverly Sills Artist Award by the Metropolitan Opera. Having made a string of successful debuts at the Met, Teatro alla Scala, Opéra national de Paris, and Staatsoper Berlin, she has become a fixture at many of the top houses around the world. On August 24th, 2018, her debut album, There’s a Place for Us, was released under the Deutsche Grammophon/Universal Music labels.
Addio, del passato bei sogni ridenti Le rose del volto già sono pallenti L'amore d'Alfredo perfino mi manca Conforto, sostegno dell'anima stanca Conforto Sostegno, ah! Della traviata sorridi al desio A lei, deh, perdona Tu accoglila, o Dio Le gioie, i dolori tra poco avran fine La tomba ai mortali di tutto è confine! Non lagrima o fiore avrà la mia fossa Non croce col nome che copra quest'ossa! Non croce Non fiore, ah! Della traviata sorridi al desio A lei, deh, perdona Tu accoglila, o Dio! Ah tutto, tutto finì Or tutto, tutto finì!
Artista absoluta. Lo tiene todo, canta con una profundidad y extensión sublimes, maneja todos los matices, tiene un color vocal de belleza infinita, posee una escena impactante y una preciosidad natural. Sin dudas, la soprano de una proyección sin límites, por su trabajo perfeccionista, sus condiciones, por su juventud y por un talento fabuloso
@@Frozenfan1965 It's not about the air, but about the interpretation and stability of the voice she sings. If I didn't know what was going on with the character, I would have thought that she was just depressed... No soprano can compare with Maria Callas who deliberately shook her voice to show that Violetta is dying ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-7rxLnweoHG0.html Thanks for Tuberculosis I didn't know how to spell it in English.
@@ninastaiger1953 I do not argue, she has a very beautiful voice, excellent technique and gorgeous appearance 🥰👍👍 Yes, perhaps, due to the large size of the Metropolitan Opera, it is better not to risk it and direct the voice to the last row of balconies as it should.
