LUMIX GH5 & ATOMOS NINJA V | Cinematic Test Footage | 4K ProRes 

you would do amazing things with my komodo and r5 (or any camera :). just a shame we dont live closer together....

@@TheLostKuma sure is dude. How you finding the Komodo?

Never did get round to this 🙄. Sorry guys, other things took over!

Thanks man! Totally agree with you. Still holding it’s own against much newer competition 🤘

Carlos Alvarado Photography cheers fella 😊 hope you’re good man 🙌

Thanks! Glad you liked it

Thanks mate. GH5S is still a beast 🤘

There's the G9 too

Thank you man. GH5 still smashes it for me no doubt about that

Thanks mate :)

Thanks!

Thanks chap. Yes, more often that not

Carl Ring thanks mate. Always 60 and 24. 60p vs 50p is the difference between 50% or 40% playback speed so it gives you a bit slower slow motion. I don’t worry too much about NTSC/PAL. It only really mattered in the days of analogue TV. 23.98/24 is the cinema standard today regardless of where you’re shooting. Just have to watch out for flickering lights indoors as it’s 50Hz frequency here in the UK, but all you need to do is switch your shutter to 1/100 to get rid of it. That’s pretty much it. Hope that helps

Thanks mate. Always V-Log

Thanks mate 😊. For sure, I was having a look at a few recently funnily enough. Definitely on the to do list. Any recommendations?

@@RoweFilms for sure - you need to get into vintage glass now though! Prices are going crazy at the moment. Want to connect on messenger?

Settings were 4K 60p 8 bit 150mbps in camera, pushing out as 10 bit via the HDMI setting. Picture profile was V-Log L with no adjustments to the profile, just as it comes. Codec ProRes 422. Exposure wise that's a pretty big topic to explain in a comment as it depends entirely on the scene and lighting conditions, but I mostly use waveform and zebras (set to 75%). Generally speaking, with outdoor daylight shots like this with loads of bright sky, I expose as high as I can get away with without clipping. Basically when the zebras show, dial back slightly. Then I bring the exposure back down to where it needs to be in post, and grade. If highlight clipping isn't so much of an issue then I take a bit more care with the waveform, dip into false colour now and then, basically make sure skin tones and middle grey etc sit roughly where they should be. But as a general rule I always try to have a nice bright exposure to get the shadows out of the noise floor. Hope that helps

@@RoweFilms Appreciate the reply! basically we are doing almost the same, the difference is that I reduced the sharpness in the v-log to -5 and use ProRes HQ. Just a nother question please , did you use the VND and BPM filters at same time?

Save Michael no worries. Yeh man I stack them Lens > diffusion > ND 👍🏻

@@RoweFilms thank you very much! have a good one.

You too mate!

Sorry I don’t understand the question

IronCross Media ProRes files on a Mac handle like a dream. Didn’t skip a beat 👌

Jonatan Urban for sure. Especially so in the grade 👌

@@RoweFilms even with 10bit 24fps?

@@jonatanurban9360 you won't visibly "see" the difference between this and the All-i 400mb/s codec. But like he said in editing/color grading is when you see the difference (between 4k 60 10bit vs 8bit) if you shoot alot of 4k 60 and want 10bit. I sent back the Ninja V after doing some tests vs the C4k All-i 400mb/s codec. Wasn't that noticeable of a difference even grading 4k 60 footage. In my mind the main advantage to me is being able to have a TB of storage (or more) with an SSD. That's awesome, and if I didn't already have a monitor I probably would have kept it, but I opted for (4) 256gb SD cards that can handle the 400mb/s instead

@@avsvisual6786 these sd card's are so extensive. It might actually be worth buying an atomos and ssd. + extra features.

@@jonatanurban9360 lol they 256 definitely are for sure, but they are cheaper than some others I've seen (I can't imagine needing CFAST cards!). I would get the Ninja if I didn't have a monitor already. But I was thinking about when I don't need/want or can't have a monitor, it would be nice to shoot that high codec and not worry about storage. So essentially I almost spent that same on 4 256gb cards as the Ninja, but I'm more portable (not that I'm traveling any right now lol). I would definitely get the Ninja if you don't have a monitor already, but 1) don't waste your money on the Angelbird SSDs, get a Samsung it worked fine, and 2) don't get the AtomX card reader, just get a cheap m.2 SSD to USB 3.0 reader to connect to your computer, much cheaper

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