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Michel Legrand & Phil Woods 4tet 2001 Montreal - Once Upon A Summertime 

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Michel Legrand & Phil Woods Quartet
July 1, 2001
22. Festival International de Jazz de Montreal, Spectrum of Montreal, Montreal, Canada
Michel Legrand - piano, vocals
Phil Woods - alto sax
Eric Lagace - bass
Ray Brinker - drums
Once Upon A Summertime

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4 май 2012

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Комментарии : 11   
@pascalepoher4903
@pascalepoher4903 5 лет назад
Quelle belle réalisation ces deux géants ensemble !!! Quel magnifique interprétation avec tous ces merveilleux musiciens .....
@MyBailey777
@MyBailey777 5 лет назад
Commenting on Michel's singing. Remember, that's what he does. It's all part & parcel with his great compositions, extraordinary piano skills and being able to bring his works to life, especially when he shares the stage with another maestro like Phil. Just enjoy the work of 2 artists complementing each other.
@norbert19able
@norbert19able 7 лет назад
Amazing, fantastic, great, I never ear before, C'est extraordinaire. Bravo Michel et tout voter group.
@KathrynKeats
@KathrynKeats 11 лет назад
my heart opens when i hear Legrand interpret
@glenntomassi3442
@glenntomassi3442 3 года назад
Ah beautiful two masters 👍🤗⭐⭐⭐⭐⭐🙏
@elianeluty2065
@elianeluty2065 2 года назад
Merci beaucoup
@an334
@an334 7 лет назад
I guess phil played with very early vi. I love his sound...
@JAMESDARLAYS
@JAMESDARLAYS 10 лет назад
ok, it's at me today...
@Cantbuyathrill
@Cantbuyathrill 10 лет назад
What the hell was that at 2:05? Come on Phil, u know better than that. Cordially, a long-time follower.
@mrj335
@mrj335 10 лет назад
Yep I tend to agree with Zeit Geist. Too much colour all round. Messy. Great playing but smothered.
@Cantbuyathrill
@Cantbuyathrill 10 лет назад
Mr. Legrand messed up the proceedings the moment he started vocalesseing at 3:18. His awesome piano-playing needs no adding to, so why the superfluous overkill by trying to mimic Phil's horn? To each his/her own, he should've stuck with the piano and dropped all that Yabba-dabba-doo Scoobie-doo-bee-doo shit which is only typically gone to (and resorted to) by much much lesser musicians.
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