ことぶき光「「2D OR NOT 2D」ですね。あれは、僕が全部オケを作って…歌メロも作ってたんだけども、平沢さんがボーカルブースに入って、全然違う風に歌っちゃってね(笑)。スタジオに入る前の音を作ってる段階では、平沢さんはいなかったですね。僕と当時のエンジニアとマネージャーの3人でトラックを作って、その後、多分僕がジェットコースターに乗りに富士急ハイランドに行ってる間に平沢さんが全然違う歌にしちゃってましたね。まぁそういうのもアリかな(笑)」
[Lyric JPN ＆ ENG ～折角だから俺は日英の歌詞を置いていくぜ～] エデンに先立つカンブリアへ Back to a Cambrian period older than Eden いざ天井にムーンなお上にはマーズ On the ceiling is the moon, far below Mars 行けサンシャインの形は Wonder what the sunshine is like 壁画じゃどんなか？と When depicted in a mural 2D, 2D or not 2D Hallelujah, Hallelujah 出向は縦横奥行へ Sail into a world with length, width, and depth いざイブとアダムのいる所 Where Eve and Adam exist 胸はヒエラルキー The breasts are hierarchic 髪はフラクタル The hair is fractal CG, CG, CG or not CG O sweet, O sweet 2D, 2D or not 2D 2D, 2D, 2D Or not 2D 2D, 2D, 2D Or not 2D 2D, 2D, 2D Or not 2D 2D, 2D or not 2D ラブリーとは座標のバグらしく Loveliness seems a bug in a coordinate system またはマキューリーはノイズ Or Mercury is a noise 哀愁のノイズ A melancholic noise 木は木霊でノイズ雨憂鬱でノイズ Trees an echoing noise, raindrops a depressing noise エデンに先立つカンブリアへ Back to a Cambrian period older than Eden いざ天井にムーンなお上にはマーズ On the ceiling is the moon, far below Mars 行けサンシャインの形は Wonder what the sunshine is like 壁画じゃどんなか？と When depicted in a mural 2D, 2D or not 2D Hallelujah, Hallelujah 出向は縦横奥行へ Sail into a world with length, width, and depth いざイブとアダムのいる所 Where Eve and Adam exist 胸はヒエラルキー The breasts are hierarchic 髪はフラクタル The hair is fractal CG, CG, CG or not CG O sweet, O sweeeeeeeeeeeeeeeeet 2D 2D OR NOT 2D 2D 2D 2D OR NOT 2D 2D 2D 2D OR NOT 2D 2D 2D 2D OR NOT 2D 2D 2D 2D OR NOT 2D 2D 2D 2D OR NOT 2D 2D 2D 2D OR NOT 2D 2D 2D 2D OR NOT 2D
@@chocococolatte3303 just a combination of some analog and _very_ early digital production tricks. Greenscreening, bitmaps, early 3D modeling programs, stuff done on literal film... It'd be prohibitively difficult to figure out exactly what they did, and with today's easier, cleaner methods, it'd be almost insane to recreate this style as invented.
I know this is an old comment, but for anyone actually curious, I believe the majority of the effects were done on an Amiga computer, running Deluxe Paint (the pixel Birth of Venus and morphing style are a dead giveaway), Lightwave 3D for the CG, and Video Toaster to composite everything together in a mess of video transitions and effects.
