WATCH ALL STUDIO ONE WITH JOE GILDER VIDEOS: • Studio One with Joe Gi... PRESONUS SPHERE: bit.ly/3zku0vN STUDIO ONE: bit.ly/2Tfygx0 #StudioOne #JoeGilder
From 12am yesterday I spent over 6 hours on watching yours and Gregors videos on how to use this DAW Studio One and comparing it to my current DAW FLStudio (which actually is a very flexible and underrated powerful DAW). But your DAW Studio One has won, it is so easy to use (it's like slicing a hot knife through butter), drag and drop on just about everything and also transferring patterns, channels, etc from one song to another with both opened at the same time. And also automatically creating a send channel, by just dragging and dropping an effect plugin (wow!!!). What I have written here is just a touch of what has blown my mind away with this DAW and thank you guys so much for your current offer to allow crossgrading from another DAW. After spending those 6 hours on trial running it, it was a no brainer, take the the offer and switch.
@@TheMicrofox You just had me laughing back at the torture I have put myself through in the past year in just trying to get one project done over a period of weeks. And that is just because I would spend days doing nothing when trying to get back the motivation to get on to the next section. With this DAW being so easy to use i can see myself producing a song in a day now. (Unless I get writers block 😂😂😂)
Thanx Joe. All this time I've been splitting the audio file up. I never realized I could quantize the file as is. Great tip Joe. You just helped me speed up my workflow by just a lot!. I'm from DC and our native sound was created by the Late Great Chuck Brown it's called Go-Go Music. The official music of Washington, DC. However I now live in Texas, but I still write & produce Go-Go. So every now & then I have a percussionist record Conga trax for me & I'm always quantizing them in time so they're perfect in the pocket. Most of the time these files are recorded on his mobile phone so they're mono files for the most part and I also have to select which ones go to the left & right. See there are four drums. Two large bongos that are much smaller than the two congas. So I send the two bongos to the right and the two congas to the left. Then after quantizing everything I bounce them as two mono files then bring them together as a single stereo file.
S1 is pure awesomeness! I scored my first piece of video and it performed wonderfully. I have a number of movie projects that are up coming and can’t wait to really dig into what this beast of a DAW can do!!! Thanks again Joe for these very valuable nuggets!!!
As a live looper who uses studio one, this is how I perform my sets. I have a footswitch mapped to each record button on individual tracks, and I love that I was able to get that setup. However, having the show page functionality of instant tone switching between each midi instrument between songs, COMBINED with this type of mapping, Joe that would change my life. Currently if I want to do a multiple song live set, I have to manually change BPM and tones when I’m done. Obviously that takes forever. I realize I comment this on every video but I promise it will be worth it!
This was one of the things that was really cool when I came over from Cakewalk/Sonar - SO much easier and less problematic in Studio One. The whole process is more intuitive and a lot faster. I have used this with a bit more specificity (doing the detection and tweaking the bend markers) for aligning some bass guitar notes to "the grid" - made the song so much tighter without wrecking the feel or the tone. I actually didn't realize that you could just skip the detection phase and "just tap Q" to get it to do it automagically. Thanks for this video and tip (and the inspiration to occasionally just do some mouth drums and be ok with it!)
Here we go again. Last night, I’m struggling for the one hundredth time to figure out what the hell is wrong with my mix. I’ve sliced and diced to death, and I just can’t get it to work. You may know the feeling: it’s just slightly off enough to drive you crazy. And then, Joe once again telepathically senses my frustration, and comes to my rescue the next morning with the appropriate lesson. Following your instructions and applying the quantization fixed the track in 10 minutes. Unbelievable. I really, really appreciate your help while I’m trying to make music. Thanks so much Joe.
This is awesome to learn! I like recording my audio ideas, but I hated editing the captures to substitute sound. Now that I see this, I can quantize quickly and convert to MIDI!
Super interested in that stumble upon the looping thing. I've been trying to figure out how to do something like how Elise Trouw does in her videos. She uses Ableton, but there has to be a way to get this done in S1. The thing I'm stuck on is how to automate the recording of each loop while the content keeps playing. You and Gregor should go into the lair on that. I'm sure you can come out with a golden egg. Great videos from you two I watch here and the presonus content weekly and ALWAYS learn something. Here is my obligatory "GREGOR!" which you can know expect from time to time. Keep up the good work. Also, you can really sing, man. Good stuff.
This works well for tracks recorded separately, but something like a drumkit were there's a lot of spillover between mics and even overheads needs to be treated a little different. Then time-stretch needs to happen across all simultaneously recorded tracks to avoid phase-issues. Basically, select a couple tracks to perform transient detection. For example kick and snare. After detection group the tracks before quantising using the tracs with detected transients as guide-tracks.
Amazing work flow ideas! Love it. I could see this as a quick way to record stacked BGV's and tighten them. Also what command did you do to make the audio file fit the 4 bar loop? I need to know that. Lastly could you do a tutorial on how to use groove templates in S1? Thanks!
Yeah, I know about Q. It is one of the major reasons I switched to Studio One. In Cubase the process was so complicated I never knew what I was doing. In Reaper I had to set up my own buttons for different quantization functions. In Studio One it is all there and simple. Like pressing Q for the default quantization.
Hey Joe, Jacob Collier has a key command set up in Logic for when he is recording his insane harmonies. From what it appears, it will create a new track and arm it for recording at the playhead position. Check out his HarmU vids and you will see. Is there a way to do this in S1?
i really like this program, I only have one problem, -> I cannot make my old (NI)kore midi interface working with it - in cubase everything is fine, but here nothing, only in the option-menu i can see it -- anyone ???
The decision to put the transient on the energy of the hit is a nice idea but it makes beats constantly early or late when retriggering drums, I wish S1 gave an alt option for the transient to be at the start of the sound like other DAWs
Joe, during the video you said after quantizing an audio clip, you bounce the corrected clip to ensure Studio One doesn’t do additional stretching and processing in real-time. Surely, that can’t be right. After you quantize a piece of audio, Studio One should be smart enough to simply playback the stretched audio clip rather than do real-time processing to stretch the audio clip during playback, right?
The previous comments got it before we could! Yes! You can absolutely record "takes to layers" or just add layers manually to a single (or multiple tracks grouped at a time) and then "Expand" layers to easily select your favorite take, or even "comp" together your favorite from a combination of sections from multiple takes for the "perfect" take!
@@frunzli8148 I know right! These short tips videos have been helping so much. I really can't take the long ones... I mean, Joe is a nice guy and entertaining.. but he isn't *pretty* 😁 and I'm not gay
