Typically when the disciple/s are brought to accompany their Guru to the stage these days, it's not only the exposure and stage training for them, it's also good exposure to their Guru as well as a successful musician. So, it benefits both.
I love the way your Taanas go, they so crisp and clear and sssooo perfect ❤️ always. No one can match this level of accuracy other than your father and you 🙏🏻
So beautiful & sublime once again. This is how a genius musician elevates a raga & bandish to newer & newer heights of divine singing & an apt listening experience. Thank you for this upload. Sincere reverence & gratitude once again. ❤❤🙏🙏🙏
This an unique bridge or silver line between aesthetic performance and Supra aesthetic feeling. Kausiki’s performances are ever unique and special.👌👌🏼🙏🙏👍👍
Good morning didivai. This is amazing song and wonderful music video dadavai. Thank you for the shearing dadavai. Lots of love ❤❤❤❤❤ khub bhalo and sustho thakben. Aamar antorik pronam naben didivai........ 🙏🙏🙏🙏🙏🎵🎵🎵🎵🎵
I've heard numerous renditions of "Palan laagi" but - and I've no hesitation whatsoever in admitting that this one stands out. The 7-minute aalap sets a poignant tone of what's to come - a serene, dhrupadi interpretation of Kalavati the likes of which are extremely rare to come by. As a child I had heard "Kalavati r ekta awdbhut modira aachhe" ... it sways and swings the soul. It's an incredible feeling to experience that "modira" in a way so solemn and dignified. Herein lies the quintessence of the "new you" - crisp, compact, controlled - balancing the cheery with the serious with innate free flowing grace. Footnote: aamar shomosto "Chholona jaani"-r uchchhaash aatke aachhe 1983 te, Nana Ronger Gaan-e. Chirojiboner moto. But that said, this recital does indeed stand out super-strong on its myriad merits. Regards, love and God-bless
The "reverb" is too high and hence, an extensive "humming" of the entire rendition is being perceived which in turn degenerates its audible quality and thus, its imotional status.
